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The Dialectics of Seeing: Walter Benjamin and the Arcades Project by Buck-Morss
AlibrisBooks
（463274）
US $50.48
大約HK$ 394.96
狀況：
良好
曾被閱讀過的書籍，但狀況良好。封面有諸如磨痕等在內的極少損壞，但沒有穿孔或破損。精裝本書籍可能沒有書皮。封皮稍有磨損。絕大多數書頁未受損，存在極少的褶皺和破損。使用鉛筆標注文字處極少，未對文字標記，無留白處書寫文字。沒有缺頁。
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所在地：Sparks, Nevada, 美國
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物品細節
- 物品狀況
- Publication Date
- 1991-07-01
- Pages
- 512
- ISBN
- 9780262521642
關於產品
Product Identifiers
Publisher
MIT Press
ISBN-10
0262521644
ISBN-13
9780262521642
eBay Product ID (ePID)
115132
Product Key Features
Book Title
Dialectics of Seeing : Walter Benjamin and the Arcades Project
Number of Pages
512 Pages
Language
English
Publication Year
1991
Topic
General, Semiotics & Theory
Illustrator
Yes
Genre
Literary Criticism, Philosophy
Book Series
Studies in Contemporary German Social Thought Ser.
Format
Trade Paperback
Dimensions
Item Height
0.9 in
Item Weight
24.6 Oz
Item Length
9 in
Item Width
5.9 in
Additional Product Features
Intended Audience
Trade
TitleLeading
The
Dewey Edition
21
Reviews
Buck-Morss has written a wonderful book. Although rigorously analytic, the book doesn't sacrifice those qualities in Benjamin's writing that are not reducible to method. His lyrical, hallucinatory evocation of the city as a place of dreams, myths, expectations.-- Herbert Muschamp , Artforum -- Wonderfully imaginative...Like Benjamin, Buck-Morss is a surrealist explorer, her mysteries unraveled by intuition, revealed by illusion. -- Eugen Weber , The New Republic --, Buck-Morss has written a wonderful book. Although rigorously analytic, the book doesn't sacrifice those qualities in Benjamin's writing that are not reducible to method. His lyrical, hallucinatory evocation of the city as a place of dreams, myths, expectations., Wonderfully imaginative...Like Benjamin, Buck-Morss is a surrealist explorer, her mysteries unraveled by intuition, revealed by illusion., "Wonderfully imaginative.... Like Benjamin, Buck-Morss is a surrealist explorer, her mysteries unraveled by intuition, revealed by illusion." -Eugen Weber, The New Republic
Grade From
College Graduate Student
Dewey Decimal
193
Synopsis
In The Dialectics of Seeing, Susan Buck-Morss offers an inventive reconstruction of the Passagen-Werk, or Arcades Project, as it might have taken form., Walter Benjamin's magnum opus was a book he did not live to write. In The Dialectics of Seeing,Susan Buck-Morss offers an inventive reconstruction of the Passagen-Werk,or Arcades Project,as it might have taken form. Susan Buck-Morss is Professor of Political Philosophy and Social Theory at Cornell University., Walter Benjamin's magnum opus was a book he did not live to write. In The Dialectics of Seeing , Susan Buck-Morss offers an inventive reconstruction of the Passagen Werk, or Arcades Project, as it might have taken form. Working with Benjamin's vast files of citations and commentary which contain a myriad of historical details from the dawn of consumer culture, Buck-Morss makes visible the conceptual structure that gives these fragments philosophical coherence. She uses images throughout the book to demonstrate that Benjamin took the debris of mass culture seriously as the source of philosophical truth. The Paris Arcades that so fascinated Benjamin (as they did the Surrealists whose "materialist metaphysics" he admired) were the prototype, the 19th century "ur-form" of the modern shopping mall. Benjamin's dialectics of seeing demonstrate how to read these consumer dream houses and so many other material objects of the time - from air balloons to women's fashions, from Baudelaire's poetry to Grandville's cartoons-as anticipations of social utopia and, simultaneously, as clues for a radical political critique. Buck-Morss plots Benjamin's intellectual orientation on axes running east and west, north and south-Moscow Paris, Berlin-Naples-and shows how such thinking in coordinates can explain his understanding of "dialectics at a standstill." She argues for the continuing relevance of Benjamin's insights but then allows a set of "afterimages" to have the last word., Walter Benjamin's magnum opus was a book he did not live to write. In The Dialectics of Seeing , Susan Buck-Morss offers an inventive reconstruction of the Passagen Werk, or Arcades Project, as it might have taken form. Working with Benjamin's vast files of citations and commentary which contain a myriad of historical details from the dawn of consumer culture, Buck-Morss makes visible the conceptual structure that gives these fragments philosophical coherence. She uses images throughout the book to demonstrate that Benjamin took the debris of mass culture seriously as the source of philosophical truth. The Paris Arcades that so fascinated Benjamin (as they did the Surrealists whose "materialist metaphysics" he admired) were the prototype, the 19th century "ur-form" of the modern shopping mall. Benjamin's dialectics of seeing demonstrate how to read these consumer dream houses and so many other material objects of the time -- from air balloons to women's fashions, from Baudelaire's poetry to Grandville's cartoons--as anticipations of social utopia and, simultaneously, as clues for a radical political critique. Buck-Morss plots Benjamin's intellectual orientation on axes running east and west, north and south--Moscow Paris, Berlin-Naples--and shows how such thinking in coordinates can explain his understanding of "dialectics at a standstill." She argues for the continuing relevance of Benjamin's insights but then allows a set of "afterimages" to have the last word.
LC Classification Number
PT2603.E455
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賣家信用評價 （515,526）
- t***n (1504)- 買家留下的信用評價。過去 1 個月購買已獲認證A+
- m***o (577)- 買家留下的信用評價。過去 1 個月購買已獲認證Hell yeah!!!!
- t***a (129)- 買家留下的信用評價。過去 1 個月購買已獲認證Book in like new appearance