第 1/1 張圖片
圖片庫
第 1/1 張圖片
有類似物品要出售？
Screendance: Inscribing the Ephemeral Image
US $95.00
大約HK$ 738.02
狀況：
“Hardback--marking on a few pages--spine and cover excellent--no dust cover”
良好
曾被閱讀過的書籍，但狀況良好。封面有諸如磨痕等在內的極少損壞，但沒有穿孔或破損。精裝本書籍可能沒有書皮。封皮稍有磨損。絕大多數書頁未受損，存在極少的褶皺和破損。使用鉛筆標注文字處極少，未對文字標記，無留白處書寫文字。沒有缺頁。
Oops! Looks like we're having trouble connecting to our server.
Refresh your browser window to try again.
運送：
US $6.82（大約 HK$ 52.98） Economy Shipping.
所在地：Lithia, Florida, 美國
送達日期：
估計於 10月22日 (星期三)至 10月27日 (星期一)之間送達 運送地點 94104
退貨：
不可退貨.
保障：
請參閱物品說明或聯絡賣家以取得詳細資料。閱覽全部詳情查看保障詳情
（不符合「eBay 買家保障方案」資格）
安心購物
物品細節
- 物品狀況
- 良好
- 賣家備註
- “Hardback--marking on a few pages--spine and cover excellent--no dust cover”
- Book Title
- Screendance: Inscribing the Ephemeral Image
- ISBN
- 9780199772612
關於產品
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199772614
ISBN-13
9780199772612
eBay Product ID (ePID)
110896817
Product Key Features
Number of Pages
208 Pages
Publication Name
Screendance : Inscribing the Ephemeral Image
Language
English
Publication Year
2012
Subject
Dance / Modern, Dance / General
Type
Textbook
Subject Area
Performing Arts
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
19.6 Oz
Item Length
6.3 in
Item Width
9.3 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2011-025327
Dewey Edition
23
Reviews
"Doug Rosenberg's genealogy of dance on screens masterfully elucidates the critical issues of this emerging field. A must-read for practitioners and theorists alike."-- Ann Cooper Albright, author of Choreographing Difference, Traces of Light, and Modern Gestures"What happens to awkward, lumpy bodies in the process of mediation and what is the physicality of the mediating technology? This book is a window to the complexities of discourses in Screendance and topics such as the mediated body, screen as site and originality in the age of reproduction which will be key to 21st century culture."--Claudia Kappenberg, International Journal of Screendance, University of Brighton UK"Screendance: Inscribing the Ephemeral Image by Douglas Rosenberg performs the salutary task of introducing to one another a number of domains of discourse that ought to know about each other. Screendance is placed in the context of advanced artmaking, filmmaking, cultural theory, and performance studies while Rosenberg simultaneously suggests the reciprocal significance of screendance to those practices. This is a generous book that opens up thehorizons of the conversation of screendance and much else."--Noel Carroll, Distinguished Professor of Philosophy, The Graduate Center, The City University of New York"Rosenberg is an intelligent, perceptive, often lucid and engaging writer...Screendance has assumed a secure place in the university curriculum, a result that Rosenberg helped bring about and the territory that he knows best." --Dance Current"A richly researched and considered book... An outstanding contribution to theorizing the form." --International Journal of Screendance, "Doug Rosenberg's genealogy of dance on screens masterfully elucidates the critical issues of this emerging field. A must-read for practitioners and theorists alike."-- Ann Cooper Albright, author ofChoreographing Difference, Traces of Light, and Modern Gestures "What happens to awkward, lumpy bodies in the process of mediation and what is the physicality of the mediating technology? This book is a window to the complexities of discourses in Screendance and topics such as the mediated body, screen as site and originality in the age of reproduction which will be key to 21st century culture."--Claudia Kappenberg,International Journal of Screendance, University of Brighton UK "Screendance: Inscribing the Ephemeral Imageby Douglas Rosenberg performs the salutary task of introducing to one another a number of domains of discourse that ought to know about each other. Screendance is placed in the context of advanced artmaking, filmmaking, cultural theory, and performance studies while Rosenberg simultaneously suggests the reciprocal significance of screendance to those practices. This is a generous book that opens up the horizons of the conversation of screendance and much else."--Noel Carroll, Distinguished Professor of Philosophy, The Graduate Center, The City University of New York, "Doug Rosenberg's genealogy of dance on screens masterfully elucidates the critical issues of this emerging field. A must-read for practitioners and theorists alike."