From Ireland Coming HARDCOVER Irish Art-Early Christian-Late Gothic Period

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Subject Area
Art History, Medieval History
Educational Level
Adult & Further Education
Level
Intermediate, Advanced, Technical
Features
1st Edition, Illustrated
Country/Region of Manufacture
United States
Subject
Archaeology, Architecture, Art, Design, History
ISBN
9780691088242
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關於產品

Product Identifiers

Publisher
Princeton University Press
ISBN-10
0691088241
ISBN-13
9780691088242
eBay Product ID (ePID)
1886085

Product Key Features

Number of Pages
392 Pages
Publication Name
From Ireland Coming : Irish Art from the Early Christian to the Late Gothic Period and Its European Context
Language
English
Publication Year
2001
Subject
History / Medieval, Subjects & Themes / Religious, European, History / General
Type
Textbook
Subject Area
Art
Author
Colum Hourihane
Series
Publications of the Department of Art and Archaeology, Princeton University Ser.
Format
Hardcover

Dimensions

Item Weight
61.1 Oz
Item Length
11 in
Item Width
8.5 in

Additional Product Features

Intended Audience
College Audience
LCCN
00-062375
Dewey Edition
21
Series Volume Number
21
Illustrated
Yes
Dewey Decimal
709/.415
Synopsis
Lying at Europe's remote western edge, Ireland long has been seen as having an artistic heritage that owes little to influences beyond its borders. This publication, the first to focus on Irish art from the eighth century AD to the end of the sixteenth century, challenges the idea that the best-known Irish monuments of that period-the high crosses, the Book of Kells, the Tara Brooch, the round towers-reflect isolated, insular traditions. Seventeen essays examine the iconography, history, and structure of these familiar works, as well as a number of previously unpublished pieces, and demonstrate that they do have a place in the main currents of European art. While this book reveals unexpected links between Ireland, Late-Antique Italy, the Byzantine Empire, and the Anglo-Saxons, its center is always the artistic culture of Ireland itself. It includes new research on the Sheela-na-gigs, often thought to be merely erotic sculptures; on the larger cultural meanings of the Tuam Market Cross and its nineteenth-century re-erection; and on late-medieval Irish stone crosses and metalwork. The emphasis on later monuments makes this one of the first volumes to deal with Irish art after the Norman invasion. The contributors are Cormac Bourke, Mildred Budny, Tessa Garton, Peter Harbison, Jane Hawkes, Colum Hourihane, Catherine E. Karkov, Heather King, Susanne McNab, Raghnall Ó Floinn, Emmanuelle Pirotte, Roger Stalley, Kees Veelenturf, Dorothy Hoogland Verkerk, Niamh Whitfield, Maggie McEnchroe Williams, and Susan Youngs., Lying at Europe's remote western edge, Ireland long has been seen as having an artistic heritage that owes little to influences beyond its borders. This publication, the first to focus on Irish art from the eighth century AD to the end of the sixteenth century, challenges the idea that the best-known Irish monuments of that period-the high crosses, the Book of Kells, the Tara Brooch, the round towers-reflect isolated, insular traditions. Seventeen essays examine the iconography, history, and structure of these familiar works, as well as a number of previously unpublished pieces, and demonstrate that they do have a place in the main currents of European art. While this book reveals unexpected links between Ireland, Late-Antique Italy, the Byzantine Empire, and the Anglo-Saxons, its center is always the artistic culture of Ireland itself. It includes new research on the Sheela-na-gigs, often thought to be merely erotic sculptures; on the larger cultural meanings of the Tuam Market Cross and its nineteenth-century re-erection; and on late-medieval Irish stone crosses and metalwork. The emphasis on later monuments makes this one of the first volumes to deal with Irish art after the Norman invasion. The contributors are Cormac Bourke, Mildred Budny, Tessa Garton, Peter Harbison, Jane Hawkes, Colum Hourihane, Catherine E. Karkov, Heather King, Susanne McNab, Raghnall Floinn, Emmanuelle Pirotte, Roger Stalley, Kees Veelenturf, Dorothy Hoogland Verkerk, Niamh Whitfield, Maggie McEnchroe Williams, and Susan Youngs.
LC Classification Number
N6784.F76 2001

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