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Andreas Gursky: Werks / Works 80-08, 2008, Very Good hardcover.
US $125.00
大約HK$ 972.39
狀況：
很好
曾被閱讀過的書籍，但狀況良好。封面不存在明顯損壞，精裝本書籍含書皮。不存在缺頁或內頁受損，無褶皺或破損，同時也沒有對文字標注/標記，或在留白處書寫內容。內封面上標記可能極少。書籍的磨損和破損程度也很低。
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運送：
US $6.72（大約 HK$ 52.28） USPS Media MailTM.
所在地：Sacramento, California, 美國
送達日期：
估計於 9月17日 (星期三)至 9月20日 (星期六)之間送達 運送地點 94104
退貨：
30 日退貨. 由買家支付退貨運費，如果你使用 eBay 郵寄標籤，相關費用將從你的退款金額中扣除.
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物品細節
- 物品狀況
- ISBN
- 9783775723381
關於產品
Product Identifiers
Publisher
Hatje Cantz Verlag Gmbh & Co KG
ISBN-10
3775723382
ISBN-13
9783775723381
eBay Product ID (ePID)
71697451
Product Key Features
Book Title
Andreas Gursky : Werke 80-08
Topic
Individual Photographers / General, General, Collections, Catalogs, Exhibitions / General
Publication Year
2009
Number of Pages
272 Pages
Language
Ger,Eng
Illustrator
Yes
Genre
Photography
Format
Hardcover
Additional Product Features
Dewey Edition
22
Dewey Decimal
779.092
Synopsis
In all eras there have been artists who have aspired to encyclopedic summation of the world--"to find a form to accommodate the mess," as Samuel Beckett once put it. The Renaissance marked the juncture at which it became impossible for any one person to have read every book in existence (just as books became widely available for the first time, ironically); today it would be a feat even to count the number of toothpastes in your average grocery store. Andreas Gursky's photographs are merciless in their vertiginous will to make every last tube of toothpaste count, to compel every constituent into legibility. His optical fanaticism is not an effect of specific consumerist critique so much as a desire to set before the eye what was deemed too much for the mind, pressing the extreme surfeit of the world's contents against its limits. For this volume, Gursky has chosen more than 150 works from his fund of photographs, reaching back to his student days at the Folkwang Hochschule Essen and his studies with Bernd and Hilla Becher at the Kunstakademie Düsseldorf. The earliest exposures here include the Desk Attendants series and other unpublished photographs, and the most recent images were conceived especially for the book. Every single exposure in Gursky's encyclopedic morphology is a vital piece in the puzzle, which, over the course of his 28-year career, has amounted to an encyclopedia of the unencompassable., In all eras there have been artists who have aspired to encyclopedic summation of the world--"to find a form to accommodate the mess," as Samuel Beckett once put it. The Renaissance marked the juncture at which it became impossible for any one person to have read every book in existence (just as books became widely available for the first time, ironically); today it would be a feat even to count the number of toothpastes in your average grocery store. Andreas Gursky's photographs are merciless in their vertiginous will to make every last tube of toothpaste count, to compel every constituent into legibility. His optical fanaticism is not an effect of specific consumerist critique so much as a desire to set before the eye what was deemed too much for the mind, pressing the extreme surfeit of the world's contents against its limits. For this volume, Gursky has chosen more than 150 works from his fund of photographs, reaching back to his student days at the Folkwang Hochschule Essen and his studies with Bernd and Hilla Becher at the Kunstakademie D sseldorf. The earliest exposures here include the Desk Attendants series and other unpublished photographs, and the most recent images were conceived especially for the book. Every single exposure in Gursky's encyclopedic morphology is a vital piece in the puzzle, which, over the course of his 28-year career, has amounted to an encyclopedia of the unencompassable.
Text by
Hentschel, Martin
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