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GEORGES FLOROVSKY AND THE RUSSIAN RELIGIOUS RENAISSANCE By Paul Gavrilyuk, 2014
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GEORGES FLOROVSKY AND THE RUSSIAN RELIGIOUS RENAISSANCE By Paul Gavrilyuk, 2014
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GEORGES FLOROVSKY AND THE RUSSIAN RELIGIOUS RENAISSANCE By Paul Gavrilyuk, 2014

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    Book Title
    Georges Florovsky and the Russian Religious Renaissance (Changing
    ISBN-10
    0198701586
    Genre
    RELIGION
    ISBN
    9780198701583
    類別

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    Product Identifiers

    Publisher
    Oxford University Press, Incorporated
    ISBN-10
    0198701586
    ISBN-13
    9780198701583
    eBay Product ID (ePID)
    171781938

    Product Key Features

    Number of Pages
    320 Pages
    Language
    English
    Publication Name
    Georges Florovsky and the Russian Religious Renaissance
    Subject
    Christian Theology / General, General, History
    Publication Year
    2014
    Type
    Textbook
    Subject Area
    Religion
    Author
    Paul L. Gavrilyuk
    Series
    Changing Paradigms in Historical and Systematic Theology Ser.
    Format
    Hardcover

    Dimensions

    Item Height
    1.1 in
    Item Weight
    24.7 Oz
    Item Length
    9.4 in
    Item Width
    6.4 in

