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Baghdad Central (A Hulu Series) by Colla, Elliott
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US $11.10
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所在地:Columbia, Missouri, 美國
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- 物品狀況
- ISBN
- 9781908524256
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Product Identifiers
Publisher
Bitter Lemon Press
ISBN-10
1908524251
ISBN-13
9781908524256
eBay Product ID (ePID)
160164413
Product Key Features
Book Title
Baghdad Central (A Hulu Series)
Number of Pages
324 Pages
Language
English
Topic
Mystery & Detective / Police Procedural, Thrillers / General, Thrillers / Suspense, Mystery & Detective / International Mystery & Crime, Military / Iraq War (2003-2011)
Publication Year
2014
Illustrator
Yes
Genre
Fiction, History
Format
Trade Paperback
Dimensions
Item Height
1.1 in
Item Weight
10.9 Oz
Item Length
7.7 in
Item Width
5.2 in
Additional Product Features
Intended Audience
Trade
Reviews
'A murder mystery set in post-Saddam Baghdad is as good as it is daring.' Independent 'It is rare to find a first book of such high quality, and which gives such a penetrating and realistic insight into the impact of a forceful external shock to an ancient and singular culture.' Crime Review 'Colla writes with power and authority. Politically astute, beautifully constructed and a rattling good read.' New Internationalist 'A very brave book.' San Francisco Book Review 'Powerful and authentic, Baghdad Central is a perilous journey through the dark maelstrom of wartime Iraq that will make you want to reach for a flak jacket and glance over your shoulder for surveillance, even as you're marvelling at its abiding humanity.' Dan Fesperman, author of Lie in the Dark "An intriguing first novel...Colla writes of a beleaguered secular Arab culture with deep empathy." Publishers Weekly 'Aside from the beauty of the writing, the strength of Colla's work lies in its ambiguity. Colla paints a nuanced landscape of a country at war, where each character is driven by a complex tangle of personal and nationalistic aims.' Daily Star 'Just when you think that nothing in the overcrowded crime field can surprise you any more, along comes a writer like Elliott Colla who takes the genre by the throat and shakes it vigorously. Baghdad Central is a rich and allusive piece of writing, informed by the writer's experience in both the Middle East and Washington. Its authenticity is matched by a masterly command of the mechanics of suspense.' Barry Forshaw, Crime Time 'One rarely finds Iraqis in American fiction except as Orientalist stereotypes or objects of political desires and fantasies. Baghdad Central is unique in this respect. Its Iraqis are subjects with agency and humanity. Colla knows the cultural and political topography very well. The chaos and cacophony of the American occupation are captured vividly. The narrative is smart and smooth. This is an intense and well-written novel. A pleasure to read.' Sinan Antoon, author of The Baghdad Blues and The Corpse Washer 'A gripping tale of mystery and intrigue in the claustrophobic, morally treacherous world of post-invasion Baghdad, an environment where relationships can detonate as readily as car bombs. This is a compelling noir crime novel told from inside Iraqi society that lays bare the easy slide from personal to political treachery, where every crime is also a national wound. A great read! ' Jenny White, author of The Winter Thief, A Kamil Pasha novel "For all those with an interest in what life was like in Baghdad under the CPA, this should be required reading...credible and authoritative, [making] Baghdad Central a book I recommend." Opinionator, #145;Powerful and authentic, Baghdad Central is a perilous journey through the dark maelstrom of wartime Iraq that will make you want to reach for a flak jacket and glance over your shoulder for surveillance, even as you're marvelling at its abiding humanity.' Dan Fesperman, author of Lie in the Dark #145;Just when you think that nothing in the overcrowded crime field can surprise you any more, along comes a writer like Elliott Colla who takes the genre by the throat and shakes it vigorously. Baghdad Central is a rich and allusive piece of writing, informed by the writer's experience in both the Middle East and Washington. Its authenticity is matched by a masterly command of the mechanics of suspense.' Barry Forshaw, Crime Time #145;One rarely finds Iraqis in American fiction except as Orientalist stereotypes or objects of political desires and fantasies. Baghdad Central is unique in this respect. Its Iraqis are subjects with agency and humanity. Colla knows the cultural and political topography very well. The chaos and cacophony of the American occupation are captured vividly. The narrative is smart and smooth. This is an intense and well-written novel. A pleasure to read.' Sinan Antoon, author of The Baghdad Blues and The Corpse Washer, #145;Powerful and authentic, Baghdad Central is a perilous journey through the dark maelstrom of wartime Iraq that will make you want to reach for a flak jacket and glance over your shoulder for surveillance, even as you're marvelling at its abiding humanity.' Dan Fesperman, author of Lie in the