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The New H.N.I.C. (Head Niggas in Charge): The Death of Civil Rights and the: New
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- Book Title
- The New H.N.I.C. (Head Niggas in Charge): The Death of Civil Righ
- Publication Date
- 2003-01-01
- Pages
- 169
- ISBN
- 9780814798959
關於產品
Product Identifiers
Publisher
New York University Press
ISBN-10
0814798950
ISBN-13
9780814798959
eBay Product ID (ePID)
127365175
Product Key Features
Number of Pages
169 Pages
Language
English
Publication Name
New H. N. I. C. : the Death of Civil Rights and the Reign of Hip Hop
Subject
Genres & Styles / Rap & Hip Hop, Civil Rights, Customs & Traditions, Ethnic Studies / African American Studies
Publication Year
2003
Type
Textbook
Subject Area
Music, Political Science, Social Science
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
23.5 Oz
Item Length
8 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2002-009289
Dewey Edition
21
TitleLeading
The
Reviews
If you want to understand the direction of music today, read this book. Boyd expertly chronicles the birth of Hip Hop, its impact on allmusic and how the language and music defines a generation., "Those who are hip have always known that Black music is about more than simply nodding your head, snapping your fingers, and patting your feet. Like the proverbial Dude, back on the block, Dr. Todd Boyd, in his groundbreaking bookThe New H.N.I.C., tells us that like the best of this oral tradition, hip hop is a philosophy and worldview rooted in history and at the same time firmly of the moment. Dr. Boyd's improvisational flow is on point like be bop Stacy Adams andThe New H.N.I.C.,in both style and substance, breaks down how this monumental cultural shift has come to redefine the globe. With mad props and much love, Dr. Boyd'sThe New H.N.I.C.is the voice of a generation and stands poised at the vanguard of our future." - Quincy Jones, The New H.N.I.C. brilliantly observes pivotal moments in hip hop and black culture as a whole . . . and [provocatively] raises the level of the hip hop discussion., "Those who are hip have always known that Black music is about more than simply nodding your head, snapping your fingers, and patting your feet. Like the proverbial Dude, back on the block, Dr. Todd Boyd, in his groundbreaking book The New H.N.I.C., tells us that like the best of this oral tradition, hip hop is a philosophy and worldview rooted in history and at the same time firmly of the moment. Dr. Boyd's improvisational flow is on point like be bop Stacy Adams and The New H.N.I.C.,in both style and substance, breaks down how this monumental cultural shift has come to redefine the globe. With mad props and much love, Dr. Boyd's The New H.N.I.C. is the voice of a generation and stands poised at the vanguard of our future." -Quincy Jones,, "A convincing and entertaining case that hip-hop matters, Boyd's reading [of hip hop] is nothing less than inspired." - Mother Jones, " The New H.N.I.C. brilliantly observes pivotal moments in hip hop and black culture as a whole . . . and [provocatively] raises the level of the hip hop discussion." - Black Issues Book Review ,, "The New H.N.I.C.brilliantly observes pivotal moments in hip hop and black culture as a whole...and [provocatively] raises the level of the hip hop discussion." -Black Issues Book Review, "If you want to understand the direction of music today, read this book. Boyd expertly chronicles the birth of Hip Hop, its impact on all music and how the language and music defines a generation." - Tom Freston,CEO, MTV Networks, "A convincing and entertaining case that hip-hop matters, Boyd's reading [of hip hop] is nothing less than inspired." -Mother Jones ,, "Stand back! Todd Boyd brings the ruckus in this provocative look at how hip hop changed everything from the jailhouse to the White House-;and why it truly became the voice of a new generation." -Alan Light,Editor-in-Chief, Spin Magazine, If you want to understand the direction of music today, read this book. Boyd expertly chronicles the birth of Hip Hop, its impact on all music and how the language and music defines a generation., Stand back! Todd Boyd brings the ruckus in this provocative look at how hip hop changed everything from the jailhouse to the White House;and why it truly became the voice of a new generation., "The New H.N.I.C. brilliantly observes pivotal moments in hip hop and black culture as a whole . . . and [provocatively] raises the level of the hip hop discussion." - Black Issues Book Review ,, A convincing and entertaining case that hip-hop matters, Boyd's reading [of hip hop] is nothing less than inspired., "If you want to understand the direction of music