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A Corpus of Rembrandt Paintings IV Self Portraits Inverted Cover
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- 物品狀況
- 很新: 狀況完好的書籍。封面發亮且沒有損壞，精裝本書籍含書皮。不存在缺頁或內頁受損，無褶皺或破損，同時也沒有對文字標注/標記，或在留白處書寫內容。內封面上標記極少。書籍的磨損和破損程度也很低。 查看所有物品狀況定義會在新視窗或分頁中開啟
- ISBN
- 9781402032769
關於產品
Product Identifiers
Publisher
Springer Netherlands
ISBN-10
1402032765
ISBN-13
9781402032769
eBay Product ID (ePID)
48246589
Product Key Features
Number of Pages
Xxxiv, 690 Pages
Language
English
Publication Name
Corpus of Rembrandt Paintings IV : Self-Portraits
Publication Year
2005
Subject
Individual Artists / General, Criticism & Theory, General, History / General
Type
Textbook
Subject Area
Art
Series
Rembrandt Research Project Foundation Ser.
Format
Book, Other
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
22
Reviews
This is an enthralling book that opens a wide window onto art-historical method. A range of disciplines - scientific analysis, connoisseurship, costume history - are employed with great lucidity. (Times Literary Supplement January, 6th 2006)
TitleLeading
A
Series Volume Number
4
Number of Volumes
1 vol.
Illustrated
Yes
Dewey Decimal
759.9492
Table Of Content
Essays.- By his own hand. The valuation of autograph paintings in the 17th century.- Rembrandt's clothes -- Dress and meaning in his self-portraits.- Rembrandt's self-portraits: problems of authenticity and function.- Grounds in Rembrandt's workshop and in paintings by his contemporaries.- Biographical information 1643-1669.- Catalogue.- Self-portrait in a flat cap.- Self-portrait.- 'self-portrait'.- 'self-portrait'.- Self-portrait.- 'self-portrait'.- Rembrandt leaning on a windowsill.- Large self-portrait.- Self-portrait.- Self-portrait with sketchbook.- 'self-portrait'.- 'self-portrait'.- Small self-portrait.- Self-portrait.- Self-portrait.- Unfinished Self-portrait.- 'self-portrait'.- Self-portrait.- Self-portrait at the easel.- Self-portrait.- 'self-portrait'.- 'self-portrait'.- 'self-portrait'.- Self-portrait as St Paul.- Self-portrait as Zeuxis laughing.- Self-portrait.- Self-portrait.- Self-portrait.- Self-portrait.
Synopsis
The Rembrandt Research Project: Past, Present, Future This book differs from the previous volumes of A Corpus of well as the Rembrandts discovered after 1935). 3 Whilst Rembrandt Paintings, not for the mere sake of change, but working on Volume I, however, it became obvious that rather as a result of art-historical and methodological the project could not be completed within the intended developments in our approach to the issues involved. time. Accordingly, the decision was taken, beginning with Indeed, it became increasingly evident that our original Volume II, to use the substantially smaller canon of 4 working procedures required revision. Horst Gerson published in 1968, effectively reducing the At first sight, our statement of the problem would seem number of paintings to be treated from 611 to 420 works. unchanged: which paintings in Rembrandt's style were This was done on the assumption that Gerson had painted by the master himself? In preparing pre-vious correctly filtered out many of the paintings on Bredius' volumes, however, it had become increasingly clear that list that simply could not be by Rembrandt. However, our inquiry into the autograph Rembrandt oeuvre would taking Gerson's list as a basis itself turned out to be be more effectively pursued by paying greater attention problematic when it became apparent that he had to the questions of when, where, and for what purpose disattributed a number of paintings which, in the view of the non-autograph paintings were done., Volume IV of A Corpus of Rembrandt Paintings deals uniquely with the self-portraits of Rembrandt. In a clearly written explanatory style the head of the Rembrandt Research Project and Editor of this Volume, Ernst van de Wetering, discusses the full body of work of paintings and etchings portraying Rembrandt. He sets the different parameters for accepting or rejecting a Rembrandt self-portrait as such, whilst also discussing the exact working environment of Rembrandt and his apprentices. This workshop setting created a surroundings where apprentices could be involved in working on Rembrandt paintings making it more difficult to determine the hand of the master. Van de Wetering, who is one of the Rembrandt experts of our day and age, goes down to great detail to explain how the different self-portraits are made and what techniques Rembrandt uses, also giving an overview of which paintings are to be attributed to the Dutch Master and which not. In the additional catalogue the self-portraits are examined in detail. In clear and accessible explanatory text the different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging like X-radiography. This work of art history and art research should be part of every serious art historical institute, university or museum. Nowhere in the art history have all Rembrandt's self portraits been discussed in such detailed and comparative manner by an authority such as Ernst van de Wetering. This is a standard work for decades to come.
LC Classification Number
NX1-820
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