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Interactive Composition : Strategies Using Ableton Live and Max for Live, Pap...

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ISBN
9780199973828
Book Title
Interactive Composition : Strategies Using Ableton Live and Max for Live
Publisher
Oxford University Press, Incorporated
Item Length
11 in
Publication Year
2015
Format
Trade Paperback
Language
English
Illustrator
Yes
Item Height
0.7 in
Author
V. J. Manzo, Will Kuhn
Genre
Music
Topic
Instruction & Study / General, Instruction & Study / Composition
Item Weight
26.8 Oz
Item Width
8.5 in
Number of Pages
280 Pages

關於產品

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0199973822
ISBN-13
9780199973828
eBay Product ID (ePID)
203470080

Product Key Features

Book Title
Interactive Composition : Strategies Using Ableton Live and Max for Live
Number of Pages
280 Pages
Language
English
Topic
Instruction & Study / General, Instruction & Study / Composition
Publication Year
2015
Illustrator
Yes
Genre
Music
Author
V. J. Manzo, Will Kuhn
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
26.8 Oz
Item Length
11 in
Item Width
8.5 in

Additional Product Features

Intended Audience
Trade
LCCN
2014-020346
Reviews
From the Foreword by Morton Subotnik: "The authors' simple and direct approach to teaching how to use these powerful tools within a single environment will empower anyone to experiment with his/her own musical creativity and expressiveness."--Morton Subotnik "I loved this book...It's a great way to learn, but it also sets up an excellent approach for teaching music technology in a unique and fun way. Highly, highly recommended."--Darwin Grosse, From the Foreword by Morton Subotnik: "The authors' simple and direct approach to teaching how to use these powerful tools within a single environment will empower anyone to experiment with his/her own musical creativity and expressiveness."--Morton Subotnik"I loved this book...It's a great way to learn, but it also sets up an excellent approach for teaching music technology in a unique and fun way. Highly, highly recommended."--Darwin Grosse, From the Foreword by Morton Subotnik: "The authors' simple and direct approach to teaching how to use these powerful tools within a single environment will empower anyone to experiment with his/her own musical creativity and expressiveness."--Morton Subotnik
Dewey Edition
23
Dewey Decimal
781.3/453
Table Of Content
Table of Contents Acknowledgments Preface Chapter 1: Introduction to Interactive Composition Chapter 2: Session View Chapter 3: Introduction to Max for Live Chapter 4: Ambient Chapter 5: Pop & Rock Music Chapter 6: Electro-acoustic Music Chapter 7: Hip Hop & Trap Music Chapter 8: House Music Chapter 9: Breakbeat/Drum & Bass Chapter 10: Chiptune Chapter 11: Granular Synthesis Chapter 12: Dubstep Chapter 13 : Remixing & Loop Sampling Chapter 14: Mastering Chapter 15: Analysis of Projects Bibliography Index
Synopsis
Interactive Composition empowers readers with all of the practical skills and insights needed to compose and perform electronic popular music in a variety of popular styles. This book focuses on the implementation of compositional and production concepts with each chapter culminating in a newly composed piece created by the reader using these concepts. The book begins by introducing Ableton Live and Max for Live as the key tools involved in the creation of interactive composition. The following chapters describe particular musical styles ranging from ambient to chiptune to house to dubsteb and the ways one might compose and perform within these styles through the software. As readers progresses through the book, they will learn to use the software to facilitate their compositional objectives., Interactive Composition empowers readers with all of the practical skills and insights they need to compose and perform electronic popular music in a variety of popular styles. The book begins by introducing all of the tools involved in creating interactive compositions through the software Ableton Live and Max for Live. The following chapters then put the tools to use by both describing particular musical styles and also teaching readers how to compose and perform within these styles using the software. As readers progresses through the book, they will learn to use the software to facilitate their own unique compositional objectives. This book takes readers through all of the steps in designing interactive music compositions. It is geared toward both beginners as well as intermediate and advanced readers, and so readers with even little experience working with digital audio software will quickly learn how to design powerful systems that facilitate their unique compositional ideas. A particular feature of this book is that it discusses the historical context of several electronic music styles used by DJs, electronic musicians, and other artists, and then describes, using software, the technical process used in the composition and performance of these styles. Each chapter leads readers to create an original composition in a given style and also discusses the techniques that can be used to perform the piece in an idiomatic fashion., Interactive Composition empowers readers with the skills and insight needed to compose and perform electronic popular music in a variety of popular styles. This book focuses on the implementation of compositional and production concepts with each chapter culminating in a newly composed piece created by the reader using these concepts.
LC Classification Number
ML74.4.A23M35 2015

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