today, read this book. Boyd expertly chronicles the birth of Hip Hop, its impact on all music and how the language and music defines a generation." - Tom Freston, CEO, MTV Networks, "Stand back! Todd Boyd brings the ruckus in this provocative look at how hip hop changed everything from the jailhouse to the White House—and why it truly became the voice of a new generation." - Alan Light, Editor-in-Chief,Spin Magazine, "Those who are hip have always known that Black music is about more than simply nodding your head, snapping your fingers, and patting your feet. Like the proverbial Dude, back on the block, Dr. Todd Boyd, in his groundbreaking book The New H.N.I.C. , tells us that like the best of this oral tradition, hip hop is a philosophy and worldview rooted in history and at the same time firmly of the moment. Dr. Boyd's improvisational flow is on point like be bop Stacy Adams and The New H.N.I.C. ,in both style and substance, breaks down how this monumental cultural shift has come to redefine the globe. With mad props and much love, Dr. Boyd's The New H.N.I.C. is the voice of a generation and stands poised at the vanguard of our future." - Quincy Jones, "Those who are hip have always known that Black music is about more than simply nodding your head, snapping your fingers, and patting your feet. Like the proverbial Dude, back on the block, Dr. Todd Boyd, in his groundbreaking book The New H.N.I.C., tells us that like the best of this oral tradition, hip hop is a philosophy and worldview rooted in history and at the same time firmly of the moment. Dr. Boyd's improvisational flow is on point like be bop Stacy Adams and The New H.N.I.C.,in both style and substance, breaks down how this monumental cultural shift has come to redefine the globe. With mad props and much love, Dr. Boyd's The New H.N.I.C. is the voice of a generation and stands poised at the vanguard of our future." -Quincy Jones, "The New H.N.I.C. brilliantly observes pivotal moments in hip hop and black culture as a whole . . . and [provocatively] raises the level of the hip hop discussion." - Black Issues Book Review, Stand back! Todd Boyd brings the ruckus in this provocative look at how hip hop changed everything from the jailhouse to the White House-;and why it truly became the voice of a new generation., "A convincing and entertaining case that hip-hop matters, Boyd's reading [of hip hop] is nothing less than inspired." -Mother Jones, "Those who are hip have always known that Black music is about more than simply nodding your head, snapping your fingers, and patting your feet. Like the proverbial Dude, back on the block, Dr. Todd Boyd, in his groundbreaking book The New H.N.I.C. , tells us that like the best of this oral tradition, hip hop is a philosophy and worldview rooted in history and at the same time firmly of the moment. Dr. Boyd's improvisational flow is on point like be bop Stacy Adams and The New H.N.I.C. ,in both style and substance, breaks down how this monumental cultural shift has come to redefine the globe. With mad props and much love, Dr. Boyd's The New H.N.I.C. is the voice of a generation and stands poised at the vanguard of our future." -Quincy Jones ,, "Stand back! Todd Boyd brings the ruckus in this provocative look at how hip hop changed everything from the jailhouse to the White House-;and why it truly became the voice of a new generation." - Alan Light, Editor-in-Chief, Spin Magazine, The New H.N.I.C. brilliantly observes pivotal moments in hip hop and black culture as a whole . . . and [provocatively] raises the level of the hip hop discussion., "If you want to understand the direction of music today, read this book. Boyd expertly chronicles the birth of Hip Hop, its impact on allmusic and how the language and music defines a generation." - Tom Freston,CEO, MTV Networks, " The New H.N.I.C. brilliantly observes pivotal moments in hip hop and black culture as a whole . . . and [provocatively] raises the level of the hip hop discussion." - Black Issues Book Review, Those who are hip have always known that Black music is about more than simply nodding your head, snapping your fingers, and patting your feet. Like the proverbial Dude, back on the block, Dr. Todd Boyd, in his groundbreaking book The New H.N.I.C., tells us that like the best of this oral tradition, hip hop is a philosophy and worldview rooted in history and at the same time firmly of the moment. Dr. Boyd's improvisational flow is on point like be bop Stacy Adams and The New H.N.I.C.,in both style and substance, breaks down how this monumental cultural shift has come to redefine the globe. With mad props and much love, Dr. Boyds The New H.N.I.C. is the voice of a generation and stands poised at the vanguard of our future.
