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Citizen Spectator: Art, Illusion, and Visual Perception in Early National Ameri,
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- ISBN
- 9780807833889
- Book Title
- Citizen Spectator : Art, Illusion, and Visual Perception in Early National America
- Book Series
- Published by the Omohundro Institute of Early American History and Culture and the University of North Carolina Press Ser.
- Publisher
- University of North Carolina Press
- Item Length
- 9.2 in
- Publication Year
- 2011
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Item Height
- 1 in
- Features
- New Edition
- Genre
- Art, Social Science, Psychology, History
- Topic
- Sociology / General, United States / 19th Century, American / General, Cognitive Psychology & Cognition, History / General
- Item Weight
- 15 oz
- Item Width
- 6.1 in
- Number of Pages
- 388 Pages
關於產品
Product Identifiers
Publisher
University of North Carolina Press
ISBN-10
0807833886
ISBN-13
9780807833889
eBay Product ID (ePID)
99542578
Product Key Features
Book Title
Citizen Spectator : Art, Illusion, and Visual Perception in Early National America
Number of Pages
388 Pages
Language
English
Topic
Sociology / General, United States / 19th Century, American / General, Cognitive Psychology & Cognition, History / General
Publication Year
2011
Features
New Edition
Illustrator
Yes
Genre
Art, Social Science, Psychology, History
Book Series
Published by the Omohundro Institute of Early American History and Culture and the University of North Carolina Press Ser.
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
15 oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Trade
LCCN
2010-023645
Reviews
Bellion offers here a beautifully written, handsomely produced, and challenging analysis. Recommended. Upper-division undergraduates, graduate students, and researchers/faculty." -- Choice, " Citizen Spectator is a wonderful book--clever, learned, insightful, and surprising. Bellion writes brilliantly about art, illusion, optics, and perception, leading readers through the rich visual worlds of early national Philadelphia and into the tumultuous politics of the new American nation."--Ann Fabian, Rutgers, The State University of New Jersey, "Constructs a fresh framework for reconsidering the ways that early Americans claimed membership in a national citizenry defined more powerfully by republican culture than by law." - Pennsylvania Magazine of History and Biography, "Admirable and groundbreaking . . . . Significant both for its extensive research into the culture of spectatorship in Philadelphia and for the ways in which it opens up further modes of inquiry for scholars interested in the Early National period."-- A, With its careful contextualization and detailed, historical analysis of the cultural forms of illusion, this book firmly locates its discussion of early national visuality within the cultural practices of everyday life and thus makes a substantial contri|9780807833889|, With its careful contextualization and detailed, historical analysis of the cultural forms of illusion, this book firmly locates its discussion of early national visuality within the cultural practices of everyday life and thus makes a substantial contribution to the empirical history of spectatorship in the United States.-- American Historical Review, "Bellion offers here a beautifully written, handsomely produced, and challenging analysis. Recommended. Upper-division undergraduates, graduate students, and researchers/faculty." -- Choice, "Among the most significant book-length studies of early American art to appear in print during the past decade."-- Common-Place, "Among the most significant book-length studies of early American art to appear in print during the past decade." - Common-Place, Bellion is a skilled expositor of images, and each of her essays leaves us with a deeper understanding of works we might imagine were plumbed long ago.-- Journal of American History, " Citizen Spectator lifts a curtain to expose the aesthetic, economic, and political spaces--from museums to markets, the street to the statehouse--where Americans practiced a politics of visual discernment. Absorbing and arresting as an illusionistic painting, Bellion's book brilliantly reveals how new media challenged inherited ideologies and provides novel horizons and vanishing points for the history of American art, culture, and politics."--Eric Slauter, University of Chicago, "Admirable and groundbreaking . . . . Significant both for its extensive research into the culture of spectatorship in Philadelphia and for the ways in which it opens up further modes of inquiry for scholars interested in the Early National period." - Association of Historians of American Art, "Eye-opening, original, and provocative,Citizen Spectatorrecasts early national citizenship as a politicization of the senses. A fascination for optical illusions in art and science tested Americans' ability to discern authenticity from deception. Bellion proves just how important that test was in the early republic. She reminds us of its importance still."--Joseph Roach, Yale University, "Bellion is a skilled expositor of images, and each of her essays leaves us with a deeper understanding of works we might imagine were plumbed long ago." - Journal of American History, "Bellion shows that deceptive illusions were not mere diversions for the citizens of Philadelphia circa 1800 but were embedded in the Enlightenment pursuit of rationality and anxieties about republican politics. These insights bring a fascinating array of artifacts into focus."