    Additional Product Features

    Intended Audience
    Scholarly & Professional
    LCCN
    2013-944497
    Dewey Edition
    23
    Reviews
    "Paul Gavrilyuk's meticulously documented book is a model study of the intellectual development of one of the most significant and intriguing personalities of modern Orthodoxy, a masterly undertaking which will influence any further reflection on the complex development and interrelationships among the various strands of modern Orthodox theology. The book does justice to Florovsky, not as uncritical hagiography, but as a lucid, informed account of his intellectual development and his place in the history of modern Orthodox thought." --Paul Ladouceur, St Vladimir's Theological Quarterly "It will not be possible, from now on, to read Russian theologian Georges Florovsky's work or for that matter, anything about him without reference to Paul Gavrilyuk's truly groundbreaking study and reassessment." --Michael Plekon, Logos "Gavrilyuk's study provides us with the most comprehensive, broad, and critical consideration of the complex and not yet fully understood relationship between Florovsky and the Renaissance movement." --Nikolaos Asproulis, Journal of Theological Studies, "Paul Gavrilyuk's meticulously documented book is a model study of the intellectual development of one of the most significant and intriguing personalities of modern Orthodoxy, a masterly undertaking which will influence any further reflection on the complex development and interrelationships among the various strands of modern Orthodox theology. The book does justice to Florovsky, not as uncritical hagiography, but as a lucid, informed account of his intellectual development and his place in the history of modern Orthodox thought." --Paul Ladouceur, St Vladimir's Theological Quarterly "It will not be possible, from now on, to read Russian theologian Georges Florovsky's work or for that matter, anything about him without reference to Paul Gavrilyuk's truly groundbreaking study and reassessment." --Michael Plekon, Logos "Gavrilyuk's study provides us with the most comprehensive, broad, and critical consideration of the complex and not yet fully understood relationship between Florovsky and the Renaissance movement." --Nikolaos Asproulis, Journal of Theological Studies "In short, Gavrilyuk's monograph is an indispensable study of the Russian religious renaissance and certainly a welcome corrective to a facile anti-westernism that oft en characterizes Orthodox thought." --Slavic Review
    Dewey Decimal
    281.9/47
    Table Of Content
    PrefaceIntroduction1. The Russian Religious Renaissance before the Revolution2. Early Encounters with the Renaissance3. The Fathers and Children of the Renaissance in the Dispersion4. The Eurasian Temptation5. Philosophy of History6. Reevaluation of Solovyov7. Bulgakov s Antipode8. The Sophiological Subtext of Neopatristic Synthesis9. How The Ways of Russian Theology Came to Be Written10. The Patristic Norm and the Western Pseudomorphosis of Russian Theology11. The Early Reception of The Ways of Russian Theology12. Christian Hellenism as Philosophia Perennis13. The Ecclesiological and Epistemological Contours of the Neopatristic Synthesis14. The Reception of Florovsky in Orthodox Theology15. Beyond the Polarizing Narrative
    Synopsis
    Georges Florovsky is the mastermind of a "return to the Church Fathers" in twentieth-century Orthodox theology. His theological vision - the neopatristic synthesis - became the main paradigm of Orthodox theology and the golden standard of Eastern Orthodox identity in the West. Focusing on Florovsky's European period (1920-1948), this study analyses how Florovsky's evolving interpretation of Russian religious thought, particularly Vladimir Solovyov and Sergius Bulgakov, informed his approach to patristic sources. Paul Gavrilyuk offers a new reading of Florovsky's neopatristic theology, by closely considering its ontological, epistemological and ecclesiological foundations. It is common to contrast Florovsky's neopatristic theology with the 'modernist' religious philosophies of Pavel Florensky, Sergius Bulgakov, and other representatives of the Russian Religious Renaissance. Gavrilyuk argues that the standard narrative of twentieth-century Orthodox theology, based on this polarization, must be reconsidered. The author demonstrates Florovsky's critical appropriation of the main themes of the Russian Religious Renaissance, including theological antinomies, the meaning of history, and the nature of personhood. The distinctive features of Florovsky's neopatristic theology - Christological focus, "ecclesial experience", personalism, and "Christian Hellenism" 1 - are best understood against the background of the main problematic of the Renaissance. Specifically, it is shown that Bulgakov's sophiology provided a polemical subtext for Florovsky's theology of creation. It is argued that the use of the patristic norm in application to modern Russian theology represents Florovsky's theological signature.Drawing on unpublished archival material and correspondence, this study sheds new light on such aspects of Florovsky's career as his family background, his participation in the Eurasian movement, his dissertation on Alexander Herzen, his lectures on Vladimir Solovyov, and his involvement in Bulgakov's Brotherhood of St Sophia., Georges Florovsky is the mastermind of a 'return to the Church Fathers' in twentieth-century Orthodox theology. His theological vision-the neopatristic synthesis-became the main paradigm of Orthodox theology and the golden standard of Eastern Orthodox identity in the West. Focusing on Florovsky's European period (1920-1948), this study analyses how Florovsky's evolving interpretation of Russian religious thought, particularly Vladimir Solovyov and Sergius Bulgakov, informed his approach to patristic sources. Paul Gavrilyuk offers a new reading of Florovsky's neopatristic theology, by closely considering its ontological, epistemological and ecclesiological foundations. It is common to contrast Florovsky's neopatristic theology with the 'modernist' religious philosophies of Pavel Florensky, Sergius Bulgakov, and other representatives of the Russian Religious Renaissance. Gavrilyuk argues that the standard narrative of twentieth-century Orthodox theology, based on this polarization, must be reconsidered. The author demonstrates Florovsky's critical appropriation of the main themes of the Russian Religious Renaissance, including theological antinomies, the meaning of history, and the nature of personhood. The distinctive features of Florovsky's neopatristic theology--Christological focus, 'ecclesial experience', personalism, and 'Christian Hellenism'--are best understood against the background of the main problematic of the Renaissance. Specifically, it is shown that Bulgakov's sophiology provided a polemical subtext for Florovsky's theology of creation. It is argued that the use of the patristic norm in application to modern Russian theology represents Florovsky's theological signature.Drawing on unpublished archival material and correspondence, this study sheds new light on such aspects of Florovsky's career as his family background, his participation in the Eurasian movement, his dissertation on Alexander Herzen, his lectures on Vladimir Solovyov, and his involvement in Bulgakov's Brotherhood of St Sophia., This study offers a new interpretation of twentieth-century Russian Orthodox theology by engaging the work of Georges Florovsky (1893-1979), especially his program of a 'return to the Church Fathers'., Georges Florovsky is the mastermind of a "return to the Church Fathers" in twentieth-century Orthodox theology. His theological vision--the neopatristic synthesis--became the main paradigm of Orthodox theology and the golden standard of Eastern Orthodox identity in the West. Focusing on Florovsky's European period (1920-1948), this study analyzes how Florovsky's evolving interpretation of Russian religious thought, particularly Vladimir Solovyov and Sergius Bulgakov, informed his approach to patristic sources. Paul Gavrilyuk offers a new reading of Florovsky's neopatristic theology, by closely considering its ontological, epistemological, and ecclesiological foundations. It is common to contrast Florovsky's neopatristic theology with the "modernist" religious philosophies of Pavel Florensky, Sergius Bulgakov, and other representatives of the Russian Religious Renaissance. Gavrilyuk argues that the standard narrative of twentieth-century Orthodox theology, based on this polarization, must be reconsidered. The author demonstrates Florovsky's critical appropriation of the main themes of the Russian Religious Renaissance, including theological antinomies, the meaning of history, and the nature of personhood. The distinctive features of Florovsky's neopatristic theology--Christological focus, "ecclesial experience," personalism, and "Christian Hellenism"--are best understood against the background of the main problematic of the Renaissance. Specifically, it is shown that Bulgakov's sophiology provided a polemical subtext for Florovsky's theology of creation. It is argued that the use of the patristic norm in application to modern Russian theology represents Florovsky's theological signature. Drawing on unpublished archival material and correspondence, this study sheds new light on such aspects of Florovsky's career as his family background, his participation in the Eurasian movement, his dissertation on Alexander Herzen, his lectures on Vladimir Solovyov, and his involvement in Bulgakov's Brotherhood of St Sophia.
    LC Classification Number
    BX493

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