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Art and Aesthetics Chinese Popular Prints Selections Muban Collection Like New M
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- 物品狀況
- 很新: 狀況完好的書籍。封面發亮且沒有損壞，精裝本書籍含書皮。不存在缺頁或內頁受損，無褶皺或破損，同時也沒有對文字標注/標記，或在留白處書寫內容。內封面上標記極少。書籍的磨損和破損程度也很低。 查看所有物品狀況定義會在新視窗或分頁中開啟
- Features
- Collection
- ISBN
- 9780892641543
關於產品
Product Identifiers
Publisher
Center for Chinese Studies Publications
ISBN-10
0892641541
ISBN-13
9780892641543
eBay Product ID (ePID)
2207817
Product Key Features
Number of Pages
216 Pages
Publication Name
Art and Aesthetics in Chinese Popular Prints : Selections from the Muban Foundation Collection
Language
English
Publication Year
2002
Subject
Asian / Chinese, Ethnic Studies / General, Folk & Outsider Art, General, Subjects & Themes / Religious, Prints
Type
Textbook
Subject Area
Art, Social Science
Series
Michigan Monographs in Chinese Studies
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
38 Oz
Item Length
11 in
Item Width
8.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2001-055259
Dewey Edition
21
Series Volume Number
94
Illustrated
Yes
Synopsis
Traditional woodblock printing is a Chinese folk art that has now nearly vanished. The London-based Muban Educational Trust holds a rich collection of popular prints from this tradition. Art and Aesthetics in Chinese Popular Prints reproduces eighty-four of these prints from the late nineteenth and early twentieth centuries, with analytical commentary. Woodblock printing was the principal method of producing inexpensive and colorful single-sheet images for mass consumption in late nineteenth- and early twentieth-century China. Prints of this type are known today as "New Year pictures" because the demand for them peaked around New Year. However, the term "popular print" more accurately describes these works whose subjects include deities and tutelary spirits, illustrations to stories and operas, and even contemporary political or revolutionary messages. Art and Aesthetics emphasizes the artistic aspects of these prints, appealing to Chinese art historians but also to those interested in Chinese anthropology, popular religion, Chinese and other folk art, and traditional crafts., Traditional woodblock printing is a Chinese folk art that has now nearly vanished. The London-based Muban Educational Trust holds a rich collection of popular prints from this tradition. Art and Aesthetics in Chinese Popular Prints reproduces eighty-four of these prints from the late nineteenth and early twentieth centuries, with analytical commentary.Woodblock printing was the principal method of producing inexpensive and colorful single-sheet images for mass consumption in late nineteenth- and early twentieth-century China. Prints of this type are known today as "New Year pictures" because the demand for them peaked around New Year. However, the term "popular print" more accurately describes these works whose subjects include deities and tutelary spirits, illustrations to stories and operas, and even contemporary political or revolutionary messages. Art and Aesthetics emphasizes the artistic aspects of these prints, appealing to Chinese art historians but also to those interested in Chinese anthropology, popular religion, Chinese and other folk art, and traditional crafts., Traditional woodblock prints preserve a Chinese folk art that has now nearly vanished. This book explores and explains the artistic and aesthetic bases of popular prints revealed in eighty-four late nineteenth- and early twentieth-century prints belonging to the London-based Muban Foundation. Woodblock printing was the principal method of producing inexpensive and colorful single-sheet images for mass consumption in late nineteenth- and early twentieth-century China. Prints of this type are known today as "New Year pictures" because the demand for them peaked at New Year's time. However, the term "popular print" more accurately describes these works, whose subjects include deities and tutelary spirits, illustrations to stories and operas, and even contemporary political or revolutionary messages. The emphasis on the artistic aspects of these prints makes this publication uniquely appealing to Chinese art historians but also to those interested in Chinese anthropology, popular religion, Chinese and other folk art, and traditional crafts. Ellen J. Laing received a Ph.D. from the University of Michigan. She was Maude I. Kerns Distinguished Professor of Oriental Art, University of Oregon and is currently Research Associate at the Center for Chinese Studies, University of Michigan. She has published numerous scholarly articles, books, and reference works on Chinese art.
LC Classification Number
NE1183.25.L35 2002
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