Collecting from the Margins: Material Culture i, Andrade, Austin, Garrigan.+

Awesomebooksusa
（446648）
賣家的其他物品
聯絡賣家
US $131.64
大約HK$ 1,024.62
狀況：
未指明
庫存 3 件
無後顧之憂！ 賣家接受退貨。
運送：
免費 USPS Media MailTM.
所在地：MD, 美國
送達日期：
估計於 10月10日 (星期五)至 10月20日 (星期一)之間送達 運送地點 94104
估計送達日期 — 會在新視窗或分頁中開啟考慮到賣家的處理時間、寄出地郵遞區碼、目的地郵遞區碼、接收包裹時間，並取決於所選的運送方式以及收到全部款項全部款項 — 會在新視窗或分頁中開啟的時間。送達時間會因時而異，尤其是節日。
退貨：
30 日退貨. 由買家支付退貨運費，如果你使用 eBay 郵寄標籤，相關費用將從你的退款金額中扣除.
保障：
請參閱物品說明或聯絡賣家以取得詳細資料。閱覽全部詳情查看保障詳情
（不符合「eBay 買家保障方案」資格）

安心購物

高度評價賣家
值得信賴的賣家，發貨快，輕鬆退貨。 進一步了解- 超高度評價 — 會在新視窗或分頁中開啟
賣家必須承擔此刊登物品的所有責任。
eBay 物品編號：313628009791
上次更新時間： 2025-05-20 17:17:03查看所有版本查看所有版本

物品細節

Format
Hardcover
PublishedOn
2016-03-31
Title
Collecting from the Margins: Material Culture in a Latin America
Artist
Not Specified
Type
Not Specified
Publication Name
Not Specified
ISBN
9781611487336
類別

關於產品

Product Identifiers

Publisher
Bucknell University Press
ISBN-10
1611487331
ISBN-13
9781611487336
eBay Product ID (ePID)
219047131

Product Key Features

Language
English
Topic
Caribbean & Latin American, General, Customs & Traditions, Literary Criticism, Social Science, Antiques & Collectibles
Author
María Mercedes Andrade
Illustrator
Yes