-- Ann Cooper Albright, author of Choreographing Difference, Traces of Light, and Modern Gestures "What happens to awkward, lumpy bodies in the process of mediation and what is the physicality of the mediating technology? This book is a window to the complexities of discourses in Screendance and topics such as the mediated body, screen as site and originality in the age of reproduction which will be key to 21st century culture."--Claudia Kappenberg, International Journal of Screendance, University of Brighton UK "Screendance: Inscribing the Ephemeral Image by Douglas Rosenberg performs the salutary task of introducing to one another a number of domains of discourse that ought to know about each other. Screendance is placed in the context of advanced artmaking, filmmaking, cultural theory, and performance studies while Rosenberg simultaneously suggests the reciprocal significance of screendance to those practices. This is a generous book that opens up the horizons of the conversation of screendance and much else."--Noel Carroll, Distinguished Professor of Philosophy, The Graduate Center, The City University of New York "Rosenberg is an intelligent, perceptive, often lucid and engaging writer...Screendance has assumed a secure place in the university curriculum, a result that Rosenberg helped bring about and the territory that he knows best." --Dance Current "A richly researched and considered book... An outstanding contribution to theorizing the form." --International Journal of Screendance, "Doug Rosenberg's genealogy of dance on screens masterfully elucidates the critical issues of this emerging field. A must-read for practitioners and theorists alike."-- Ann Cooper Albright, author of Choreographing Difference, Traces of Light, and Modern Gestures "What happens to awkward, lumpy bodies in the process of mediation and what is the physicality of the mediating technology? This book is a window to the complexities of discourses in Screendance and topics such as the mediated body, screen as site and originality in the age of reproduction which will be key to 21st century culture."--Claudia Kappenberg, International Journal of Screendance, University of Brighton UK "Screendance: Inscribing the Ephemeral Image by Douglas Rosenberg performs the salutary task of introducing to one another a number of domains of discourse that ought to know about each other. Screendance is placed in the context of advanced artmaking, filmmaking, cultural theory, and performance studies while Rosenberg simultaneously suggests the reciprocal significance of screendance to those practices. This is a generous book that opens up the horizons of the conversation of screendance and much else."--Noel Carroll, Distinguished Professor of Philosophy, The Graduate Center, The City University of New York "Rosenberg is an intelligent, perceptive, often lucid and engaging writer...Screendance has assumed a secure place in the university curriculum, a result that Rosenberg helped bring about and the territory that he knows best." --Dance Current, "Doug Rosenberg's genealogy of dance on screens masterfully elucidates the critical issues of this emerging field. A must-read for practitioners and theorists alike."-- Ann Cooper Albright, author of Choreographing Difference, Traces of Light, and Modern Gestures"What happens to awkward, lumpy bodies in the process of mediation and what is the physicality of the mediating technology? This book is a window to the complexities of discourses in Screendance and topics such as the mediated body, screen as site and originality in the age of reproduction which will be key to 21st century culture."--Claudia Kappenberg, International Journal of Screendance, University of Brighton UK"Screendance: Inscribing the Ephemeral Image by Douglas Rosenberg performs the salutary task of introducing to one another a number of domains of discourse that ought to know about each other. Screendance is placed in the context of advanced artmaking, filmmaking, cultural theory, and performance studies while Rosenberg simultaneously suggests the reciprocal significance of screendance to those practices. This is a generous book that opens up the horizons of the conversation of screendance and much else."--Noel Carroll, Distinguished Professor of Philosophy, The Graduate Center, The City University of New York"Rosenberg is an intelligent, perceptive, often lucid and engaging writer...Screendance has assumed a secure place in the university curriculum, a result that Rosenberg helped bring about and the territory that he knows best." --Dance Current"A richly researched and considered book... An outstanding contribution to theorizing the form." --International Journal of Screendance
Number of Volumes
1 vol.
