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The Artistic Anatomy of Trees by Rex V Cole

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所在地:Dayton, Texas, 美國
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eBay 物品編號:145328569718

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Pages
416
Publication Date
1965-06-01
Edition Number
2
ISBN
9780486214757
Book Title
Artistic Anatomy of Trees
Book Series
Dover Art Instruction Ser.
Publisher
Dover Publications, Incorporated
Item Length
8.5 in
Edition
2
Publication Year
1965
Format
Trade Paperback
Language
English
Illustrator
Yes
Author
Rex V. Cole
Genre
Art
Topic
Techniques / General, Subjects & Themes / Plants & Animals
Item Weight
17.3 Oz
Item Width
5.5 in
Number of Pages
416 Pages

關於產品

Product Identifiers

Publisher
Dover Publications, Incorporated
ISBN-10
0486214753
ISBN-13
9780486214757
eBay Product ID (ePID)
536857

Product Key Features

Edition
2
Book Title
Artistic Anatomy of Trees
Number of Pages
416 Pages
Language
English
Publication Year
1965
Topic
Techniques / General, Subjects & Themes / Plants & Animals
Illustrator
Yes
Genre
Art
Author
Rex V. Cole
Book Series
Dover Art Instruction Ser.
Format
Trade Paperback

Dimensions

Item Weight
17.3 Oz
Item Length
8.5 in
Item Width
5.5 in

Additional Product Features

Intended Audience
Trade
Table Of Content
GENERAL INTRODUCTION-Painting and drawing PART I TREES CONSIDERED IN RELATION TO PAINTING I. "The painting of trees illustrated by a chronological series of pictures, with some descriptive notes" II. What to look for in trees: Balance Single trees Trees in masses In groups Composition III. "Balance of dark spaces with light, and of large masses with small" Weight of masses and delicacy Trees seen near and far off IV. Trees seen against the sky Patterns formed by sky apertures V. The outline of a tree VI. Lines of the branches Curves Straight lines and elbows VII. Variety in light and shade Variety in colour Some causes of this VIII. Influence of situation How trees adapt themselves to it "Effect of age, wind, frost, and snow" Moonlight IX. Associations connected with trees PART II THE ANATOMY OF A TREE X. Introductory XI. Outline forms of trees A short comparison of some species XII. The likeness between twig and bough The difference between shoot and twig The arrangement of buds on the shoot: (1) opposite buds (2) buds arranged singly (3) buds crowded in groups XIII. The effects produced on the branch anatomy of a tree by (1) "opposite buds, the constant failure of buds" (2) (a) buds arranged singly in two rows (2) (b) in three or more rows (3) (c) buds clustered in groups Twigs arrested in growth Additional buds Different branch systems of young and old trees XIV. How a tree is built up PART III THE DETAILS OF TREES XV. Introductory XVI. Leaves How they are set on the twigs: (a) right-angled pairs (b) arranged singly in two rows (c) in more than two rows (d) leaves clustered The position of old and young leaves Leaf-stalks and how leaves are set on the twigs Durtion of leaves XVII. Leaves (continued) Forms of young leaves Texture of leaves Their colour Leaf patterns The margin The veins The planes of a leaf XVIII. Flowers The way flowers are arranged : (1) " Indefinite " (2) " Definite " inflorescence" " Raceme" " catkin," " capitum," " corymb," " umbel," " cyme " XIX. Flowers (continued) "Shapes of flowers: " complete," " incomplete," " male," " female," " bisexual," " unisexual " "Trees that are " monoecious," " dioecious," " trioecious," " polygamous" The construction of flowers XX. Fruits Winged fruits "Cones: " drupe," " pome," " nut," " berry " Construction of fruits XXI. Lesser details: Stipules Bracts Buds Scales Spines Seedlings The bard APPENDIX-The Distribution of Trees in Europe BIBLIOGRAPHY INDEX TO DRAWINGS BY THE AUTHOR to the Pictures reproduced in this Volume to Letterpress
Synopsis
