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The Queue [New York Review Books Classics] , Sorokin, Vladimir ,
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安心購物
物品細節
- 物品狀況
- ISBN
- 9781590172742
- Book Title
- Queue
- Item Length
- 8in
- Publisher
- New York Review of Books, Incorporated, T.H.E.
- Publication Year
- 2008
- Format
- Uk-Trade Paper
- Language
- English
- Item Height
- 0.7in
- Genre
- Fiction
- Topic
- Satire, Literary, Political, Humorous / General
- Item Width
- 5in
- Item Weight
- 10.2 Oz
- Number of Pages
- 280 Pages
關於產品
Product Information
An average day in the Soviet Union, hundreds of people are lined up for . . . nobody knows quite what, but the rumors are flying. Sorokin's most approachable novel is told in snatches of dialogue that are in turn poignant and uproarious.
Product Identifiers
Publisher
New York Review of Books, Incorporated, T.H.E.
ISBN-10
1590172744
ISBN-13
9781590172742
eBay Product ID (ePID)
64151218
Product Key Features
Book Title
Queue
Format
Uk-Trade Paper
Language
English
Topic
Satire, Literary, Political, Humorous / General
Publication Year
2008
Genre
Fiction
Number of Pages
280 Pages
Dimensions
Item Length
8in
Item Height
0.7in
Item Width
5in
Item Weight
10.2 Oz
Additional Product Features
Lc Classification Number
Pg3488.O66o2813 2008
Reviews
[A] landmark of international postmodern fiction. - Keith Gessen "If queues were arranged in order of merit, it would only be fair to put the young Soviet writer Vladimir Sorokin at the head." - Guardian "With humor, anger and irony, Sorokin creates a brilliant set piece, conveying the absurdity, the dehumanization and, above all, the inevitability of waiting in line." - Publishers Weekly " The Queue dispenses entirely with authorial interpolation; indeed, it dispenses with everything except dialogue, mostly curt one-liners, as though transcribed direct from a radio play. The uncredited voices are queueing outside a clothes shop in summer: Party panjandrums barge in front of the accompaniment of quickly muffled protests; vodka circulates; the Moscow sun dexlines; romance germinates. Anti-Soviet elements will perhaps coo over Valdimir Sorokin's happy mining of elemental koptimism from an unlikely seam; more pertinent to our purposes this book, alone of the quartet, displays genuine zest." - The Times (London) "This novel reduces to delightful absurdity the rough democracy of the long lines that Soviet people-in-the-street endure in order to buy "luxury" goods. Sorokin is an innovative young writer, never published officially in the USSR, who draws on two great Russian traditions sorely missing from Soviet literature: avant-garde experiment and a flair for nonsense. The book has no description, settings, or stage directionnothing but voices: snatches of conversation, rumors, jokes, howls of rage, roll calls, and sexy moans. Sorokin's magic pen turns this framework into a mini-picaresque novel with a hero of sorts. Readers with some imagination will enjoy following Vadim and his co-queuers through their days and nights on line and off." - Library Journal " The Queue is a devastating satire of Soviet bureaucracy, and its message is made even more effective by the deadpan method chosen for its delivery...reminiscent of Kafka, Orwell and Beckett in their explorations of nightmare societies...It's ending is ironic and funny, while reinforcing the cynical tone of the whole novel and the impression that the Soviet Union is a vast, unmanageable bureaucracy." - Globe and Mail, "If queues were arranged in order of merit, it would only be fair to put the young Soviet writer Vladimir Sorokin at the head." -Guardian "A humor, anger and irony, Sorokin creates a brilliant set piece, conveying the absurdity, the dehumanization and, above all, the inevitability of waiting in line." -Publishers Weekly "The Queuedispenses entirely with authorial interpolation; indeed, it dispenses with everything except dialogue, mostly curt one-liners, as though transcribed direct from a radio play. The uncredited voices are queueing outside a clothes shop in summer: Party panjandrums barge in front of the accompaniment of quickly muffled protests; vodka circulates; the Moscow sun dexlines; romance germinates. Anti-Soviet elements will perhaps coo over Valdimir Sorokin's happy mining of elemental koptimism from an unlikely seam; more pertinent to our purposes this book, alone of the quartet, displays genuine zest." - The Times(London) "This novel reduces to delightful absurdity the rough democracy of the long lines that Soviet people-in-the-street endure in order to buy "luxury" goods. Sorokin is an innovative young writer, never published officially in the USSR, who draws on two great Russian traditions sorely missing from Soviet literature: avant-garde experiment and a flair for nonsense. The book has no description, settings, or stage directionnothing but voices: snatches of conversation, rumors, jokes, howls of rage, roll