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REUTTER,HERMANN - REUTTER: CHAMBER MUSIC/LIEDER/PIANO WORKS NEW CD

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所在地:North Carolina, 美國
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UPC
845221053363
Artist
Reutter / Lott / Beinhauer
Format
CD
Release Year
2018
Record Label
Cio, Capriccio
Release Title
Chamber Music & Piano Works
Genre
Classical Artists

關於產品

Product Identifiers

Record Label
Cio, Capriccio
UPC
0845221053363
eBay Product ID (ePID)
19046053653

Product Key Features

Format
CD
Release Year
2018
Genre
Classical Artists
Artist
Reutter / Lott / Beinhauer
Release Title
Chamber Music & Piano Works

Dimensions

Item Height
0.41 in
Item Weight
0.24 lb
Item Length
5.56 in
Item Width
4.93 in

Additional Product Features

Number of Discs
1
Number of Tracks
21
Country/Region of Manufacture
United States
Tracks
1.1 I. Äußerst Lebhaft Und Feurig - Maria-Elisabeth Lott/Sontraud Speidel 1.2 II. Benedictus. Sehr Langsam Und Feierlich - Maria-Elisabeth Lott/Sontraud Speidel 1.3 III. Gespenstisch, Im Marschrhythmus - Maria-Elisabeth Lott/Sontraud Speidel 1.4 Herbstlied - Andreas Beinhauer/Anna Beinhauer 1.5 Liebst Du Um Schönheit - Andreas Beinhauer/Anna Beinhauer 1.6 Mitternacht - Andreas Beinhauer/Anna Beinhauer 1.7 O Sonn, O Meer, O Rose - Andreas Beinhauer/Anna Beinhauer 1.8 Ländler - Sontraud Speidel 1.9 Walzer Aus Der Ferne - Sontraud Speidel 1.10 Tarantella - Sontraud Speidel 1.11 Spanischer Tanz - Sontraud Speidel 1.12 Valse Boston - Sontraud Speidel 1.13 Shimmy - Sontraud Speidel 1.14 An Die Parzen - Andreas Beinhauer/Anna Beinhauer 1.15 Hälfte Des Lebens - Andreas Beinhauer/Anna Beinhauer 1.16 Abendphantasie - Andreas Beinhauer/Anna Beinhauer 1.17 Thema Mit Variationen - Maria-Elisabeth Lott/Sontraud Speidel 1.18 Wie Erkenn' Ich Dein Treulieb Vor Den Andern Nun - Maria-Elisabeth Lott/Sontraud Speidel 1.19 Auf Morgen Ist Sankt Valentinstag - Maria-Elisabeth Lott/Sontraud Speidel 1.20 Sie Trugen Ihn Auf Der Bahre Bloß - Maria-Elisabeth Lott/Sontraud Speidel 1.21 Es Neigt Ein Weidenbaum Sich Übern Bach - Maria-Elisabeth Lott/Sontraud Speidel
Notes
Hermann Reutters compositional talents were already being recognised in 1923 when he became acquainted with musical modernity at the festivals in Baden-Baden and Donaueschingen, where he met Paul Hindemith. In 1956 he assumed the post of Rektor at the Hochschule fur Musik und Darstellende Kunst in Stuttgart, which he retained until his retirement. Reutter's early compositions reflect the stylistic influences of the romantic models of Anton Bruckner and Hans Pfitzner. However, the impressions made by Bartok, Stravinsky, and Hindemith resulted in a change in Reutter's musical language. In the context of a dialogue with the music of his own time, he learned to express his own ideas and develop his own individual style. The works of this recording, although stylistically and chronologically distant from one another, present an unmistakeable manifestation of a strong and deeply human musicality, which discovers an authentic and sincere voice beyond any stylistic or national borders.

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