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Studies in International Performance Ser.: Racial Geometries of the Black...
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所在地：Chicago, Illinois, 美國
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- 很新: 狀況完好的書籍。封面發亮且沒有損壞，精裝本書籍含書皮。不存在缺頁或內頁受損，無褶皺或破損，同時也沒有對文字標注/標記，或在留白處書寫內容。內封面上標記極少。書籍的磨損和破損程度也很低。 查看所有物品狀況定義會在新視窗或分頁中開啟
- ISBN
- 9780230221932
關於產品
Product Identifiers
Publisher
Palgrave Macmillan The Limited
ISBN-10
0230221939
ISBN-13
9780230221932
eBay Product ID (ePID)
71795845
Product Key Features
Number of Pages
Xiv, 209 Pages
Language
English
Publication Name
Racial Geometries of the Black Atlantic, Asian Pacific and American Theatre
Subject
Environmental Science (See Also Chemistry / Environmental), Theater / History & Criticism, Sociology / General, General
Publication Year
2010
Type
Textbook
Subject Area
Performing Arts, Social Science, Science
Series
Studies in International Performance Ser.
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
14.5 Oz
Item Length
8.5 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2009-044609
Dewey Edition
22
Number of Volumes
1 vol.
Illustrated
Yes
Dewey Decimal
792.089/00973
Table Of Content
List of Illustrations Series Editors' Preface Acknowledgements How Uncle Tom's Cabin Killed the King of Siam Passing Between Nations: Racial Impersonation and Transnational Affiliation Melancholy Bodies: Eugene O'Neill, Imperial Critique, and Irish Assimilation American Progress: Tours, Tourism, and Internationalism The Geometries of Swing: A Black Pacific and The Swing Mikados Coda: The Black Face of US Imperialism Notes Bibliography Index
Synopsis
An exciting new work on how black and Asian racial structures were woven together within US theatrical practices in the run up to the Second World War, Steen uses this history to model how we might use performance histories to more carefully assess how racial formation occurs on the boundaries between racial groups in an international context., How did Gilbert and Sullivan's The Mikado come to be performed with a black cast and a swing orchestra? How did Uncle Tom's Cabin become one of the first examples of spoken drama in China? Why did Paul Robeson begin to include Chinese songs in his concert repertoire? What did these performances say to Americans about racial formation at home, and why did the images of blackness in these examples so frequently refer to Asia? Using original archival research, Racial Geometries examines the way images of blackness and Asianness were intertwined in US on- and off-stage performances between the two World Wars. In thinking of these performances as geometries, as a racialized way to measure the earth, we can more attend more carefully to the ways racial formation occurs not through a simple spectrum, but through multiform structures that link national and racial groups in unusual ways.
LC Classification Number
PN1560-1590
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