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A Mercy by Toni Morrison (2008, Hardcover)
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物品細節
- 物品狀況
- 很新
- 賣家備註
- “unread, with light shelf wear”
- ISBN
- 9780307264237
- Publication Year
- 2008
- Format
- Hardcover
- Language
- English
- Book Title
- Mercy
- Publisher
- Knopf Doubleday Publishing Group
- Genre
- Fiction
- Topic
- African American / General, Literary, Coming of Age, Historical
關於產品
Product Information
NATIONAL BESTSELLER * In "one of Morrison's most haunting works" ( New York Times) the acclaimed Nobel Prize winner reveals what lies beneath the surface of slavery. But at its heart, like Beloved , it is the story of a mother and a daughter--a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment. In the 1680s the slave trade in the Americas is still in its infancy. Jacob Vaark is an Anglo-Dutch trader and adventurer, with a small holding in the harsh North. Despite his distaste for dealing in "flesh," he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, who can read and write and might be useful on his farm. Rejected by her mother, Florens looks for love, first from Lina, an older servant woman at her new master's house, and later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives.
Product Identifiers
Publisher
Knopf Doubleday Publishing Group
ISBN-10
0307264238
ISBN-13
9780307264237
eBay Product ID (ePID)
65722844
Product Key Features
Book Title
Mercy
Topic
African American / General, Literary, Coming of Age, Historical
Publication Year
2008
Language
English
Genre
Fiction
Format
Hardcover
Dimensions
Item Height
0.8in
Item Length
9.5in
Item Width
6in
Weight
13.4 Oz
Item Weight
13.8 Oz
Additional Product Features
LCCN
2008-021067
Intended Audience
Trade
Reviews
"A horrifying act stood at the center of Toni Morrison's 1987 masterwork, Beloved: a runaway slave, caught in her effort to escape, cuts the throat of her baby daughter with a handsaw, determined to spare the girl the fate she herself has suffered as a slave. A similarly indelible act stands at the center of Ms. Morrison's remarkable new novella, A Mercy,a small, plangent gem of a story that is, at once, a kind of prelude to Beloved and a variation on that earlier book's exploration of the personal costs of slavery---a system that moves men and women and children around like checkers and casts a looming shadow over both parental and romantic love. Set some 200 years before Beloved, A Mercy conjures up the beautiful, untamed, lawless world that was America in the 17th century with the same sort of lyrical, verdant prose that distinguished that earlier novel. . . . Ms. Morrison has rediscovered an urgent, poetic voice that enables her to move back and forth with immediacy and ease between the worlds of history and myth, between ordinary daily life and the realm of fable. . . . A heartbreaking account of lost innocence and fractured dreams, [that] also stands, with Beloved, as one of Ms. Morrison's most haunting works yet." Michiko Kakutani, The New York Times "Spellbinding . . . Dazzling . . . [A Mercy] stands alongside Beloved as a unique triumph in Morrison's body of work. The lush poetry and amorphous structure of [the novel] reflect the story's distant setting in the mist of America's creation, when independence and the three-fifths compromise of the Constitution were still a century away. . . . Morrison, who has written so powerfully of catastrophe, cruelty and horror, here adds to that song of tragedy equally thrilling chords of desire and wonder, which in their own way are no less tragic. Where Beloved ends with the cathartic exhaustion of an exorcism, A Mercy concludes with an ambiguous kind of prayer, redolent with possibility and yearning but inspired by despair. This rich little masterpiece is a welding of poetry and history and psychological acuity that you must not miss." Ron Charles, The Washington Post Book World "Luminous and complex . . . In Beloved, Morrison told the story of Sethe, a woman who murdered her own child rather than see her sold into slavery. Early on in A Mercy, we watch a mother do the opposite---she puts her daughter Florens up for sale . . . It's a less bloody moment, but in its way it's no less chilling. A Mercy is that daughter's tale. . . . Morrison is mooting the perversely hopeful possibility that slavery could have existed without racism or at least without racism as we know it. She lavishes some of her best writing in years on [A Mercy's] pre-Revolutionary world . . .A Mercy shows us America in the moment before race madness ruined it; it is a wounded land, but the wound has not yet turned septic. . . . In A Mercy, Morrison is urging her younger