Dewey Decimal
305.896/073
Table Of Content
1 No Time for Fake Niggas: Hip Hop, from Private to Public2 Brothas Gonna Work It Out: Hip Hop's Ongoing Search for the Real3 Can't Knock the Hustle: Hip Hop and the Cult of Playa Hatin'4 Head Nigga in Charge: Slick Willie, Slim Shady, and the Return of the "White Negro"
Synopsis
When Lauryn Hill stepped forward to accept her fifth Grammy Award in 1999, she paused as she collected the last trophy, and seeming somewhat startled said, "This is crazy, 'cause this is hip hop music". Hill's astonishment at receiving mainstream acclaim for music once deemed insignificant testifies to the explosion of this truly revolutionary art form. Hip hop music and the culture that surrounds it - film, fashion, sports, and a whole way of being - has become the defining ethos for a generation. Its influence has spread from the state's capital to the nation's capital, from the Pineapple to the Big Apple, from 'Frisco to Maine, and then on to Spain. But moving far beyond the music, hip hop has emerged as a social and cultural movement, displacing the ideas of the Civil Rights era. Todd Boyd maintains that a new generation, having grown up in the aftermath of both Civil Rights and Black Power, rejects these old school models and is instead asserting its own values and ideas. Hip hop is distinguished in this regard because it never attempted to go mainstream, but instead the mainstream came to hip hop. "The New H.N.I.C." , like hip hop itself, attempts to keep it real, and challenges conventional wisdom on a range of issues, from debates over use of the "N-word," the comedy of Chris Rock, and the "get money" ethos of hip hop moguls like Sean "P. Diddy" Combs and Russell Simmons, to hip hop's impact on a diverse array of figures from Bill Clinton and Eminem to Jennifer Lopez. Maintaining that Martin Luther King, Jr.'s "I Have a Dream" speech is less important today than DMX's "It's Dark and Hell is Hot", Boyd argues that Civil Rights as a cultural force is dead, confined to a series of media images frozen in another time. Hip hop, on the other hand, represents the vanguard, and is the best way to grasp both our present and future., When Lauryn Hill stepped forward to accept her fifth Grammy Award in 1999, she paused as she collected the last trophy, and seeming somewhat startled said, "This is crazy, 'cause this is hip hop music.'" Hill's astonishment at receiving mainstream acclaim for music once deemed insignificant testifies to the explosion of this truly revolutionary art form. Hip hop music and the culture that surrounds it--film, fashion, sports, and a whole way of being--has become the defining ethos for a generation. Its influence has spread from the state's capital to the nation's capital, from the Pineapple to the Big Apple, from 'Frisco to Maine, and then on to Spain. But moving far beyond the music, hip hop has emerged as a social and cultural movement, displacing the ideas of the Civil Rights era. Todd Boyd maintains that a new generation, having grown up in the aftermath of both Civil Rights and Black Power, rejects these old school models and is instead asserting its own values and ideas. Hip hop is distinguished in this regard because it never attempted to go mainstream, but instead the mainstream came to hip hop. The New H.N.I.C. , like hip hop itself, attempts to keep it real, and challenges conventional wisdom on a range of issues, from debates over use of the "N-word," the comedy of Chris Rock, and the "get money" ethos of hip hop moguls like Sean "P. Diddy" Combs and Russell Simmons, to hip hop's impact on a diverse array of figures from Bill Clinton and Eminem to Jennifer Lopez. Maintaining that Martin Luther King, Jr.'s "I Have a Dream" speech is less important today than DMX's It's Dark and Hell is Hot , Boyd argues that Civil Rights as a cultural force is dead, confined to a series of media images frozen in another time. Hip hop, on the other hand, represents the vanguard, and is the best way to grasp both our present and future., Frames hip-hop as the defining cultural force in the aftermath of the Civil Rights and Black Power eras When Lauryn Hill stepped forward to accept her fifth Grammy Award in 1999, she paused as she collected the last trophy, and seeming somewhat startled said, "This is crazy, 'cause this is hip hop music.'" Hill's astonishment at receiving mainstream acclaim for music once deemed insignificant testifies to the explosion of this truly revolutionary art form. Hip hop music and the culture that surrounds it--film, fashion, sports, and a whole way of being--has become the defining ethos for a generation. Its influence has spread from the state's capital to the nation's capital, from the Pineapple to the Big Apple, from 'Frisco to Maine, and then on to Spain. But moving far beyond the music, hip hop has emerged as a social and cultural movement, displacing the ideas of the Civil Rights era. Todd Boyd maintains that a new generation, having grown up in the aftermath of both Civil Rights and Black Power, rejects these old school models and is instead asserting its own values and ideas. Hip hop is distinguished in this regard because it never attempted to go mainstream, but instead the mainstream came to hip hop. The New H.N.I.C. , like hip hop itself, attempts to keep it real, and challenges conventional wisdom on a range of issues, from debates over use of the "N-word," the comedy of Chris Rock, and the "get money" ethos of hip hop moguls like Sean "P. Diddy" Combs and Russell Simmons, to hip hop's impact on a diverse array of figures from Bill Clinton and Eminem to Jennifer Lopez. Maintaining that Martin Luther King, Jr.'s "I Have a Dream" speech is less important today than DMX's It's Dark and Hell is Hot , Boyd argues that Civil Rights as a cultural force is dead, confined to a series of media images frozen in another time. Hip hop, on the other hand, represents the vanguard, and is the best way to grasp both our present and future., In this provocative book, Boyd suggests that hip hop culture has emerged as a social movement in its own right, replacing the Civil Rights and Black Power movements in influencing and defining today's generation.
LC Classification Number
E185.86.B649 2002
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