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Jazz and Justice: Racism and the Political Economy of the Music by Horne, Gerald
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所在地：Glendale Heights, Illinois, 美國
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- ISBN
- 9781583677865
關於產品
Product Identifiers
Publisher
Monthly Review Press
ISBN-10
1583677860
ISBN-13
9781583677865
eBay Product ID (ePID)
20038561670
Product Key Features
Number of Pages
512 Pages
Publication Name
Jazz and Justice : Racism and the Political Economy of the Music
Language
English
Subject
Sociology / General, Civil Rights, Economic Conditions, Genres & Styles / Jazz
Publication Year
2019
Type
Textbook
Subject Area
Music, Political Science, Social Science, Business & Economics
Format
Hardcover
Dimensions
Item Weight
24.7 Oz
Item Length
8.2 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2019-017464
Dewey Edition
23
Reviews
"[A]n exhaustive examination of archives, oral history interviews, autobiographies, and secondary literature that presents a devastating picture of what has been termed 'cockroach capitalism'--the jazz business that ruthlessly exploits and degrades [not just] African American musicians."-Douglas Daniels,author of Lester Leaps In: The Life and Times of Lester "Pres" Young, "[A]n exhaustive examination of archives, oral history interviews, autobiographies, and secondary literature that presents a devastating picture of what has been termed 'cockroach capitalism'--the jazz business that ruthlessly exploits and degrades [not just] African American musicians."-Douglas Daniels, author of Lester Leaps In: The Life and Times of Lester "Pres" Young
Dewey Decimal
306.4/84250973
Synopsis
A galvanizing history of how jazz and jazz musicians flourished despite rampant cultural exploitation The music we call "jazz" arose in late nineteenth century North America--most likely in New Orleans--based on the musical traditions of Africans, newly freed from slavery. Grounded in the music known as the "blues," which expressed the pain, sufferings, and hopes of Black folk then pulverized by Jim Crow, this new music entered the world via the instruments that had been abandoned by departing military bands after the Civil War. Jazz and Justice examines the economic, social, and political forces that shaped this music into a phenomenal US--and Black American--contribution to global arts and culture. Horne assembles a galvanic story depicting what may have been the era's most virulent economic--and racist--exploitation, as jazz musicians battled organized crime, the Ku Klux Klan, and other variously malignant forces dominating the nightclub scene where jazz became known. Horne pays particular attention to women artists, such as pianist Mary Lou Williams and trombonist Melba Liston, and limns the contributions of musicians with Native American roots. This is the story of a beautiful lotus, growing from the filth of the crassest form of human immiseration., Original jelly roll blues -- What did I do to be so black and blue? -- One o'clock jump -- Hothouse -- We speak African! -- Lullabye of birdland -- Haitian fight song -- Kind of blue -- I wish I knew how it would feel to be free -- Song for Che -- The blues and the abstract truth.
LC Classification Number
ML3918.J39H67 2019
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