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STANISLAVSKY AND FEMALE ACTORS - NEW PAPERBACK BOOK
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- ISBN
- 9780761841036
- Book Title
- Stanislavsky and Female Actors : Women in Stanislavsky's Life and Art
- Publisher
- University Press of America, Incorporated
- Item Length
- 9.1 in
- Publication Year
- 2008
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.5 in
- Genre
- Art, Biography & Autobiography
- Topic
- General, Entertainment & Performing Arts, Russian & Former Soviet Union
- Item Weight
- 8.8 Oz
- Item Width
- 6.1 in
- Number of Pages
- 140 Pages
關於產品
Product Identifiers
Publisher
University Press of America, Incorporated
ISBN-10
0761841032
ISBN-13
9780761841036
eBay Product ID (ePID)
70882404
Product Key Features
Book Title
Stanislavsky and Female Actors : Women in Stanislavsky's Life and Art
Number of Pages
140 Pages
Language
English
Publication Year
2008
Topic
General, Entertainment & Performing Arts, Russian & Former Soviet Union
Genre
Art, Biography & Autobiography
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
8.8 Oz
Item Length
9.1 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Trade
LCCN
2008-926995
Reviews
Ignatieva dedicates her book to the analysis of Stanislavsky's collaborations with female actors and their Life in Art. There are fewer and fewer studies being published in Russia and worldwide about acting, as if the world forgets that theatre can exist without all other theatre practitioners, but not without actors. Stanislavsky remembered it, and Ignatieva's book reminds us about it once again. Like My Life in Art, Ignatieva's book is published in the United States; as an editor-in-chief of the journal Stanislavsky, I hope that, in the future, the Russian public can also benefit from reading Ignatieva's unique study., Ignatieva's research has been published in leading journals and shared through international conferences. It is scrupulously documented, informed through her network of contacts among leading Russian theatre artists, and of great import to theatre history. Her book, Stanislavsky and Female Actors, contains a wealth of information on Stanislavsky's working relationships with both seasoned performers and students. It will open up new avenues for understanding his foundational approach to acting by looking at its application by women., The portrait that Maria Ignatieva gives us of Stanislavsky is perhaps no less autocratic and patriarchal than the traditional one, but he emerges as needier, more vulnerable and more humanly dependent. . . . We come away from a reading of Maria Ignatieva's book with a renewed interest in Stanislavsky as a creator motivated by a passionate love for his art and for those who practiced it by his side and with an awakened curiosity about the women without whom he could not have developed his theories or exercised his craft., Ignatieva dedicates her book to the analysis of Stanislavsky's collaborations with female actors and their Life in Art . There are fewer and fewer studies being published in Russia and worldwide about acting, as if the world forgets that theatre can exist without all other theatre practitioners, but not without actors. Stanislavsky remembered it, and Ignatieva's book reminds us about it once again. Like My Life in Art , Ignatieva's book is published in the United States; as an editor-in-chief of the journal Stanislavsky , I hope that, in the future, the Russian public can also benefit from reading Ignatieva's unique study., She deftly arranges her selected material into a coherent and cohesive narrative, resulting in a work that is informative, engaging, and delightful to read. The book functions both as a valuable resource for the scholar of Russian theater and as a cogent and thoroughly accessible introduction to the life of Stanislavsky, his female actresses, and the formation of the Moscow Art Theatre., Ignatieva's research has been published in leading journals and shared through international conferences. It is scrupulously documented, informed through her network of contacts among leading Russian theatre artists, and of great import to theatre history. Her book, Stanislavsky and Female Actors , contains a wealth of information on Stanislavsky's working relationships with both seasoned performers and students. It will open up new avenues for understanding his foundational approach to acting by looking at its application by women.
Dewey Edition
22
Dewey Decimal
792.0947
Table Of Content
Chapter 1. Stanislavsky's Mothers: At Home and in the Theatre Chapter 2. The Wife: Maria Lilina Chapter 3. Phenomenon: Maria Andreyeva Chapter 4. The Best Partner: Olga Knipper Chapter 5. Artistic Daughter: Olga Gzovskaya Chapter 6. Artistic Granddaughter: Irina Rozanova Chapter 7 Epilogue: In Search of his Ideal Actress
Synopsis
Every single artistic endeavor in Stanislavsky's life was achieved in close collaboration with female partners. First, it was his own mother, Elizaveta Alekseyeva, who shaped his personality, and encouraged his exploration of theatre. Then it was his artistic mother, Glikeria Fedotova, who guided him through the ten years of his work. Then Maria Lilina, his wife, who became his best student, and later one of the best actresses of the Art Theatre. It would be impossible to understand Stanislavsky's development as an actor and director without his work with Maria Andreyeva, the "femme fatale" of turn of the century Russian theatre, or Olga Knipper, whom he directed and acted with for forty years. And near the end of his life, when Stanislavsky introduced the method of physical action (metod phizicheskix deistvii), another woman embraced his work, a young actress named Irina Rozanova. Stanislavsky and Female Actors is the exploration of Stanislavsky's artistic and personal relationship with the leading actresses of the Moscow Art Theatre. It seeks to portray their life-long artistic dialogue and offers a new biographical study of the previously unknown spheres of Stanislavsky's life, as well as the lives of the Moscow Art Theatre's principal actresses., Stanislavsky and Female Actors is the exploration of Stanislavsky's artistic and personal relationship with the leading actresses of the Moscow Art Theatre. It seeks to portray their life-long artistic dialogue and offers a new biographical study of the previously unknown spheres of Stanislavsky's life, as well as the lives of the Moscow Art Theatre's principal actresses.
LC Classification Number
PN2728.S78I35 2008
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