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Bob Dylan - Blonde on Blonde - 3X LP 180g 45RPM MoFi Mobile Fidelity MFSL Box

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所在地:Saint Paul, Minnesota, 美國
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估計於 8月27日 (星期三)8月30日 (星期六)之間送達 運送地點 94104
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eBay 物品編號:224735662562
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Speed
45 RPM
Type
Triple LP
Record Grading
Mint (M)
Sleeve Grading
Mint (M)
Style
Folk Rock
Record Size
12"
Material
Vinyl
Features
180-220 gram, Sealed
Inlay Condition
Mint (M)
Edition
Limited Edition, Numbered Edition, Reissue
UPC
0821797450096

關於產品

Product Identifiers

Record Label
Mobile Fidelity, Mofy
UPC
0821797450096
eBay Product ID (ePID)
25046042478

Product Key Features

Format
Record
Release Year
2013
Genre
Rock
Artist
Dylan, Bob
Release Title
Blonde on Blonde

Dimensions

Item Height
0.94 in
Item Weight
2.67 lb
Item Length
12.74 in
Item Width
12.67 in

Additional Product Features

Number of Tracks
14
Country/Region of Manufacture
United States
Tracks
1.1 Rainy Day Women #12 ; 35 4:35 1.2 Pledging My Time 3:55 2.1 Visions of Johanna 7:30 2.2 One of Us Must Know (Sooner or Later) 4:57 3.1 I Want You 3:10 3.2 Stuck Inside of Mobile with the Memphis Blues Again 7:07 3.3 Leopard-Skin Pill-Box Hat Lead Guitar - Bob Dylan 3:50 4.1 Just Like a Woman 4:52 4.2 Most Likely You Go Your Way and I'll Go Mine 3:30 4.3 Temporary Like Achilles 5:07 5.1 Absolutely Sweet Marie 4:57 5.2 4th Time Around 4:37 5.3 Obviously 5 Believers Harmonica - Charlie McCoy 3:37 6.1 Sad Eyed Lady of the Lowlands 11:20
Number of Discs
3
Notes
Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released on May 16, 1966, on Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album - "One of Us Must Know (Sooner or Later)". At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded. Blonde on Blonde completed the trilogy of rock albums that Dylan recorded in 1965 and 1966, starting with Bringing It All Back Home and Highway 61 Revisited. Critics often rank Blonde on Blonde as one of the greatest albums of all time. Combining the expertise of Nashville session musicians with a modernist literary sensibility, the album's songs have been described as operating on a grand scale musically, while featuring lyrics one critic called "a unique blend of the visionary and the colloquial". It was one of the first double albums in rock music. The album peaked at No. 9 on the Billboard 200 chart in the U.S., where it eventually went double-platinum, and reached No. 3 in the UK. Blonde on Blonde spawned two singles that were top twenty hits in the U.S. "Rainy Day Women #12 & 35" and "I Want You". Two additional songs, "Just Like a Woman" and "Visions of Johanna", have been named as among Dylan's greatest compositions and were featured in Rolling Stone??'?s 500 Greatest Songs of All Time list.

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