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THE OPTICAL VACUUM: SPECTATORSHIP AND MODERNIZED AMERICAN By Jocelyn **Mint**
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eBay 物品編號：186391506559
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- 物品狀況
- 很新
- 賣家備註
- ISBN-10
- 0190689366
- Book Title
- The Optical Vacuum: Spectatorship and Modernized American Theater
- Genre
- Performing Arts
- ISBN
- 9780190689360
- Publication Year
- 2018
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Publication Name
- Optical Vacuum : Spectatorship and Modernized American Theater Architecture
- Item Height
- 0.6in
- Item Length
- 6.1in
- Publisher
- Oxford University Press, Incorporated
- Item Width
- 9.1in
- Item Weight
- 12.8 Oz
- Number of Pages
- 210 Pages
關於產品
Product Information
From the 1920s-1960s, American cinematic architecture underwent a seismic shift: movie theaters were neutralized for immersive watching, in large part by architect and writer Benjamin Schlanger. The Optical Vacuum examines how Schlanger reformed both theater and spectator, demonstrating that the essence of film viewing can be found in theatrical space.
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0190689366
ISBN-13
9780190689360
eBay Product ID (ePID)
23038291085
Product Key Features
Publication Name
Optical Vacuum : Spectatorship and Modernized American Theater Architecture
Format
Trade Paperback
Language
English
Publication Year
2018
Type
Textbook
Number of Pages
210 Pages
Dimensions
Item Length
6.1in
Item Height
0.6in
Item Width
9.1in
Item Weight
12.8 Oz
Additional Product Features
Lc Classification Number
Pn1995.9.S6s93 2018
Reviews
"Szczepaniak-Gillece's book on exhibition history tells an utterly captivating and theoretically complex story of the architectonics of theatrical space and its impact on spectatorial attention and absorption. The Optical Vacuum makes a stunning contribution to the vibrant field of Screen Studies, arguing that design can never be divorced from the viewing experiences imagined by cinephiles as well as the doyens of modernism."--Alison Griffiths, The City University of New York "Movie theaters are not just places to see a film. They are sites in which to experience new technologies, explore immersive environments and to innovate new modes of seeing and hearing. This fascinating book shows us that movie theaters have long been irretrievably shaped by dynamic debates across fields such as modernism, architecture, design, and commercial entertainment, inviting us to look beyond the screen and at the spaces in which movies have long been embedded. This book is essential reading for those interested in the history of theaters and cinema, as well as those interested in modernity, entertainment, and the persistent transformation of the human senses by technological design."--Haidee Wasson, Concordia University, "Szczepaniak-Gillece's book on exhibition history tells an utterly captivating and theoretically complex story of the architectonics of theatrical space and its impact on spectatorial attention and absorption. The Optical Vacuum makes a stunning contribution to the vibrant field of Screen Studies, arguing that design can never be divorced from the viewing experiences imagined by cinephiles as well as the doyens of modernism."--Alison Griffiths, The City University of New York"Movie theaters are not just places to see a film. They are sites in which to experience new technologies, explore immersive environments and to innovate new modes of seeing and hearing. This fascinating book shows us that movie theaters have long been irretrievably shaped by dynamic debates across fields such as modernism, architecture, design, and commercial entertainment, inviting us to look beyond the screen and at the spaces in which movies have long been embedded. This book is essential reading for those interested in the history of theaters and cinema, as well as those interested in modernity, entertainment, and the persistent transformation of the human senses by technological design."--Haidee Wasson, Concordia University, "Szczepaniak-Gillece's book on exhibition history tells an utterly captivating and theoretically complex story of the architectonics of theatrical space and its impact on spectatorial attention and absorption. The Optical Vacuum makes a stunning contribution to the vibrant field of Screen Studies, arguing that design can never be divorced from the viewing experiences imagined by cinephiles as well as the doyens of modernism."--Alison Griffiths, TheCity University of New York"Movie theaters are not just places to see a film. They are sites in which to experience new technologies, explore immersive environments and to innovate new modes of seeing and hearing. This fascinating book shows us that movie theaters have long been irretrievably shaped by dynamic debates across fields such as modernism, architecture, design, and commercial entertainment, inviting us to look beyond the screen and at the spaces in which movies have long beenembedded. This book is essential reading for those interested in the history of theaters and cinema, as well as those interested in modernity, entertainment, and the persistent transformation of thehuman senses by technological design."--Haidee Wasson, Concordia University
Table of Content
Introduction: The Theater, the Film, and the Spectator Chapter One: Nostalgia for the Dark - Ben Schlanger and the Beginning of Neutralization, 1920-1932 Chapter Two: A Field of Light - Optics and the Demasked Screen, 1932-1952 Chapter Three: A Mobile Gaze Through Time & Space: Neutralization in the Era of Widescreen, 1950-1960 Chapter Four: Cinephilia in Ruins: An Audience of the Elite, 1960-1970 Coda Index
Copyright Date
2018
Topic
Film / General, Theater / History & Criticism, Performance, Customs & Traditions, Film / History & Criticism
Lccn
2017-057748
Intended Audience
Scholarly & Professional
Illustrated
Yes
Genre
Art, Social Science, Performing Arts
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