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Japanese Visual Culture Ser.: Art and Palace Politics in Early Modern Japan,...
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所在地:Brooklyn, New York, 美國
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關於物品
物品細節
- 物品狀況
- Country of Origin
- Japan
- ISBN
- 9789004206120
關於產品
Product Identifiers
Publisher
Brill
ISBN-10
9004206124
ISBN-13
9789004206120
eBay Product ID (ePID)
109128179
Product Key Features
Number of Pages
296 Pages
Publication Name
Art and Palace Politics in Early Modern Japan, 1580s-1680s
Language
English
Publication Year
2011
Subject
Asian / General, Asia / Japan, Art & Politics, Asian / Japanese, History / General
Type
Textbook
Subject Area
Art, History
Series
Japanese Visual Culture Ser.
Format
Hardcover
Dimensions
Item Weight
40.1 Oz
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2011-021901
Dewey Edition
23
Reviews
Art and Palace Politics in Early Modern Japan is a beautiful produced volume, the second in Brill's Japanese Visual Culture series. Copiously illustrated in color, its plates are inserted throughout the book close to the relevant text rather than placed in a separate section. Its thorough and scholarly treatment of diverse topics relevant to the intersection of politics and elite culture during a vital period of Japan's history make the volume an extremely valuable resource for all students and scholars of Japan. - Journal of Japanese Studies 40:1 (2014)
Series Volume Number
2
Illustrated
Yes
Dewey Decimal
709.52/09031
Synopsis
During the first century of Japan's early modern era (1580s to 1680s), art and architecture created for the imperial court served as markers of social prestige, testifying to the enduring centrality of the palace to the cultural life of Kyoto. Emperors Go-Yozei and Go-Mizunoo relied on financial support from ruling warlords--Toyotomi Hideyoshi and the Tokugawa shoguns--just as the warlords sought imperial sanction granting them legitimacy to rule. Taking advantage of this complex but oftentimes strained synergy, Go-Yozei and Go-Mizunoo (and to an unprecedented exent his empress, Tofukumon'in) enhanced the heriditary prerogatives of the imperial family. Among the works described in this volume are masterpieces commissioned for the residences and temples of the imperial family, which were painted by artists of the Kano, Tosa and Sumiyoshi ateliers, not to mention Tawaraya Sotatsu. Anonymous but deluxe painting commissions depicting grand imperial processions are examined in detail. The court's fascination with calligraphy and tea, arts that flourished in this age, is also discussed in this profusely illustrated volume., Magnificent art and architecture created for the emperor with the financial support of powerful warlords at the beginning of Japan's early modern era (1580s-1680s) testify to the continued cultural and ideological significance of the imperial family. Works created in this context are discussed in this groundbreaking study, with over 100 illustrations in color., During the first century of Japan s early modern era (1580s to 1680s), art and architecture created for the imperial court served as markers of social prestige, testifying to the enduring centrality of the palace to the cultural life of Kyoto. Emperors Go-Y zei and Go-Mizunoo relied on financial support from ruling warlords Toyotomi Hideyoshi and the Tokugawa shoguns just as the warlords sought imperial sanction granting them legitimacy to rule. Taking advantage of this complex but oftentimes strained synergy, Go-Y zei and Go-Mizunoo (and to an unprecedented exent his empress, T fukumon in) enhanced the heriditary prerogatives of the imperial family. Among the works described in this volume are masterpieces commissioned for the residences and temples of the imperial family, which were painted by artists of the Kano, Tosa and Sumiyoshi ateliers, not to mention Tawaraya S tatsu. Anonymous but deluxe painting commissions depicting grand imperial processions are examined in detail. The court s fascination with calligraphy and tea, arts that flourished in this age, is also discussed in this profusely illustrated volume.
LC Classification Number
N7353.5
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