Illustrated
Yes
Dewey Decimal
792.8
Table Of Content
AcknowledgementsPrefaceIntroduction: Inscribing Hybridity1. Archives and Architecture2. Mediated Bodies: From Photography to Cine-Dance3. Recorporealization and the Mediated Body4. The Advent of Video Culture5. The Bride is Dance6. Excavating Genres7. Curating the Practice8. Seeing is Forgetting the Name of the Thing One Sees, or Connoisseurship in Screendance9. Toward a Theory of Screendance10. Negotiating the AcademyIndex
Synopsis
The relationship between the practice of dance and the technologies of representation have excited artists since the advent of film. Dancers, choreographers, and directors are increasingly drawn to screendance, the practice of capturing dance as a moving image mediated by a camera. While the interest in screendance has grown in importance and influence amongst artists, it has until now flown under the academic radar. Emmy-nominated director and auteur Douglas Rosenberg's groundbreaking book considers screendance as both a visual art form as well as an extension of modern and post-modern dance without drawing artificial boundaries between the two. Both a history and a critical framework, Screendance: Inscribing the Ephemeral Image is a new and important look at the subject.As he reconstructs the history and influences of screendance, Rosenberg presents a theoretical guide to navigating the boundaries of an inherently collaborative art form. Drawing on psycho-analytic, literary, materialist, queer, and feminist modes of analysis, Rosenberg explores the relationships between camera and subject, director and dancer, and the ephemeral nature of dance and the fixed nature of film. This interdisciplinary approach allows for a broader discussion of issues of hybridity and mediatized representation as they apply to dance on film.Rosenberg also discusses the audiences and venues of screendance and the tensions between commercial and fine-art cultures that the form has confronted in recent years. The surge of screendance festivals and courses at universities around the world has exposed the friction that exists between art, which is generally curated, and dance, which is generally programmed. Rosenberg explores the cultural implications of both methods of reaching audiences, and ultimately calls for a radical new way of thinking of both dance and film that engages with critical issues rather than simple advocacy., The practice of dance and the technologies of representation have excited artists since the advent of film. This book weaves together theory from art and dance as well as appropriate historical reference material to propose a new theory of screendance, one that frames it within the discourse of post-modern art practice., The relationship between the practice of dance and the technologies of representation has excited artists since the advent of film. Dancers, choreographers, and directors are increasingly drawn to screendance, the practice of capturing dance as a moving image mediated by a camera. While the interest in screendance has grown in importance and influence amongst artists, it has until now flown under the academic radar. Emmy-nominated director and auteur Douglas Rosenberg's groundbreaking book considers screendance as both a visual art form as well as an extension of modern and post-modern dance without drawing artificial boundaries between the two. Both a history and a critical framework, Screendance: Inscribing the Ephemeral Image is a new and important look at the subject. As he reconstructs the history and influences of screendance, Rosenberg presents a theoretical guide to navigating the boundaries of an inherently collaborative art form. Drawing on psycho-analytic, literary, materialist, queer, and feminist modes of analysis, Rosenberg explores the relationships between camera and subject, director and dancer, and the ephemeral nature of dance and the fixed nature of film. This interdisciplinary approach allows for a broader discussion of issues of hybridity and mediatized representation as they apply to dance on film. Rosenberg also discusses the audiences and venues of screendance and the tensions between commercial and fine-art cultures that the form has confronted in recent years. The surge of screendance festivals and courses at universities around the world has exposed the friction that exists between art, which is generally curated, and dance, which is generally programmed. Rosenberg explores the cultural implications of both methods of reaching audiences, and ultimately calls for a radical new way of thinking of both dance and film that engages with critical issues rather than simple advocacy., The relationship between the practice of dance and the technologies of representation has excited artists since the advent of film. Dancers, choreographers, and directors are increasingly drawn to screendance, the practice of capturing dance as a moving image mediated by a camera. While the interest in screendance has grown in importance and influence amongst artists, it has until now flown under the academic radar. Emmy-nominated director and auteur Douglas Rosenberg's groundbreaking book considers screendance as both a visual art form as well as an extension of modern and post-modern dance without drawing artificial boundaries between the two. Both a history and a critical framework, Screendance: Inscribing the Ephemeral Image is a new and important look at the subject.As he reconstructs the history and influences of screendance, Rosenberg presents a theoretical guide to navigating the boundaries of an inherently collaborative art form. Drawing on psycho-analytic, literary, materialist, queer, and feminist modes of analysis, Rosenberg explores the relationships between camera and subject, director and dancer, and the ephemeral nature of dance and the fixed nature of film. This interdisciplinary approach allows for a broader discussion of issues of hybridity and mediatized representation as they apply to dance on film.Rosenberg also discusses the audiences and venues of screendance and the tensions between commercial and fine-art cultures that the form has confronted in recent years. The surge of screendance festivals and courses at universities around the world has exposed the friction that exists between art, which is generally curated, and dance, which is generally programmed. Rosenberg explores the cultural implications of both methods of reaching audiences, and ultimately calls for a radical new way of thinking of both dance and film that engages with critical issues rather than simple advocacy.
LC Classification Number
GV1779.R665 2012
賣家提供的物品說明
賣家信用評價 （2,101）
- ****o (625)- 買家留下的信用評價。過去 1 個月購買已獲認證I have hunted this book forever! The book arrived in beautiful condition and was carefully packed. The seller negotiated an offer for a very expensive book. I was hoping the description was accurate and it was beyond.
- c***r (381)- 買家留下的信用評價。過去 6 個月購買已獲認證Good postage time - well packaged- I have reservations on who delivered the package as it was unknowingly dropped off on my front doorstep. Not a fan of that in this day & age!! Seller was great! Well done!
- .***g (1750)- 買家留下的信用評價。過去 6 個月購買已獲認證Promptly shipped, as described, well packaged, good appearance in excellent condition. Great quality and value.This is an essential reference book and was needed in great shape - it got here that way seller very helpful. Very pleased.