Dark #145;Just when you think that nothing in the overcrowded crime field can surprise you any more, along comes a writer like Elliott Colla who takes the genre by the throat and shakes it vigorously. Baghdad Central is a rich and allusive piece of writing, informed by the writer's experience in both the Middle East and Washington. Its authenticity is matched by a masterly command of the mechanics of suspense.' Barry Forshaw, Crime Time #145;One rarely finds Iraqis in American fiction except as Orientalist stereotypes or objects of political desires and fantasies. Baghdad Central is unique in this respect. Its Iraqis are subjects with agency and humanity. Colla knows the cultural and political topography very well. The chaos and cacophony of the American occupation are captured vividly. The narrative is smart and smooth. This is an intense and well-written novel. A pleasure to read.' Sinan Antoon, author of The Baghdad Blues and The Corpse Washer #145;A gripping tale of mystery and intrigue in the claustrophobic, morally treacherous world of post-invasion Baghdad, an environment where relationships can detonate as readily as car bombs. This is a compelling noir crime novel told from inside Iraqi society that lays bare the easy slide from personal to political treachery, where every crime is also a national wound. A great read! #145; Jenny White, author of The Winter Thief, A Kamil Pasha novel, 'A murder mystery set in post-Saddam Baghdad is as good as it is daring.' Independent 'It is rare to find a first book of such high quality, and which gives such a penetrating and realistic insight into the impact of a forceful external shock to an ancient and singular culture.' Crime Review 'Colla writes with power and authority. Politically astute, beautifully constructed and a rattling good read.' New Internationalist #145;A very brave book.' San Francisco Book Review #145;Powerful and authentic, Baghdad Central is a perilous journey through the dark maelstrom of wartime Iraq that will make you want to reach for a flak jacket and glance over your shoulder for surveillance, even as you're marvelling at its abiding humanity.' Dan Fesperman, author of Lie in the Dark "An intriguing first novel…Colla writes of a beleaguered secular Arab culture with deep empathy." Publishers Weekly 'Aside from the beauty of the writing, the strength of Colla's work lies in its ambiguity. Colla paints a nuanced landscape of a country at war, where each character is driven by a complex tangle of personal and nationalistic aims.' Daily Star #145;Just when you think that nothing in the overcrowded crime field can surprise you any more, along comes a writer like Elliott Colla who takes the genre by the throat and shakes it vigorously. Baghdad Central is a rich and allusive piece of writing, informed by the writer's experience in both the Middle East and Washington. Its authenticity is matched by a masterly command of the mechanics of suspense.' Barry Forshaw, Crime Time #145;One rarely finds Iraqis in American fiction except as Orientalist stereotypes or objects of political desires and fantasies. Baghdad Central is unique in this respect. Its Iraqis are subjects with agency and humanity. Colla knows the cultural and political topography very well. The chaos and cacophony of the American occupation are captured vividly. The narrative is smart and smooth. This is an intense and well-written novel. A pleasure to read.' Sinan Antoon, author of The Baghdad Blues and The Corpse Washer #145;A gripping tale of mystery and intrigue in the claustrophobic, morally treacherous world of post-invasion Baghdad, an environment where relationships can detonate as readily as car bombs. This is a compelling noir crime novel told from inside Iraqi society that lays bare the easy slide from personal to political treachery, where every crime is also a national wound. A great read! #145; Jenny White, author of The Winter Thief, A Kamil Pasha novel "For all those with an interest in what life was like in Baghdad under the CPA, this should be required reading...credible and authoritative, [making] Baghdad Central a book I recommend." Opinionator, #145;Powerful and authentic, Baghdad Central is a perilous journey through the dark maelstrom of wartime Iraq that will make you want to reach for a flak jacket and glance over your shoulder for surveillance, even as you're marvelling at its abiding humanity.' Dan Fesperman, author of Lie in the Dark "An intriguing first novel…Colla writes of a beleaguered secular Arab culture with deep empathy." Publishers Weekly #145;Just when you think that nothing in the overcrowded crime field can surprise you any more, along comes a writer like Elliott Colla who takes the genre by the throat and shakes it vigorously. Baghdad Central is a rich and allusive piece of writing, informed by the writer's experience in both the Middle East and Washington. Its authenticity is matched by a masterly command of the mechanics of suspense.' Barry Forshaw, Crime Time #145;One rarely finds Iraqis in American fiction except as Orientalist stereotypes or objects of political desires and fantasies. Baghdad Central is unique in this respect. Its Iraqis are subjects with agency and humanity. Colla knows the cultural and political topography very well. The