--Michael Leja, University of Pennsylvania, "Bellion offers here a beautifully written, handsomely produced, and challenging analysis. Recommended. Upper-division undergraduates, graduate students, and researchers/faculty." - Choice, "Bellion is a skilled expositor of images, and each of her essays leaves us with a deeper understanding of works we might imagine were plumbed long ago."-- Journal of American History, "With its careful contextualization and detailed, historical analysis of the cultural forms of illusion, this book firmly locates its discussion of early national visuality within the cultural practices of everyday life and thus makes a substantial contribution to the empirical history of spectatorship in the United States." - American Historical Review, "With its careful contextualization and detailed, historical analysis of the cultural forms of illusion, this book firmly locates its discussion of early national visuality within the cultural practices of everyday life and thus makes a substantial contribution to the empirical history of spectatorship in the United States."-- American Historical Review, "Eye-opening, original, and provocative, Citizen Spectator recasts early national citizenship as a politicization of the senses. A fascination for optical illusions in art and science tested Americans' ability to discern authenticity from deception. Bellion proves just how important that test was in the early republic. She reminds us of its importance still."--Joseph Roach, Yale University, "Admirable and groundbreaking . . . . Significant both for its extensive research into the culture of spectatorship in Philadelphia and for the ways in which it opens up further modes of inquiry for scholars interested in the Early National period."-- Association of Historians of American Art", Among the most significant book-length studies of early American art to appear in print during the past decade.-- Common-Place, "A dramatic and delightful exercise in undeceiving. . . . [Bellion's] work will have broad appeal beyond art historians to historians of early American as well as literary and cultural scholars." - William and Mary Quarterly, "Citizen Spectatorlifts a curtain to expose the aesthetic, economic, and political spaces--from museums to markets, the street to the statehouse--where Americans practiced a politics of visual discernment. Absorbing and arresting as an illusionistic painting, Bellion's book brilliantly reveals how new media challenged inherited ideologies and provides novel horizons and vanishing points for the history of American art, culture, and politics."--Eric Slauter, University of Chicago, "Citizen Spectatoris a wonderful book--clever, learned, insightful, and surprising. Bellion writes brilliantly about art, illusion, optics, and perception, leading readers through the rich visual worlds of early national Philadelphia and into the tumultuous politics of the new American nation."--Ann Fabian, Rutgers, The State University of New Jersey, Admirable and groundbreaking . . . . Significant both for its extensive research into the culture of spectatorship in Philadelphia and for the ways in which it opens up further modes of inquiry for scholars interested in the Early National period.-- Association of Historians of American Art"
Dewey Edition
22
Dewey Decimal
701/.03097309033
Edition Description
New Edition
Synopsis
In this richly illustrated study, the first book-length exploration of illusionistic art in the early United States, Wendy Bellion investigates Americans' experiences with material forms of visual deception and argues that encounters with illusory art shaped their understanding of knowledge, representation, and subjectivity between 1790 and 1825., In this richly illustrated study, the first book-length exploration of illusionistic art in the early United States, Wendy Bellion investigates Americans' experiences with material forms of visual deception and argues that encounters with illusory art shaped their understanding of knowledge, representation, and subjectivity between 1790 and 1825. Focusing on the work of the well-known Peale family and their Philadelphia Museum, as well as other Philadelphians, Bellion explores the range of illusions encountered in public spaces, from trompe l'oeil paintings and drawings at art exhibitions to ephemeral displays of phantasmagoria, "Invisible Ladies," and other spectacles of deception. Bellion reconstructs the elite and vernacular sites where such art and objects appeared and argues that early national exhibitions doubled as spaces of citizen formation. Within a post-Revolutionary culture troubled by the social and political consequences of deception, keen perception signified able citizenship. Setting illusions into dialogue with Enlightenment cultures of science, print, politics, and the senses, Citizen Spectator demonstrates that pictorial and optical illusions functioned to cultivate but also to confound discernment. Bellion reveals the equivocal nature of illusion during the early republic, mapping its changing forms and functions, and uncovers surprising links between early American art, culture, and citizenship.
LC Classification Number
N72.S6B395 2011
Copyright Date
2011
ebay_catalog_id
4
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