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Under the Sign of Nature Ser.: Explorations in Ecocriticism: Going by Contraries
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所在地:Bluffton, Indiana, 美國
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eBay 物品編號:175102541986
物品細節
- 物品狀況
- 良好
- 賣家備註
- Subject Area
- SCIENCE
- Educational Level
- Adult & Further Education
- Features
- FIRST PUBLISHED 2002
- Subject
- Science
- Level
- Advanced
- ISBN
- 9780813921112
關於產品
Product Identifiers
Publisher
University of Virginia Press
ISBN-10
0813921112
ISBN-13
9780813921112
eBay Product ID (ePID)
2179932
Product Key Features
Number of Pages
240 Pages
Publication Name
Going by Contraries : Robert Frost's Conflict with Science
Language
English
Subject
United States / 20th Century, American / General, Poetry, Science & Technology, Subjects & Themes / General
Publication Year
2002
Type
Textbook
Subject Area
Literary Criticism, Biography & Autobiography, History
Series
Under the Sign of Nature Ser.: Explorations in Environmental Humanities
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
19.8 Oz
Item Length
9.6 in
Item Width
6.4 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2001-007450
Reviews
One of the strongest books on Frost I've read, Going by Contraries is full of interesting readings of many overlooked poems and full of arguments that place Frost in the tradition of American nature writing more squarely than any previous work has done. Hass is exactly right when he suggests that in the poetry of Frost, a human being is capable of surmounting 'our cosmic loneliness,' reclaiming nature by projecting on it the 'saving structures' that give it meaning.... Hass has written an intellectual history of Frost's poetry, and this has long been needed. -- Jay Parini, Middlebury College, author of Robert Frost: A Life, One of the strongest books on Frost I've read, Going by Contraries is full of interesting readings of many overlooked poems and full of arguments that place Frost in the tradition of American nature writing more squarely than any previous work has done. Hass is exactly right when he suggests that in the poetry of Frost, a human being is capable of surmounting 'our cosmic loneliness,' reclaiming nature by projecting on it the 'saving structures' that give it meaning.... Hass has written an intellectual history of Frost's poetry, and this has long been needed.
Dewey Edition
21
Grade From
College Graduate Student
Dewey Decimal
811/.52
Table Of Content
Acknowledgments Introduction 1. A Narrow Choice the Age Insisted On 2. Darwin 3. We Are Sick with Space 4. Education by Poetry 5. The Risk of Spirit in Substantiation Notes Bibliography Index
Synopsis
A major problem facing American modernist poets was how to accommodate poetry and religion in a culture that considered science its most reliable source of truth. In this work, Robert Bernard Hass examines the ways in which conflict with science affected the development of Robert Frost's career., One of the most vexing problems facing American modernist poets was how to find a place for poetry and religion in a culture that considered science its most reliable source of truth. By the time Robert Frost began writing, the Emersonian concept of nature as an analogue for a benevolent deity had been replaced among the scientifically educated by the view that nature's mechanisms were based solely upon accident, competition, and survival. Immersed in his mother's peculiar blend of Emersonian and Swedenborgian mysticism, and already inclined by age sixteen toward a career in poetry, Frost not only saw his religious belief shattered by Darwin's theory of natural selection but also recognized that poetry, in the wake of stunning scientific accomplishment, was slowly losing to science what was left of its cultural authority. With both designer and purpose absent from the post-Darwinian world, the old religious orders appeared trivial, and humankind found itself dislodged from the center of the natural order. This view of nature, coupled with a series of debilitating personal tragedies, plunged Frost into a spiritual crisis, which he surmounted by writing poetry. Arguing that the central problem of Frost's career was his conflict with science, Robert Bernard Hass examines the ways in which the conflict affected the development of Frost's career from beginning to end. Hass situates the poet's work in the intellectual ferment of the late nineteenth and early twentieth centuries and argues that as materialism collapsed under the weight of new scientific discovery, Frost began to see science as a historically conditioned mode of perception. Gradually viewing science as an imposed construct rather than a literal transcript of the physical world, Frost ameliorated his fear of science's disturbing conclusions, reaffirmed his belief in a spiritual reality, and subsequently formulated the most convincing defense of poetry since Sidney. In this engaging and substantial exploration of Frost and the philosophical and scientific currents that influenced him, Hass situates the poet as a foundational figure in ecocritical thought., One of the most vexing problems facing American modernist poets was how to find a place for poetry and religion in a culture that considered science its most reliable source of truth. By the time Robert Frost began writing, the Emersonian concept of nature as an analogue for a benevolent deity had been replaced among the scientifically educated by the view that nature?s mechanisms were based solely upon accident, competition, and survival. Immersed in his mother?s peculiar blend of Emersonian and Swedenborgian mysticism, and already inclined by age sixteen toward a career in poetry, Frost not only saw his religious belief shattered by Darwin?s theory of natural selection but also recognized that poetry, in the wake of stunning scientific accomplishment, was slowly losing to science what was left of its cultural authority. With both designer and purpose absent from the post-Darwinian world, the old religious orders appeared trivial, and humankind found itself dislodged from the center of the natural order. This view of nature, coupled with a series of debilitating personal tragedies, plunged Frost into a spiritual crisis, which he surmounted by writing poetry. Arguing that the central problem of Frost?s career was his conflict with science, Robert Bernard Hass examines the ways in which the conflict affected the development of Frost?s career from beginning to end. Hass situates the poet?s work in the intellectual ferment of the late nineteenth and early twentieth centuries and argues that as materialism collapsed under the weight of new scientific discovery, Frost began to see science as a historically conditioned mode of perception. Gradually viewing science as an imposed construct rather than a literal transcript of the physical world, Frost ameliorated his fear of science?s disturbing conclusions, reaffirmed his belief in a spiritual reality, and subsequently formulated the most convincing defense of poetry since Sidney. In this engaging and substantial exploration of Frost and the philosophical and scientific currents that influenced him, Hass situates the poet as a foundational figure in ecocritical thought.
LC Classification Number
PS3511.R94Z743 2002
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