chaos and cacophony of the American occupation are captured vividly. The narrative is smart and smooth. This is an intense and well-written novel. A pleasure to read.' Sinan Antoon, author of The Baghdad Blues and The Corpse Washer #145;A gripping tale of mystery and intrigue in the claustrophobic, morally treacherous world of post-invasion Baghdad, an environment where relationships can detonate as readily as car bombs. This is a compelling noir crime novel told from inside Iraqi society that lays bare the easy slide from personal to political treachery, where every crime is also a national wound. A great read! #145; Jenny White, author of The Winter Thief, A Kamil Pasha novel "For all those with an interest in what life was like in Baghdad under the CPA, this should be required reading...credible and authoritative, [making] Baghdad Central a book I recommend." Opinionator, 'A murder mystery set in post-Saddam Baghdad is as good as it is daring.' Independent Now a major TV series on HULU. The WSJ said: 'Baghdad Central," the impossible-to-stop-watching six-part series on Hulu, is a Middle Eastern western in the "High Noon" tradition, though that hardly does it justice. Yes, there's a solitary hero with the cards stacked against him. High-stakes gambling. Even a saloon. But the setting is Baghdad during the Iraq War. 'It is rare to find a first book of such high quality, and which gives such a penetrating and realistic insight into the impact of a forceful external shock to an ancient and singular culture.' Crime Review 'Colla writes with power and authority. Politically astute, beautifully constructed and a rattling good read.' New Internationalist 'A very brave book.' San Francisco Book Review 'Powerful and authentic, Baghdad Central is a perilous journey through the dark maelstrom of wartime Iraq that will make you want to reach for a flak jacket and glance over your shoulder for surveillance, even as you're marvelling at its abiding humanity.' Dan Fesperman, author of Lie in the Dark "An intriguing first novel...Colla writes of a beleaguered secular Arab culture with deep empathy." Publishers Weekly 'Aside from the beauty of the writing, the strength of Colla's work lies in its ambiguity. Colla paints a nuanced landscape of a country at war, where each character is driven by a complex tangle of personal and nationalistic aims.' Daily Star 'Just when you think that nothing in the overcrowded crime field can surprise you any more, along comes a writer like Elliott Colla who takes the genre by the throat and shakes it vigorously. Baghdad Central is a rich and allusive piece of writing, informed by the writer's experience in both the Middle East and Washington. Its authenticity is matched by a masterly command of the mechanics of suspense.' Barry Forshaw, Crime Time 'One rarely finds Iraqis in American fiction except as Orientalist stereotypes or objects of political desires and fantasies. Baghdad Central is unique in this respect. Its Iraqis are subjects with agency and humanity. Colla knows the cultural and political topography very well. The chaos and cacophony of the American occupation are captured vividly. The narrative is smart and smooth. This is an intense and well-written novel. A pleasure to read.' Sinan Antoon, author of The Baghdad Blues and The Corpse Washer 'A gripping tale of mystery and intrigue in the claustrophobic, morally treacherous world of post-invasion Baghdad, an environment where relationships can detonate as readily as car bombs. This is a compelling noir crime novel told from inside Iraqi society that lays bare the easy slide from personal to political treachery, where every crime is also a national wound. A great read! ' Jenny White, author of The Winter Thief, A Kamil Pasha novel "For all those with an interest in what life was like in Baghdad under the CPA, this should be required reading...credible and authoritative, [making] Baghdad Central a book I recommend." Opinionator
Dewey Edition
23
Dewey Decimal
813.6
Synopsis
Baghdad Central is a noir debut novel set in Baghdad in September 2003. Now a major TV series on HULU. The WSJ said: 'Baghdad Central," the impossible-to-stop-watching six-part series on Hulu, is a Middle Eastern western in the "High Noon" tradition, though that hardly does it justice. Yes, there's a solitary hero with the cards stacked against him. High-stakes gambling. Even a saloon. But the setting is Baghdad during the Iraq War. The US occupation of Iraq is a swamp of incompetence and self-delusion. The CPA has disbanded the Iraqi army and police as a consequence of its paranoid policy of de-Ba'athification of Iraqi society. Tales of hubris and reality-denial abound, culminating in Washington hailing the mess a glorious "mission accomplished." Inspector Muhsin al-Khafaji is a mid-level Iraqi cop who deserted his post back in April. Khafaji has lived long enough in pre- and post-Saddam Iraq to know that clinging on to anything but poetry and his daughter, Mrouj, is asking for trouble. Nabbed by the Americans and imprisoned in Abu Ghraib, Khafaji is offered one way out--work for the CPA to rebuild the Iraqi Police Services. But it's only after United States forces take Mrouj that he figures out a way to make his collaboration palatable, and even