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The Battle-Ground by Ellen Glasgow (2000, Paperback)
EFFIGIA LLC
（1171）
US $14.40
大約HK$ 112.16
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“Solid copy w/slight shelf wear. Used, have been read, and may have imperfections, stains, creasing, ”... 閱讀更多內容關於物品狀況
良好
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運送：
US $4.80（大約 HK$ 37.39） USPS Media MailTM.
所在地：Broussard, Louisiana, 美國
送達日期：
估計於 9月13日 (星期六)至 9月18日 (星期四)之間送達 運送地點 94104
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eBay 物品編號：388125834325
物品細節
- 物品狀況
- 良好
- 賣家備註
- ISBN
- 9780817310417
關於產品
Product Identifiers
Publisher
University of Alabama Press
ISBN-10
081731041X
ISBN-13
9780817310417
eBay Product ID (ePID)
22038442593
Product Key Features
Book Title
Battle-Ground
Number of Pages
558 Pages
Language
English
Topic
War & Military, Literary, Historical
Publication Year
2000
Illustrator
Yes
Genre
Fiction
Book Series
Classics of Civil War Fiction Ser.
Format
Trade Paperback
Dimensions
Item Height
1.5 in
Item Weight
21 Oz
Item Length
8.5 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
99-050999
TitleLeading
The
Dewey Edition
21
Dewey Decimal
813.5
Synopsis
The Battle-Ground , Ellen Glasgow's fourth novel, was her first bestseller, with more than 21,000 copies sold in just two weeks. The novel committed her to a project almost unparalleled in American literary history: a novelistic meditation on the South from the decade before the Confederacy to the middle of the 20th century. The Battle-Ground speaks of a South before and during the Civil War in its struggles to become part of a nation still in the making. The overthrow of the aristocratic tradition, the transfer of hereditary power to a rural underclass, the continued disenfranchisement of African Americans, and the evolving status of women--these topics, which came to bind the more than a dozen volumes of Glasgow's self-styled "social history," initially coalesced in The Battle-Ground. The Battle-Ground conspicuously departs from the tradition of Southern romances popularized by Thomas Nelson Page, and contemporary reviewers praised the book for its historical accuracy. Glasgow, an ardent Anglophile, bragged that military officers in Great Britain studied its descriptions of battle. With her, realism had not only crossed the Atlantic, it had "crossed the Potomac." But Glasgow never sensationalizes the Civil War, whose bloodiest scenes she flanks with domestic officers, the sharing of rations, the warmth of camp, and reminders of home. Her vision of the war centers less on its corruption or barbarity than on its occasions for small decencies and their power of humanization. Glasgow cannot separate the war from its greater social implications--it is a place, as her title suggests, that tests the soul of a nation as well as individual men and women. The importance of The Battle-Ground in Southern literary history cannot be overemphasized, for Glasgow's reimagining of the Civil War had a profound impact on the next generation of Southern writers, including Allen Tate, Stark Young, and Margaret Mitchell., The Battle-Ground , Ellen Glasgow's fourth novel, was her first bestseller, with more than 21,000 copies sold in just two weeks. The novel committed her to a project almost unparalleled in American literary history: a novelistic meditation on the South from the decade before the Confederacy to the middle of the 20th century. The Battle-Ground speaks of a South before and during the Civil War in its struggles to become part of a nation still in the making. The overthrow of the aristocratic tradition, the transfer of hereditary power to a rural underclass, the continued disenfranchisement of African Americans, and the evolving status of women--these topics, which came to bind the more than a dozen volumes of Glasgow's self-styled social history, initially coalesced in The Battle-Ground. The Battle-Ground conspicuously departs from the tradition of Southern romances popularized by Thomas Nelson Page, and contemporary reviewers praised the book for its historical accuracy. Glasgow, an ardent Anglophile, bragged that military officers in Great Britain studied its descriptions of battle. With her, realism had not only crossed the Atlantic, it had crossed the Potomac. But Glasgow never sensationalizes the Civil War, whose bloodiest scenes she flanks with domestic officers, the sharing of rations, the warmth of camp, and reminders of home. Her vision of the war centers less on its corruption or barbarity than on its occasions for small decencies and their power of humanization. Glasgow cannot separate the war from its greater social implications--it is a place, as her title suggests, that tests the soul of a nation as well as individual men and women. The importance of The Battle-Ground in Southern literary history cannot be overemphasized, for Glasgow's reimagining of the Civil War had a profound impact on the next generation of Southern writers, including Allen Tate, Stark Young, and Margaret Mitchell., Captures the war's human toll and explores its social consequences The Battle-Ground , Ellen Glasgow's fourth novel, was her first bestseller, with more than 21,000 copies sold in just two weeks. The novel committed her to a project almost unparalleled in American literary history: a novelistic meditation on the South from the decade before the Confederacy to the middle of the 20th century. The Battle-Ground speaks of a South before and during the Civil War in its struggles to become part of a nation still in the making. The overthrow of the aristocratic tradition, the transfer of hereditary power to a rural underclass, the continued disenfranchisement of African Americans, and the evolving status of women--these topics, which came to bind the more than a dozen volumes of Glasgow's self-styled "social history," initially coalesced in The Battle-Ground. The Battle-Ground conspicuously departs from the tradition of Southern romances popularized by Thomas Nelson Page, and contemporary reviewers praised the book for its historical accuracy. Glasgow, an ardent Anglophile, bragged that military officers in Great Britain studied its descriptions of battle. With her, realism had not only crossed the Atlantic, it had "crossed the Potomac." But Glasgow never sensationalizes the Civil War, whose bloodiest scenes she flanks with domestic officers, the sharing of rations, the warmth of camp, and reminders of home. Her vision of the war centers less on its corruption or barbarity than on its occasions for small decencies and their power of humanization. Glasgow cannot separate the war from its greater social implications--it is a place, as her title suggests, that tests the soul of a nation as well as individual men and women. The importance of The Battle-Ground in Southern literary history cannot be overemphasized, for Glasgow's reimagining of the Civil War had a profound impact on the next generation of Southern writers, including Allen Tate, Stark Young, and Margaret Mitchell.
LC Classification Number
PS3513.L34B36 2000
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