Covers every aspect of trees and how to depict them: balancing tree groups, relationship of light and shade, delicacy and weight, distance, tree color, and more. 515 illustrations., "Monumental book . . . Mr. Vicat Cole is a born teacher." -- Contemporary Review "Mr. Vicat Cole's ability as a landscape painter is well known, and he unites to his executive talents the qualifications of an accomplished teacher." -- Connoisseur "The name of the author is itself a guarantee that the subject is adequately treated. It is handled in a systematic and lucid way, which the novice . . . can follow with ease." -- Studio For years greatly admired and widely used, this excellent text by one of Britain's foremost art instructors has achieved the status of a classic in its field. The author, also a noted landscape painter, offers complete and accurate instruction in painting and drawing trees to all serious artists -- beginner or advanced, amateur or professional. Its extremely comprehensive and detailed coverage has earned this volume a permanent place in the libraries of landscape painters, students, and teachers. Every aspect of trees and how to depict them -- in any style -- is covered with unusual clarity and precision; problems of balancing tree groups, relations of light and shade, delicacy and weight, distance, sky apertures and their patterns, curves and straight lines in tree branches, tree color, the influence of special environmental factors (age, frost and snow, wind, moonlight), the effects of bud arrangements on the anatomy of trees, etc. Of special value is the very thorough and lucid analysis of tree anatomy: the proportion of boughs, branches, and twigs; the positioning of leaves on twigs; the form, texture, and color of leaves; leaf patterns; flower arrangement; stipules, bracts, buds, scales, spines, seedlings, the bark, and all the other essential details of structure. Specific information is given for each tree discussed: oaks, sycamores, willows, pines, maples, etc.; abstract and inaccurate generalizations are avoided. Nearly 500 illustrations by the author accompany the text, demonstrating all the anatomical features discussed. In addition, there are 48 full-page plates: magnificent landscape paintings and drawings by Giorgione, Rubens, Rembrandt, Van der Neer, Watteau, Hobbema, Turner, Gainsborough, Dupr , and many others, showing their compositional use of trees, their details in rendering, and similar material., "Monumental book . . . Mr. Vicat Cole is a born teacher." -- Contemporary Review "Mr. Vicat Cole's ability as a landscape painter is well known, and he unites to his executive talents the qualifications of an accomplished teacher." -- Connoisseur "The name of the author is itself a guarantee that the subject is adequately treated. It is handled in a systematic and lucid way, which the novice . . . can follow with ease." -- Studio For years greatly admired and widely used, this excellent text by one of Britain's foremost art instructors has achieved the status of a classic in its field. The author, also a noted landscape painter, offers complete and accurate instruction in painting and drawing trees to all serious artists -- beginner or advanced, amateur or professional. Its extremely comprehensive and detailed coverage has earned this volume a permanent place in the libraries of landscape painters, students, and teachers. Every aspect of trees and how to depict them -- in any style -- is covered with unusual clarity and precision; problems of balancing tree groups, relations of light and shade, delicacy and weight, distance, sky apertures and their patterns, curves and straight lines in tree branches, tree color, the influence of special environmental factors (age, frost and snow, wind, moonlight), the effects of bud arrangements on the anatomy of trees, etc. Of special value is the very thorough and lucid analysis of tree anatomy: the proportion of boughs, branches, and twigs; the positioning of leaves on twigs; the form, texture, and color of leaves; leaf patterns; flower arrangement; stipules, bracts, buds, scales, spines, seedlings, the bark, and all the other essential details of structure. Specific information is given for each tree discussed: oaks, sycamores, willows, pines, maples, etc.; abstract and inaccurate generalizations are avoided. Nearly 500 illustrations by the author accompany the text, demonstrating all the anatomical features discussed. In addition, there are 48 full-page plates: magnificent landscape paintings and drawings by Giorgione, Rubens, Rembrandt, Van der Neer, Watteau, Hobbema, Turner, Gainsborough, Dupré, and many others, showing their compositional use of trees, their details in rendering, and similar material.

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