第 1/6 張圖片
第 1/6 張圖片
NEW 2000 1ST PRINT AMAZING WORLD CARMINE INFANTINO COMIC BOOK ART LIMITED EDITIO
US $29.95
大約HK$ 233.17
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所在地:Shelton, Connecticut, 美國
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估計於 9月26日, 四至 9月28日, 六之間送達 運送地點 43230
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eBay 物品編號:185521075459
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- ISBN
- 9781887591119
- Book Title
- Amazing World of Carmine Infantino
- Publisher
- Vanguard Productions
- Item Length
- 8.5 in
- Publication Year
- 2000
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.6 in
- Genre
- Literary Criticism, Art
- Topic
- Techniques / Cartooning, Individual Artists / Monographs, Comics & Graphic Novels
- Item Weight
- 0.4 Oz
- Item Width
- 10.8 in
- Number of Pages
- 192 Pages
關於產品
Product Identifiers
Publisher
Vanguard Productions
ISBN-10
1887591117
ISBN-13
9781887591119
eBay Product ID (ePID)
64490683
Product Key Features
Book Title
Amazing World of Carmine Infantino
Number of Pages
192 Pages
Language
English
Publication Year
2000
Topic
Techniques / Cartooning, Individual Artists / Monographs, Comics & Graphic Novels
Illustrator
Yes
Genre
Literary Criticism, Art
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
0.4 Oz
Item Length
8.5 in
Item Width
10.8 in
Additional Product Features
Intended Audience
Trade
Number of Volumes
1 vol.
Synopsis
In his 60-year career, Carmine Infantino practised nearly every job in the field of comics, for a "Who's Who" list of publishers. But Infantino will always be remembered as the personification of DC Comics' Silver Age. Infantino helped to resurrect a dying comics industry in 1956 as the artist who launched the Silver Age with his co-creation, the Flash, and remains the best remembered Flash artist of all-time. Infantino proved one of the all-time, great sci-fi artists with his elegant, cityscaped Adam Strange. The only sci-fi comic to rival the sales of Adam Strange was Star Wars, to which Infantino also contributed. In 1964, Infantino became indispensable to the Batman legacy. He, with editor Julius Schwartz, saved the Caped Crusader's comics from impending cancellation with the "New Look Batman." Infantino also redesigned the Batmobile and with Schwartz, created Batgirl. In 1971, Infantino became Publisher and ultimately, President of DC Comics. Infantino's brave corporate moves include: comic books of pulp characters; the Shadow and Tarzan; the Neal Adams/Denny O'Neil Green Lantern-Green Arrow series; Jack Kirby Fourth World saga; the revival of Captain Marvel; pay raises, royalties, and the return of originals to artists. This is Infantino's own history of comics with co-author J. David Spurlock, through Infantino's experiences, from the industry's primordial, Golden Age, through his artistic achievements, corporate years at DC Comics, and post-corporate years including his animation work, teaching, return as a top artist to DC, and Batman newspaper strip. Foreword by Joe Kubert. Afterword by Jim Steranko., In his 60-year career, Carmine Infantino practised nearly every job in the field of comics, for a Who's Who list of publishers. But Infantino will always be remembered as the personification of DC Comics' Silver Age. Infantino helped to resurrect a dying comics industry in 1956 as the artist who launched the Silver Age with his co-creation, the Flash, and remains the best remembered Flash artist of all-time. Infantino proved one of the all-time, great sci-fi artists with his elegant, cityscaped Adam Strange. The only sci-fi comic to rival the sales of Adam Strange was Star Wars, to which Infantino also contributed. In 1964, Infantino became indispensable to the Batman legacy. He, with editor Julius Schwartz, saved the Caped Crusader's comics from impending cancellation with the New Look Batman. Infantino also redesigned the Batmobile and with Schwartz, created Batgirl. In 1971, Infantino became Publisher and ultimately, President of DC Comics. Infantino's brave corporate moves include: comic books of pulp characters; the Shadow and Tarzan; the Neal Adams/Denny O'Neil Green Lantern-Green Arrow series; Jack Kirby Fourth World saga; the revival of Captain Marvel; pay raises, royalties, and the return of originals to artists. This is Infantino's own history of comics with co-author J. David Spurlock, through Infantino's experiences, from the industry's primordial, Golden Age, through his artistic achievements, corporate years at DC Comics, and post-corporate years including his animation work, teaching, return as a top artist to DC, and Batman newspaper strip. Foreword by Joe Kubert. Afterword by Jim Steranko.
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