Dimensions

Item Length
9 In.
Item Height
0.7 In.
Item Width
6 In.
Item Weight
18.6 Oz

Additional Product Features

LCCN
2015-051333
Book Title
Collecting from the Margins : Material Culture in a Latin American Context
Intended Audience
Scholarly & Professional
Synopsis
Collecting from the Margins: Material Culture in a Latin American is the first anthology to provide a sustained discussion of the modern practice of collecting from a specifically Latin American perspective., From the cabinets of wonder of the Renaissance to the souvenir collections of today, selecting, accumulating, and organizing objects are practices that are central to our notions of who we are and what we value. Collecting, both private and institutional, has been instrumental in the consolidation of modern notions of the individual and of the nation, and numerous studies have discussed its complex political, social, economic, anthropological, and psychological implications. However, studies of collecting as practiced in colonized cultures are few, since the role of these cultures has usually been understood as that of purveyors of objects for the metropolitan collector. Collecting from the Margins: Material Culture in a Latin American Context seeks to counter the historical understanding of collecting that posits the metropolis as collecting subject and the colonial or postcolonial society as supplier of collectible objects by asking instead how collecting has been practiced and understood in Latin America. Has collecting been viewed or portrayed differently in a Latin American context? Does the act of collecting, when viewed from a Latin American perspective, unsettle the way we have become accustomed to think about it? What differences, if any, arise in the activity of collecting in colonized or previously colonial societies? Spanning the period after the independence wars until the 1980s, this collection of ten essays addresses a broad range of examples of collecting practices in Latin America. Collecting during the nineteenth century is addressed in discussions of the creation of the first national museums of Argentina and Colombia in the post-independence period, as well as in analyses of the private collections of modernistas such as Enrique G mez Carrillo, Rub n Dar o, Jos Asunci n Silva, and Delmira Agustini at the end of the nineteenth century and the beginning of the twentieth. The practice of collecting in the twentieth century is discussed in analyses of the self-described revolutionary practices of Oswald de Andrade, Augusto de Campos and the films of Ruy Guerra, as well as the polemical collections of Pablo Neruda, and the unsettling collections portrayed in Gabriel Garc a M rquez's One Hundred Years of Solitude., From the cabinets of wonderof the Renaissance to the souvenir collections of today, selecting, accumulating, and organizing objects are practices that are central to our notions of who we are and what we value. Collecting, both private and institutional, has been instrumental in the consolidation of modern notions of the individual and of the nation, and numerous studies have discussed its complex political, social, economic, anthropological, and psychological implications. However, studies of collecting as practiced in colonized cultures are few, since the role of these cultures has usually been understood as that of purveyors of objects for the metropolitan collector. Collecting from the Margins: Material Culture in a Latin American Context seeks to counter the historical understanding of collecting that posits the metropolis as collecting subject and the colonial or postcolonial society as supplier of collectible objects by asking instead how collecting has been practiced and understood in Latin America. Has collecting been viewed or portrayed differently in a Latin American context? Does the act of collecting, when viewed from a Latin American perspective, unsettle the way we have become accustomed to think about it? What differences, if any, arise in the activity of collecting in colonized or previously colonial societies? Spanning the period after the independence wars until the 1980s, this collection of ten essays addresses a broad range of examples of collecting practices in Latin America. Collecting during the nineteenth century is addressed in discussions of the creation of the first national museums of Argentina and Colombia in the post-independence period, as well as in analyses of the private collections of modernistas such as Enrique Gómez Carrillo, Rubén Darío, José Asunción Silva, and Delmira Agustini at the end of the nineteenth century and the beginning of the twentieth. The practice of collecting in the twentieth century is discussed in analyses of the self-described revolutionary practices of Oswald de Andrade, Augusto de Campos and the films of Ruy Guerra, as well as the polemical collections of Pablo Neruda, and the unsettling collections portrayed in Gabriel García Márquez's One Hundred Years of Solitude., From the cabinets of wonder of the Renaissance to the souvenir collections of today, selecting, accumulating, and organizing objects are practices that are central to our notions of who we are and what we value. Collecting, both private and institutional, has been instrumental in the consolidation of modern notions of the individual and of the nation, and numerous studies have discussed its complex political, social, economic, anthropological, and psychological implications. However, studies of collecting as practiced in colonized cultures are few, since the role of these cultures has usually been understood as that of purveyors of objects for the metropolitan collector. Collecting from the Margins: Material Culture in a Latin American Context seeks to counter the historical understanding of collecting that posits the metropolis as collecting subject and the colonial or postcolonial society as supplier of collectible objects by asking instead how collecting has been practiced and understood in Latin America. Has collecting been viewed or portrayed differently in a Latin American context? Does the act of collecting, when viewed from a Latin American perspective, unsettle the way we have become accustomed to think about it? What differences, if any, arise in the activity of collecting in colonized or previously colonial societies? Spanning the period after the independence wars until the 1980s, this collection of ten essays addresses a broad range of examples of collecting practices in Latin America. Collecting during the nineteenth century is addressed in discussions of the creation of the first national museums of Argentina and Colombia in the post-independence period, as well as in analyses of the private collections of modernistas such as Enrique Gomez Carrillo, Ruben Dario, Jose Asuncion Silva, and Delmira Agustini at the end of the nineteenth century and the beginning of the twentieth. The practice of collecting in the twentieth century is discussed in analyses of the self-described revolutionary practices of Oswald de Andrade, Augusto de Campos and the films of Ruy Guerra, as well as the polemical collections of Pablo Neruda, and the unsettling collections portrayed in Gabriel Garcia Marquez's One Hundred Years of Solitude.
Publication Year
2016
Reviews
Like the Wunderkammern, this edition gathers essays from far and wide to reflect on how radically things change when you turn the lens and view Latin America through its collections and individual's pursuit of the art of collecting., "Like the Wunderkammern, this edition gathers essays from far and wide to reflect on how radically things change when you turn the lens and view Latin America through its collections and individual's pursuit of the art of collecting." --Silvia Spitta, author of Misplaced Objects: Migrating Collections and Recollections in Europe and the Americas and Between Two Waters:
Format
Hardcover
Table Of Content
A Note on Translations List of Illustrations Acknowledgments Introduction by Maria Mercedes Andrade Chapter 1: Sacking the Botanical Expedition: Natural and Military History in the First Museum of Colombia by Felipe Martinez-Pinzon Chapter 2: An "Immense Museum" or an "Immense Tomb?" War and the Rhetoric of Continuity in the Writings of Francisco Moreno by Javier Uriarte Chapter 3: Of bayaderas, congais, and fumerias: "Virtual" Collecting in De Marsella a Tokio: Sensaciones de Egipto, la India, la China y el Japon, by Enrique Gomez Carrillo by Olga Vilella Chapter 4: "That heteroclite assembly": Collecting, Modernity, and "The Savage Mind" in De sobremesa by Maria Mercedes Andrade Chapter 5: Postcards, Autographs, and Modernismo: Ruben Dario on Popular Collecting and Textual Practices by Andrew Reynolds Chapter 6: Delmira Agustini, Gender, and the Poetics of Collecting by Shelley Garrigan Chapter 7: "I have put all I possess at the disposal of the people's struggle": Pablo Neruda as Collector, Translator, and Poet by Kelly Austin Chapter 8: Antropofagia, Bricolage, Collage: Oswald de Andrade, Augusto de Campos and the Author as Collector by Fernando Perez Villalon Chapter 9: From the Space of the Wunderkammer to Macondo's Wonder Rooms: The Collection of Marvels in Cien anos de soledad by Jeronimo Arellano Chapter 10:Collecting Revisited (and Left Behind): The Treasure Chambers in Ruy Guerra's Erendira and Portugal S.A. by Ilka Kressner Index About the Contributors
LC Classification Number
AM330
Number of Pages
242 pages

賣家提供的物品說明

賣家公司資料

增值稅編號： GB 724498118
賣家簡介

Awesomebooksusa

98.2% 正面信用評價•已賣出 136.56 萬 件物品

加入日期：3月 2009
瀏覽商店聯絡

詳盡賣家評級

過去 12 個月的平均評級
說明準確
4.8
運費合理
5.0
運送速度
5.0
溝通
5.0

此商店的熱門類別

查看全部類別
Used Books其他

賣家信用評價 （552,909）

全部評級
正面
中立
負面
查看所有信用評價