self, the tortured soul who fashioned the infernal vision that is Beloved, to look even further, beyond the veil of pain and anger, however righteous, to hope. There was a time before the present misery, Morrison seems to be telling herself. And therefore, maybe, there will be a time after it." Lev Grossman, Time "Magnificent . . . As with all Morrison's finest work, A Mercy compellingly combines immediacy and obliquity. Its evocation of pioneer existence in America surrounds you with sensuous intensity. . . . An attack by a bear is described with thrilling power. . . . Idioms have potent directness, too. . .", "A horrifying act stood at the center of Toni Morrison's 1987 masterwork, Beloved: a runaway slave, caught in her effort to escape, cuts the throat of her baby daughter with a handsaw, determined to spare the girl the fate she herself has suffered as a slave. A similarly indelible act stands at the center of Ms. Morrison's remarkable new novella, A Mercy, a small, plangent gem of a story that is, at once, a kind of prelude to Beloved and a variation on that earlier book's exploration of the personal costs of slaverya system that moves men and women and children around 'like checkers' and casts a looming shadow over both parental and romantic love. Set some 200 years before Beloved, A Mercy conjures up the beautiful, untamed, lawless world that was America in the 17th century with the same sort of lyrical, verdant prose that distinguished that earlier novel. . . . Ms. Morrison has rediscovered an urgent, poetic voice that enables her to move back and forth with immediacy and ease between the worlds of history and myth, between ordinary daily life and the realm of fable. . . . A heartbreaking account of lost innocence and fractured dreams, [that] also stands, with Beloved, as one of Ms. Morrison's most haunting works yet." Michiko Kakutani, The New York Times "Spellbinding . . . Dazzling . . . [ A Mercy ] stands alongside Beloved as a unique triumph in Morrison's body of work. The lush poetry and amorphous structure of [the novel] reflect the story's distant setting in the mist of America's creation, when independence and the three-fifths compromise of the Constitution were still a century away. . . . Morrison, who has written so powerfully of catastrophe, cruelty and horror, here adds to that song of tragedy equally thrilling chords of desire and wonder, which in their own way are no less tragic. Where Beloved ends with the cathartic exhaustion of an exorcism, A Mercy concludes with an ambiguous kind of prayer, redolent with possibility and yearning but inspired by despair. This rich little masterpiece is a welding of poetry and history and psychological acuity that you must not miss." Ron Charles, The Washington Post Book World "Luminous and complex . . . In Beloved, Morrison told the story of Sethe, a woman who murdered her own child rather than see her sold into slavery. Early on in A Mercy, we watch a mother do the oppositeshe puts her daughter Florens up for sale . . . It's a less bloody moment, but in its way it's no less chilling. A Mercy is that daughter's tale. . . . Morrison is mooting the perversely hopeful possibility that slavery could have existed without racism or at least without racism as we know it. She lavishes some of her best writing in years on [ A Mercy 's] pre-Revolutionary world . . . A Mercy shows us America in the moment before race madness ruined itit is a wounded land, but the wound has not yet turned septic. . . . In A Mercy, Morrison is urging her younger self, the tortured soul who fashioned the infernal vision that is Beloved, to look even furtherbeyond the veil of pain and anger, however righteous, to hope. There was a time before the present misery, Morrison seems to be telling herself. And therefore, maybe, there will be a time after it." Lev Grossman, Time "Magnificent . . . As with all Morrison's finest work, A Mercy compellingly combines immediacy and obliquity. Its evocation of pioneer existence in America surrounds you with sensuous intensity. . . . An attack by a bear is described with thrilling power. . . . Idioms have potent directness, too. . . . Rich knowledgeability about 17th-century America is put to telling effect. Voices speak to you as if you were there. . . . The book keeps you vividly aware of the vital human individuality that racism's crude categorizations are brutally trying to iron out. . . . A stark story of the evils of possessiveness and the perils of dispossession emerges slantwise.
Dewey Edition
22
Publication Date
2008-11-11
Dewey Decimal
813/.54
Lc Classification Number
Ps3563.O8749m47 2008
Number of Pages
176 Pages
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