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MILES DAVIS Filles De Kilimanjaro 2xLP 180g 45RPM Mobile Fidelity MOFI MFSL NEW - 第 1/2 張圖片
MILES DAVIS Filles De Kilimanjaro 2xLP 180g 45RPM Mobile Fidelity MOFI MFSL NEW - 第 2/2 張圖片
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MILES DAVIS Filles De Kilimanjaro 2xLP 180g 45RPM Mobile Fidelity MOFI MFSL NEW

狀況：
全新
價格：
US $114.00
大約HK$ 889.94
運費：
US $5.00（大約 HK$ 39.03） 經濟運送方式. 查看詳情— 運送
所在地：Sterling Heights, Michigan, 美國
送達日期：
估計於 6月24日, 一至 6月27日, 四之間送達 運送地點 43230
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eBay 物品編號：134457037164

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物品狀況
全新: 全新，未使用過，未打開，未受損物品。請檢視賣家物品刊登，了解完整資料。 查看所有物品狀況定義會在新視窗或分頁中開啟
Speed
45 RPM
Type
Double LP
Record Grading
Mint (M)
Sleeve Grading
Mint (M)
Case Type
Cardboard Sleeve
Record Size
12"
Style
Avant-garde, Fusion, Post-Bebop
Features
180-220 gram, Numbered, Sealed
Material
Vinyl
Inlay Condition
Mint (M)
Edition
Limited Edition, Numbered Edition, Reissue, Remastered
UPC
0821797243810
Artist
Davis, Miles
Format
Record
Release Year
2015
Record Label
Mofy, Mobile Fidelity
Release Title
Filles De Kilimanjaro
Genre
Jazz

關於產品

Product Identifiers

Record Label
Mofy, Mobile Fidelity
UPC
0821797243810
eBay Product ID (ePID)
25046037543

Product Key Features

Release Year
2015
Format
Record
Genre
Jazz
Artist
Davis, Miles
Release Title
Filles De Kilimanjaro

Dimensions

Item Height
0.38 in
Item Weight
1.73 lb
Item Length
12.57 in
Item Width
12.45 in

Additional Product Features

Number of Tracks
5
Tracks
1.1 Frelon Brun 1.2 Tout de Suite 1.3 Petits Machins 1.4 Filles de Kilimanjaro 1.5 Mademoiselle Mary
Number of Discs
1
Notes
Davis' Self-Proclaimed 'Directions in Music' March Begins Here Mastered from the Original Master Tapes: Abundant Jazz, Funk, and Rock Textures Rotate Around a Luscious Tonal Center Landmark 1968 Effort Recognized as Davis' Prelude Into Full-On Fusion: Exotic Suite-Like Album Beautiful, Intense, Adventurous Miles Davis' move into full-on fusion starts here. Abandoning his bebop roots and chasing electric dreams, rock-based rhythms, and ostinato pulses, the icon gives life to new music forms on Filles de Kilimanjaro, a titanic release prized for it's historical significance and lasting beauty. Grounded and focused, the five compositions unfold like a unified suite. Such peak lyricism, flourishes, and phrases are experienced in the highest-possible fidelity on Mobile Fidelity's 45 RPM 2-LP set. Mastered from the original master tapes and pressed on 180 gram vinyl at RTI, this collectable audiophile version of Filles de Kilimanjaro joins the ranks of eleven other essential Davis sets given supreme sonic and packaging treatment by Mobile Fidelity. Loaded with revealing signatures, the record takes on even greater import when heard the way Davis and his mates discerned it in the studio. Backgrounds are squid-ink black, pianissimo lines shimmer, and the electric piano emerges with tube-amp warmth. Indeed, the exotic sound, touch, and feel of the songs on Filles de Kilimanjaro are as crucial as the melodies. To that extent, listeners can now enjoy the expressive tonalities and lush colors from each instrument in full-range glory. Voicings, harmonics, and pitches are rendered with exquisite detail. The manners in which the textures and phrases rotate what seems like a unified tonal center places you at the original recording sessions, executed in July and September 1968. The final appearance of Davis' classic second quintet bears fruit on three of the record's cuts, including the title track and R&B-tinted 'Frelon Brun.' Sparked with restrained funk, driving grooves, and bluesy accents, Filles de Kilimanjaro maintains an instinctive flow and controlled freedom that permit Davis to oversee an innovative blending of alterations, improvisation, and cycles. Comprised of multiple sections, 'Petits Machins' is a lesson in perfectly played melodic complexity, with chromatic riffs, dominant chords, syncopated progressions, and switching meters forming a singular mosaic. Filles de Kilimanjaro also represents a jumping-off point for Davis' lineup. For the September sessions, Chick Corea replaced Herbie Hancock while Dave Holland relieved Ron Carter. The new additions speak a different albeit common language, fitting in with Davis' desire to draw from rock and weave funk into open-minded excursions filled with exoticism, soulfulness, and wonder.

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