Great Waves and Mountains Oyobe Collecting Arts of Japan

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Country of Origin
United States
Features
Collection
ISBN
9781683402657
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Product Identifiers

Publisher
University Press of Florida
ISBN-10
1683402650
ISBN-13
9781683402657
eBay Product ID (ePID)
19057275404

Product Key Features

Number of Pages
304 Pages
Language
English
Publication Name
Great Waves & Mountains : Perspectives and Discoveries in Collecting the Arts of Japan
Subject
History / Modern (Late 19th Century to 1945), History / Contemporary (1945-), Asian / Japanese
Publication Year
2022
Type
Textbook
Author
Allysa B. Peyton
Subject Area
Art
Series
David A. Cofrin Asian Art Manuscript Ser.
Format
Hardcover

Dimensions

Item Height
1.1 in
Item Weight
75.8 Oz
Item Length
12.4 in
Item Width
10.5 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2022-034832
Reviews
"Thisbeautifully produced and illustrated book will be invaluable for thestudy of Japanese art and culture, and an important resource for futurescholarship in this area. . . . Essential."--Choice, "This beautifully produced and illustrated book will be invaluable for the study of Japanese art and culture, and an important resource for future scholarship in this area. . . . Essential."-- Choice, "This beautifully produced and illustrated book will be invaluable for the study of Japanese art and culture, and an important resource for future scholarship in this area. . . . Essential."--Choice
Synopsis
Illuminating the history of collecting Japanese art This richly illustrated volume addresses the history of collecting Japanese art and the factors that contributed to the growth of collections in North America following the Meiji Restoration in 1868. With wide-ranging essays that fill in gaps in the scholarly investigation of the subject, art historians discuss the historical development of the Japanese aesthetic and examine questions of connoisseurship, authenticity, and controversial collectors and their current-day reception. The volume also features case studies on the formation of Japanese art collections in North America, exploring the diverse array of factors that contributed to their quality, contents, and the role that these collections play for their respective communities. Contributors delve into university and museum archives and interview art dealers, collectors, and artists to better understand their own collections. They present original research on cross-pollination and dialogue between artists from Japan and the United States, the development and growth of museums, and the personal histories of the people who shaped art collections. Together, these essays illustrate the shifting priorities in the collection of Japanese art across 150 years., Choice Outstanding Academic Title Illuminating the history of collecting Japanese art This richly illustrated volume addresses the history of collecting Japanese art and the factors that contributed to the growth of collections in North America following the Meiji Restoration in 1868. With wide-ranging essays that fill in gaps in the scholarly investigation of the subject, art historians discuss the historical development of the Japanese aesthetic and examine questions of connoisseurship, authenticity, and controversial collectors and their current-day reception. The volume also features case studies on the formation of Japanese art collections in North America, exploring the diverse array of factors that contributed to their quality, contents, and the role that these collections play for their respective communities. Contributors delve into university and museum archives and interview art dealers, collectors, and artists to better understand their own collections. They present original research on cross-pollination and dialogue between artists from Japan and the United States, the development and growth of museums, and the personal histories of the people who shaped art collections. Together, these essays illustrate the shifting priorities in the collection of Japanese art across 150 years. A volume in the David A. Cofrin Asian Art Manuscript Series, edited by Allysa B. Peyton, This richly illustrated volume addresses the history of collecting Japanese art and the factors that contributed to the growth of collections in North America following the Meiji Restoration in 1868., Choice Outstanding Academic Title Illuminating the history of collecting Japanese art Thisrichly illustrated volume addresses the history of collecting Japaneseart and the factors that contributed to the growth of collections inNorth America following the Meiji Restoration in 1868. With wide-rangingessays that fill in gaps in the scholarly investigation of the subject,art historians discuss the historical development of the Japaneseaesthetic and examine questions of connoisseurship, authenticity, andcontroversial collectors and their current-day reception. Thevolume also features case studies on the formation of Japanese artcollections in North America, exploring the diverse array of factorsthat contributed to their quality, contents, and the role that thesecollections play for their respective communities. Contributors delveinto university and museum archives and interview art dealers,collectors, and artists to better understand their own collections. Theypresent original research on cross-pollination and dialogue betweenartists from Japan and the United States, the development and growth ofmuseums, and the personal histories of the people who shaped artcollections. Together, these essays illustrate the shifting prioritiesin the collection of Japanese art across 150 years. A volume in the David A. Cofrin Asian Art Manuscript Series, edited by Allysa B. Peyton
LC Classification Number
N7354.5.G74 2022

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