REEL TO REAL: RACE, SEX & CLASS AT THE MOVIES By Bell Hooks - Signed By B. Hooks

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Book Title
Reel To Real: Race, Sex, and Class at the Movies
ISBN-10
0415918243
Features
Signed
ISBN
9780415918244
類別

關於產品

Product Identifiers

Publisher
Routledge
ISBN-10
0415918243
ISBN-13
9780415918244
eBay Product ID (ePID)
287015

Product Key Features

Number of Pages
256 Pages
Publication Name
Reel to Real : Race, Sex and Class at the Movies
Language
English
Subject
Film / General, Media Studies, Popular Culture, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / History & Criticism
Publication Year
1996
Type
Textbook
Author
Bell Hooks
Subject Area
Art, Performing Arts, Social Science
Format
Uk-B Format Paperback

Dimensions

Item Height
0.6 in
Item Weight
14.4 Oz
Item Length
9 in
Item Width
6.4 in

Additional Product Features

Intended Audience
College Audience
LCCN
96-026474
Dewey Edition
22
Dewey Decimal
302.23/430973
Synopsis
In Reel To Real , bell hooks talks back to films as a way to engage the pedagogy of cinema--the way film teaches its audience. bell hooks comes to film as a cultural critic, fascinated by the issues movies raise--the ways cinema depicts race, sex, and class. Reel To Real collects hooks' classic essays on films such as Paris Is Burning or the infamous "Whose Pussy Is It" essay about Spike Lee's She's Gotta Have It , as well as newer work on Pulp Fiction, Crooklyn and Waiting To Exhale . hooks also examines the world of independent cinema. Conversations with filmmakers Charles Burnett, Julie Dash, and Arthur Jaffa are linked with critical essays, including a piece on Larry Clark's Kids , to show that cinema can function subversively as well as maintain the status quo., In Reel To Real, bell hooks talks back to films as a way to engage the pedagogy of cinema--the way film teaches its audience. bell hooks comes to film as a cultural critic, fascinated by the issues movies raise--the ways cinema depicts race, sex, and class. Reel To Realcollects hooks' classic essays on films such as Paris Is Burningor the infamous "Whose Pussy Is It" essay about Spike Lee's She's Gotta Have It, as well as newer work on Pulp Fiction, Crooklynand Waiting ToExhale. hooks also examines the world of independent cinema. Conversations with filmmakers Charles Burnett, Julie Dash, and Arthur Jaffa are linked with critical essays, including a piece on Larry Clark's Kids, to show that cinema can function subversively as well as maintain the status quo.
LC Classification Number
PN1995.9.S6H66 1996

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