rewarding. Soon, he is investigating the disappearance of young women translators working for the US Army. The bloody trail leads Khafaji through battles, bars, and brothels then finally back to the Green Zone, where it all began. This is a first novel by Elliott Colla , an American writer totally immersed in Middle Eastern affairs. He is a professor of Arabic literature at Georgetown University, and a well-known translator from the Arabic of local fiction and poetry. He divides his time between Washington, DC, and the Middle East., Baghdad, November 2003. The US occupation is not yet a disaster but the CPA has disbanded the Iraqi army and decimated the police in its de-Ba'athification policy. Inspector Khafaji is a mid-level Iraqi cop who deserted his post back in April. Khafaji has lived long enough in pre- and post-Saddam Iraq to know that clinging on to anything but poetry and his daughter, Mrouj is asking for trouble. Nabbed by the Americans and imprisoned in Abu Ghraib, Khafaji is offered one way out -- work for the CPA to rebuild the Iraqi Police Services. But it's only after US forces take Mrouj that he figures out a way to make his collaboration palatable, and even rewarding. Soon, he is investigating the disappearance of young translators working for the US Army. * A 6 x 60-minute drama adaptation also to be called Baghdad Central is set to be produced in 2018 by FremantleMedia. Watch this space for more information., Baghdad Central is a noir debut novel set in Baghdad in September 2003. Now a major TV series on HULU. The WSJ said: 'Baghdad Central," the impossible-to-stop-watching six-part series on Hulu, is a Middle Eastern western in the "High Noon" tradition, though that hardly does it justice. Yes, there's a solitary hero with the cards stacked against him. High-stakes gambling. Even a saloon. But the setting is Baghdad during the Iraq War.The US occupation of Iraq is a swamp of incompetence and self-delusion. The CPA has disbanded the Iraqi army and police as a consequence of its paranoid policy of de-Ba'athification of Iraqi society. Tales of hubris and reality-denial abound, culminating in Washington hailing the mess a glorious "mission accomplished." Inspector Muhsin al-Khafaji is a mid-level Iraqi cop who deserted his post back in April. Khafaji has lived long enough in pre- and post-Saddam Iraq to know that clinging on to anything but poetry and his daughter, Mrouj, is asking for trouble. Nabbed by the Americans and imprisoned in Abu Ghraib, Khafaji is offered one way out--work for the CPA to rebuild the Iraqi Police Services. But it's only after United States forces take Mrouj that he figures out a way to make his collaboration palatable, and even rewarding. Soon, he is investigating the disappearance of young women translators working for the US Army. The bloody trail leads Khafaji through battles, bars, and brothels then finally back to the Green Zone, where it all began. This is a first novel by Elliott Colla , an American writer totally immersed in Middle Eastern affairs. He is a professor of Arabic literature at Georgetown University, and a well-known translator from the Arabic of local fiction and poetry. He divides his time between Washington, DC, and the Middle East., Baghdad, 2003: Iraqi police inspector Muhsin al-Khafaji investigates the disappearance of young women translators working for the American occupation forces. Now a major TV series on HULU. The WSJ said: 'Baghdad Central," the impossible-to-stop-watching six-part series on Hulu, is a Middle Eastern western in the "High Noon" tradition, though that hardly does it justice. Yes, there's a solitary hero with the cards stacked against him. High-stakes gambling. Even a saloon. But the setting is Baghdad during the Iraq War.", Baghdad Central is a noir debut novel set in Baghdad in September 2003. The US occupation of Iraq is a swamp of incompetence and self-delusion. The CPA has disbanded the Iraqi army and police as a consequence of its paranoid policy of de-Ba'athification of Iraqi society. Tales of hubris and reality-denial abound, culminating in Washington hailing the mess a glorious "mission accomplished." Inspector Muhsin al-Khafaji is a mid-level Iraqi cop who deserted his post back in April. Khafaji has lived long enough in pre- and post-Saddam Iraq to know that clinging on to anything but poetry and his daughter, Mrouj, is asking for trouble. Nabbed by the Americans and imprisoned in Abu Ghraib, Khafaji is offered one way out--work for the CPA to rebuild the Iraqi Police Services. But it's only after United States forces take Mrouj that he figures out a way to make his collaboration palatable, and even rewarding. Soon, he is investigating the disappearance of young women translators working for the US Army. The bloody trail leads Khafaji through battles, bars, and brothels then finally back to the Green Zone, where it all began. This is a first novel by Elliott Colla , an American writer totally immersed in Middle Eastern affairs. He is a professor of Arabic literature at Georgetown University, and a well-known translator from the Arabic of local fiction and poetry. He divides his time between Washington, DC, and the Middle East.
LC Classification Number
PS3603
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