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A Sense of Dread: Getting Under the Skin of Horror Screenwriting, Stevens, Neal
US $21.89
大約HK$ 170.53
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很好
曾被閱讀過的書籍，但狀況良好。封面不存在明顯損壞，精裝本書籍含書皮。不存在缺頁或內頁受損，無褶皺或破損，同時也沒有對文字標注/標記，或在留白處書寫內容。內封面上標記可能極少。書籍的磨損和破損程度也很低。
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所在地：Gillingham, 英國
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物品細節
- 物品狀況
- ISBN
- 1615933336
- Publication Name
- Michael Wiese Productions
- Publication Year
- 2022
- Format
- Trade Paperback
- Language
- English
- Book Title
- Sense of Dread : Getting under the Skin of Horror Screenwriting
- Publisher
- Wiese Productions, Michael
- Genre
- Performing Arts
- Item Length
- 9 in
- Topic
- Screenplays, Film / Screenwriting, Film / Genres / General
- Item Width
- 6 in
- Number of Pages
- 194 Pages
關於產品
Product Identifiers
Publisher
Wiese Productions, Michael
ISBN-10
1615933336
ISBN-13
9781615933334
eBay Product ID (ePID)
27050086073
Product Key Features
Book Title
Sense of Dread : Getting under the Skin of Horror Screenwriting
Publication Year
2022
Topic
Screenplays, Film / Screenwriting, Film / Genres / General
Number of Pages
194 Pages
Language
English
Genre
Performing Arts
Format
Trade Paperback
Dimensions
Item Length
9 in
Item Width
6 in
Additional Product Features
LCCN
2021-013988
TitleLeading
A
Dewey Edition
23
Dewey Decimal
808.23
Table Of Content
CHAPTER ONE: FEAR ITSELF (PART ONE); THE BIOLOGICAL BASIS OF FEARFear of the Unknown Is UniversalBeing Curiously AfraidStartle ReflexFear and the Mapping of the BrainCHAPTER TWO: FEAR ITSELF (PART TWO); PSYCHOLOGYInstinctive FearsNightmaresNight TerrorsCommon PhobiasCHAPTER THREE: FEAR ITSELF (PART THREE); CULTUREParanoid FearsViolations of Cultural TaboosUrban LegendsCHAPTER FOUR: THE TOOLBOX OF DREADWhat's Scary on the Page?Building TensionMisdirection and Reversal--The TwistJump ScaresExplicit vs. Non-Explicit HorrorIsolation / DislocationCHAPTER FIVE: PUTTING THEORY INTO PRACTICEUsing a treatment and scenes from an unproduced project, we will apply what we've learned to take a blank page and generate a "Sense of Dread"CONCLUSION: WHY HORROR?
Synopsis
A Sense of Dread features three main sections. 1) A detailed examination of the biological, psychological, and cultural bases of fear. What fears do we share with animals? What fears are uniquely human? What fears have we learned from our culture? From our families? From our experiences growing up? And what, exactly, is the difference between fear and dread? 2) A Sense of Dread then combines these ideas to explore the roots of human fear and apply them to storytelling for the screen. "The Toolbox of Dread" outlines the techniques for creating terror on the page. A wide array of horror subgenres are also explored, including why they exist, and what challenges each presents to the horror screenwriter. 3) Author Neal Marshall Stevens puts Theory into Practice, using examples from his own work to demonstrate how to apply his "toolbox" and the principles of "Dread" to put real scares into the pages of a screenplay. Finally, we seek to answer the question many people ask: What are you afraid of?, A Sense of Dread features three main sections. 1) A detailed examinationof the biological, psychological, and cultural bases of fear. Whatfears do we share with animals? What fears are uniquely human? Whatfears have we learned from our culture? From our families? From ourexperiences growing up? And what, exactly, is the difference betweenfear and dread? 2) A Sense of Dread then combines these ideas to explorethe roots of human fear and apply them to storytelling for the screen."The Toolbox of Dread" outlines the techniques for creating terror onthe page. A wide array of horror subgenres are also explored, includingwhy they exist, and what challenges each presents to the horrorscreenwriter. 3) Author Neal Marshall Stevens puts Theory into Practice,using examples from his own work to demonstrate how to apply his"toolbox" and the principles of "Dread" to put real scares into thepages of a screenplay. Finally, we seek to answer the question manypeople ask: What are you afraid of?, A Sense of Dread features three main sections. 1) A detailed examination of the biological, psychological, and cultural bases of fear. What fears do we share with animals? What fears are uniquely human? What fears have we learned from our culture? From our families? From our experiences growing up? And what, exactly, is the difference between fear and dread? 2) A Sense of Dread then combines these ideas to explore the roots of human fear and apply them to storytelling for the screen. The Toolbox of Dread outlines the techniques for creating terror on the page. A wide array of horror subgenres are also explored, including why they exist, and what challenges each presents to the horror screenwriter. 3) Author Neal Marshall Stevens puts Theory into Practice, using examples from his own work to demonstrate how to apply his 'toolbox' and the principles of 'Dread' to put real scares into the pages of a screenplay. Finally, we seek to answer the question many people ask: What are you afraid of? Becoming a director is not just about making a film, webseries, commercial, or music video. The opportunity to direct for television is not a given because you've successfully completed a project in another medium. Turning your passion into your profession requires the ability to make transitions at the exact moment a pivot is needed, with creativity and confidence. Chatmon's book helps directors across all mediums shape their career with targeted anecdotes, worksheets, and other resources, all of which fall into three designated categories: How-To, Self-Help, and Inspiration.
LC Classification Number
PN1995.9.H6S748 2022
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