calls, and sexy moans. Sorokin's magic pen turns this framework into a mini-picaresque novel with a hero of sorts. Readers with some imagination will enjoy following Vadim and his co-queuers through their days and nights on line and off." -Library Journal "The Queueis a devastating satire of Soviet bureaucracy, and its message is made even more effective by the deadpan method chosen for its delivery...reminiscent of Kafka, Orwell and Beckett in their explorations of nightmare societies...It's ending is ironic and funny, while reinforcing the cynical tone of the whole novel and the impression that the Soviet Union is a vast, unmanageable bureaucracy." -Globe and Mail, [A] landmark of international postmodern fiction. - Keith Gessen "If queues were arranged in order of merit, it would only be fair to put the young Soviet writer Vladimir Sorokin at the head." -Guardian "With humor, anger and irony, Sorokin creates a brilliant set piece, conveying the absurdity, the dehumanization and, above all, the inevitability of waiting in line." -Publishers Weekly "The Queuedispenses entirely with authorial interpolation; indeed, it dispenses with everything except dialogue, mostly curt one-liners, as though transcribed direct from a radio play. The uncredited voices are queueing outside a clothes shop in summer: Party panjandrums barge in front of the accompaniment of quickly muffled protests; vodka circulates; the Moscow sun dexlines; romance germinates. Anti-Soviet elements will perhaps coo over Valdimir Sorokin's happy mining of elemental koptimism from an unlikely seam; more pertinent to our purposes this book, alone of the quartet, displays genuine zest." -The Times(London) "This novel reduces to delightful absurdity the rough democracy of the long lines that Soviet people-in-the-street endure in order to buy "luxury" goods. Sorokin is an innovative young writer, never published officially in the USSR, who draws on two great Russian traditions sorely missing from Soviet literature: avant-garde experiment and a flair for nonsense. The book has no description, settings, or stage directionnothing but voices: snatches of conversation, rumors, jokes, howls of rage, roll calls, and sexy moans. Sorokin's magic pen turns this framework into a mini-picaresque novel with a hero of sorts. Readers with some imagination will enjoy following Vadim and his co-queuers through their days and nights on line and off." -Library Journal "The Queueis a devastating satire of Soviet bureaucracy, and its message is made even more effective by the deadpan method chosen for its delivery...reminiscent of Kafka, Orwell and Beckett in their explorations of nightmare societies...It's ending is ironic and funny, while reinforcing the cynical tone of the whole novel and the impression that the Soviet Union is a vast, unmanageable bureaucracy." -Globe and Mail, [A] landmark of international postmodern fiction. -- Keith Gessen "If queues were arranged in order of merit, it would only be fair to put the young Soviet writer Vladimir Sorokin at the head." - Guardian "With humor, anger and irony, Sorokin creates a brilliant set piece, conveying the absurdity, the dehumanization and, above all, the inevitability of waiting in line." -- Publishers Weekly " The Queue dispenses entirely with authorial interpolation; indeed, it dispenses with everything except dialogue, mostly curt one-liners, as though transcribed direct from a radio play. The uncredited voices are queueing outside a clothes shop in summer: Party panjandrums barge in front of the accompaniment of quickly muffled protests; vodka circulates; the Moscow sun dexlines; romance germinates. Anti-Soviet elements will perhaps coo over Valdimir Sorokin's happy mining of elemental koptimism from an unlikely seam; more pertinent to our purposes this book, alone of the quartet, displays genuine zest." - The Times (London) "This novel reduces to delightful absurdity the rough democracy of the long lines that Soviet people-in-the-street endure in order to buy "luxury" goods. Sorokin is an innovative young writer, never published officially in the USSR, who draws on two great Russian traditions sorely missing from Soviet literature: avant-garde experiment and a flair for nonsense. The book has no description, settings, or stage directionnothing but voices: snatches of conversation, rumors, jokes, howls of rage, roll calls, and sexy moans. Sorokin's magic pen turns this framework into a mini-picaresque novel with a hero of sorts. Readers with some imagination will enjoy following Vadim and his co-queuers through their days and nights on line and off." - Library Journal Mr. Sorokin demonstrates a remarkable ear for dialogue...Occasionally in its characters' speech The Queue resembles, as befits a colloquial account of an overnight queue, Waiting for Godot . Its humor, however, is broader and nowhere as stark. -- The New York Times " The Queue is a devastating satire of Soviet