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The Sonic Color Line: Race and the Cultural Politics of Listening (Postmillen...
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- ISBN
- 9781479890439
關於產品
Product Identifiers
Publisher
New York University Press
ISBN-10
147989043X
ISBN-13
9781479890439
eBay Product ID (ePID)
20038426195
Product Key Features
Number of Pages
352 Pages
Publication Name
Sonic Color Line : Race and the Cultural Politics of Listening
Language
English
Subject
American / African American, Discrimination & Race Relations, Ethnic
Publication Year
2016
Type
Textbook
Subject Area
Literary Criticism, Music, Social Science
Series
Postmillennial Pop Ser.
Format
Hardcover
Dimensions
Item Height
1.2 in
Item Weight
22.9 Oz
Item Length
9.3 in
Item Width
6.3 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2016-018963
Reviews
That the critical intertexts for this book are not only scholarly works but also the Black Lives Matter movement and the many other political movements dedicated to racial justice is a key element in its timeliness and appeal. Engaged scholarship dedicated to an ethics of equality, community, and demystification is a powerful necessity in these times of increasing uncertainty about what 'America' is and how it came to be., A gripping read and a rousing call to political attunement by way of sound, The Sonic Color Line investigates scenes of racialized audition from Civil War times to the Civil Rights era. This theoretically rich and passionately argued book made me wiser about the social relations that define sound, the resonant events that suggest how the ear is disciplined, the racial politics of listening that extend into every corner of the republic., The Sonic Color Linewill open up new vistas for thinking about sound, race, and identity, and for understanding how racism is enforced through both sounding and listening. Painstakingly researched and written with verve, Stoevers book will shape the way scholars of American and African American culture and history think about sound, even when our primary texts, like photographs and literary works, are seemingly silent., "The Sonic Color Line will open up new vistas for thinking about sound, race, and identity, and for understanding how racism is enforced through both sounding and listening. Painstakingly researched and written with verve, Stoever's book will shape the way scholars of American and African American culture and history think about sound, even when our primary texts, like photographs and literary works, are seemingly silent."-Gayle Wald,author of It's Been Beautiful: Soul! and Black Power Television, "That the critical intertexts for this book are not only scholarly works but also the Black Lives Matter movement and the many other political movements dedicated to racial justice is a key element in its timeliness and appeal. Engaged scholarship dedicated to an ethics of equality, community, and demystification is a powerful necessity in these times of increasing uncertainty about what 'America' is and how it came to be."-John Melillo,American Literary History Online, "A gripping read and a rousing call to political attunement by way of sound, The Sonic Color Line investigates scenes of racialized audition from Civil War times to the Civil Rights era. This theoretically rich and passionately argued book made me wiser about the social relations that define sound, the resonant events that suggest how the ear is disciplined, the racial politics of listening that extend into every corner of the republic."-Eric Lott,City University of New York Graduate Center
TitleLeading
The
Series Volume Number
17
Illustrated
Yes
Synopsis
The unheard history of how race and racism are constructed from sound and maintained through the listening ear. Race is a visual phenomenon, the ability to see "difference." At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on ......, The unheard history of how race and racism are constructed from sound and maintained through the listening ear. Race is a visual phenomenon, the ability to see "difference." At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear--voices, musical taste, volume--as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only register the racial politics of our world, but actively produce them. Through analysis of the historical traces of sounds of African American performers, Stoever reveals a host of racialized aural representations operating at the level of the unseen--the sonic color line--and exposes the racialized listening practices she figures as "the listening ear." Using an innovative multimedia archive spanning 100 years of American history (1845-1945) and several artistic genres--the slave narrative, opera, the novel, so-called "dialect stories," folk and blues, early sound cinema, and radio drama--The Sonic Color Line explores how black thinkers conceived the cultural politics of listening at work during slavery, Reconstruction, and Jim Crow. By amplifying Harriet Jacobs, Frederick Douglass, Elizabeth Taylor Greenfield, Charles Chesnutt, The Fisk Jubilee Singers, Ann Petry, W.E.B. Du Bois, and Lena Horne as agents and theorists of sound, Stoever provides a new perspective on key canonical works in African American literary history. In the process, she radically revises the established historiography of sound studies. The Sonic Color Line sounds out how Americans have created, heard, and resisted "race," so that we may hear our contemporary world differently., The unheard history of how race and racism are constructed from sound and maintained through the listening ear. Race is a visual phenomenon, the ability to see "difference." At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear-voices, musical taste, volume-as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only register the racial politics of our world, but actively produce them. Through analysis of the historical traces of sounds of African American performers, Stoever reveals a host of racialized aural representations operating at the level of the unseen-the sonic color line-and exposes the racialized listening practices she figures as "the listening ear." Using an innovative multimedia archive spanning 100 years of American history (1845-1945) and several artistic genres-the slave narrative, opera, the novel, so-called "dialect stories," folk and blues, early sound cinema, and radio drama-The Sonic Color Line explores how black thinkers conceived the cultural politics of listening at work during slavery, Reconstruction, and Jim Crow. By amplifying Harriet Jacobs, Frederick Douglass, Elizabeth Taylor Greenfield, Charles Chesnutt, The Fisk Jubilee Singers, Ann Petry, W.E.B. Du Bois, and Lena Horne as agents and theorists of sound, Stoever provides a new perspective on key canonical works in African American literary history. In the process, she radically revises the established historiography of sound studies. The Sonic Color Line sounds out how Americans have created, heard, and resisted "race," so that we may hear our contemporary world differently.
LC Classification Number
ML3917.U6S79 2016
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