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The Science of Acting by Sam Kogan {2010, Paperback} *LIKE NEW*
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所在地：Chicago, Illinois, 美國
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- 物品狀況
- 很新: 狀況完好的書籍。封面發亮且沒有損壞，精裝本書籍含書皮。不存在缺頁或內頁受損，無褶皺或破損，同時也沒有對文字標注/標記，或在留白處書寫內容。內封面上標記極少。書籍的磨損和破損程度也很低。 查看所有物品狀況定義會在新視窗或分頁中開啟
- Pages
- 268
- Publication Date
- 2009-08-24
- Personalized
- No
- Subject
- Science
- ISBN
- 9780415488129
關於產品
Product Identifiers
Publisher
Taylor & Francis Group
ISBN-10
0415488125
ISBN-13
9780415488129
eBay Product ID (ePID)
72096530
Product Key Features
Number of Pages
268 Pages
Language
English
Publication Name
Science of Acting
Publication Year
2009
Subject
Theater / General, General, Acting & Auditioning
Type
Textbook
Subject Area
Performing Arts
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
19.5 Oz
Item Length
8.4 in
Item Width
4.5 in
Additional Product Features
Intended Audience
College Audience
LCCN
2009-002838
TitleLeading
The
Reviews
'In this fascinating actor's manual, edited by his daughter, the Russian demystifies how thoughts originate, develop and manifest themselves, working on the theory that if an actor thinks like a character, they will inevitably react, feel and behave like them' - WhatsOnStage.com 'An immensely detailed and illuminating take on the actor's craft and the knowledge which underpins it' - The Stage 'His clear style, using warmly candid personal experiences and humour, makes this an invaluable and compelling study' - WhatsOnStage.com 'Kogan presents readers with a groundbreaking understanding of the sub-conscious and how it can be applied to acting. His original perspective on Stanislavski's texhing gives readers a unique insight into thier characters' minds.' - The Drama Student Magazine.
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
792.02/8
Table Of Content
List of illustrations, About this book, Preface, Acknowledgements, Introduction, PART ONE: The Foundations, ONE. COMPLEXES, TWO. AWARENESS, THREE. EVENTS, FOUR. PURPOSES, FIVE. THE FORMATION OF CONSCIOUSNESS, SIX. MINDPRINT, SEVEN. ACTIONS, EIGHT. FINISHING-OFF THINKING, NINE. TEMPO-RHYTHM, PART TWO: Qualities of an Actor, TEN. IMAGINATION, ELEVEN. ATTENTION, TWELVE. FREE BODY, THIRTEEN. TALENT, PART THREE: Working on a Script, FOURTEEN. THE TEN STEPS, A Marriage Proposal by Anton Chekhov, Author's Afterword, Final Word, Appendix 1: List of Purposes and their definitions, Appendix 2: List of Actions, Appendix 3: The Ten Steps table, Glossary, Notes and bibliography, Index
Synopsis
What is good acting? How does one create believable characters? How can an actor understand a character if they do not understand themselves? In The Science of Acting, Sam Kogan uses his theories on the relationship between neuroscience, psychology and acting to answer these questions. Practical exercises provide a step-by-step guide to developing an actor's ability, culminating in Ten Steps to Creating a Character. He presents the reader with a groundbreaking understanding of the subconscious and how it can be applied to their acting. The author's highly original perspective on Stanislavski's teaching gives readers a unique insight into their character's minds. Sam Kogan studied at the Moscow Institute of Theatre Arts (now the Russian Academy of Theatre Arts) under the tutelage of Professor Maria Knebel. He established The Science of Acting, a complete stand-alone technique. Helen Kogan is the chair and former principal of The Academy of Science of Acting and Directing, has helped to shape her father's words and work for the publication of this book., What is good acting? How does one create believable characters? How can an actor understand a character if they do not understand themselves? In The Science of Acting, Sam Kogan uses his theories on the relationship between neuroscience, psychology and acting to answer these questions. Practical exercises provide a step-by-step guide to developing an actor's ability, culminating in Ten Steps to Creating a Character. He presents the reader with a groundbreaking understanding of the subconscious and how it can be applied to their acting. The author's highly original perspective on Stanislavski's teaching gives readers a unique insight into their character's minds. Sam Kogan studied at the Moscow Institute of Theatre Arts (now the Russian Academy of Theatre Arts) under the tutelage of Professor Maria Knebel. He established The Science of Acting , a complete stand-alone technique. Helen Kogan is the chair and former principal of The Academy of Science of Acting and Directing , has helped to shape her father's words and work for the publication of this book.
LC Classification Number
PN2061.K545 2009
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