bureaucracy, and its message is made even more effective by the deadpan method chosen for its delivery...reminiscent of Kafka, Orwell and Beckett in their explorations of nightmare societies...It's ending is ironic and funny, while reinforcing the cynical tone of the whole novel and the impression that the Soviet Union is a vast, unmanageable bureaucracy." - Globe and Mail, "If queues were arranged in order of merit, it would only be fair to put the young Soviet writer Vladimir Sorokin at the head." -Guardian "With humor, anger and irony, Sorokin creates a brilliant set piece, conveying the absurdity, the dehumanization and, above all, the inevitability of waiting in line." -Publishers Weekly "The Queuedispenses entirely with authorial interpolation; indeed, it dispenses with everything except dialogue, mostly curt one-liners, as though transcribed direct from a radio play. The uncredited voices are queueing outside a clothes shop in summer: Party panjandrums barge in front of the accompaniment of quickly muffled protests; vodka circulates; the Moscow sun dexlines; romance germinates. Anti-Soviet elements will perhaps coo over Valdimir Sorokin's happy mining of elemental koptimism from an unlikely seam; more pertinent to our purposes this book, alone of the quartet, displays genuine zest." - The Times(London) "This novel reduces to delightful absurdity the rough democracy of the long lines that Soviet people-in-the-street endure in order to buy "luxury" goods. Sorokin is an innovative young writer, never published officially in the USSR, who draws on two great Russian traditions sorely missing from Soviet literature: avant-garde experiment and a flair for nonsense. The book has no description, settings, or stage directionnothing but voices: snatches of conversation, rumors, jokes, howls of rage, roll calls, and sexy moans. Sorokin's magic pen turns this framework into a mini-picaresque novel with a hero of sorts. Readers with some imagination will enjoy following Vadim and his co-queuers through their days and nights on line and off." -Library Journal "The Queueis a devastating satire of Soviet bureaucracy, and its message is made even more effective by the deadpan method chosen for its delivery...reminiscent of Kafka, Orwell and Beckett in their explorations of nightmare societies...It's ending is ironic and funny, while reinforcing the cynical tone of the whole novel and the impression that the Soviet Union is a vast, unmanageable bureaucracy." -Globe and Mail, [A] landmark of international postmodern fiction. -- Keith Gessen "If queues were arranged in order of merit, it would only be fair to put the young Soviet writer Vladimir Sorokin at the head." - Guardian "With humor, anger and irony, Sorokin creates a brilliant set piece, conveying the absurdity, the dehumanization and, above all, the inevitability of waiting in line." -- Publishers Weekly " The Queue dispenses entirely with authorial interpolation; indeed, it dispenses with everything except dialogue, mostly curt one-liners, as though transcribed direct from a radio play. The uncredited voices are queueing outside a clothes shop in summer: Party panjandrums barge in front of the accompaniment of quickly muffled protests; vodka circulates; the Moscow sun dexlines; romance germinates. Anti-Soviet elements will perhaps coo over Valdimir Sorokin's happy mining of elemental koptimism from an unlikely seam; more pertinent to our purposes this book, alone of the quartet, displays genuine zest." - The Times (London) "This novel reduces to delightful absurdity the rough democracy of the long lines that Soviet people-in-the-street endure in order to buy "luxury" goods. Sorokin is an innovative young writer, never published officially in the USSR, who draws on two great Russian traditions sorely missing from Soviet literature: avant-garde experiment and a flair for nonsense. The book has no description, settings, or stage directionnothing but voices: snatches of conversation, rumors, jokes, howls of rage, roll calls, and sexy moans. Sorokin's magic pen turns this framework into a mini-picaresque novel with a hero of sorts. Readers with some imagination will enjoy following Vadim and his co-queuers through their days and nights on line and off." - Library Journal " The Queue is a devastating satire of Soviet bureaucracy, and its message is made even more effective by the deadpan method chosen for its delivery...reminiscent of Kafka, Orwell and Beckett in their explorations of nightmare societies...It's ending is ironic and funny, while reinforcing the cynical tone of the whole novel and the impression that the Soviet Union is a vast, unmanageable bureaucracy." - Globe and Mail
Copyright Date
2008
Afterword by
Sorokin, Vladimir
Lccn
2007-052586
Dewey Decimal
891.73/44
Intended Audience
Trade
Dewey Edition
19
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物品所在地：
Haltom City, Texas, 美國
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