第 1/1 張圖片
WALLACE STEVENS AND THE CRITICAL SCHOOLS By Melita C. Schaum - Hardcover *Mint*
~ MINT Condition! Quick & Free Delivery in 2-14 days ~
狀況：
“Book is in Like New / near Mint Condition. Will include dust jacket if it originally came with ”... 閱讀更多內容關於物品狀況
運費：
所在地：US, 美國
送達日期：
估計於 6月24日, 一至 6月28日, 五之間送達 運送地點 43230
退貨：
保障：
請參閱物品說明或聯絡賣家以取得詳細資料。閱覽全部詳情查看保障詳情
（不符合「eBay 買家保障方案」資格）
賣家必須承擔此刊登物品的所有責任。
eBay 物品編號：186391849149
物品細節
- 物品狀況
- 很新
- 賣家備註
- ISBN-10
- 081730374X
- Book Title
- Wallace Stevens and the Critical Schools
- Item Height
- 9 inches
- ISBN
- 9780817303747
- Subject Area
- Literary Criticism
- Publication Name
- Wallace Stevens and the Critical Schools
- Publisher
- University of Alabama Press
- Item Length
- 8.5 in
- Subject
- Poetry
- Publication Year
- 1988
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Weight
- 0 Oz
- Item Width
- 5.5 in
- Number of Pages
- 160 Pages
關於產品
Product Identifiers
Publisher
University of Alabama Press
ISBN-10
081730374X
ISBN-13
9780817303747
eBay Product ID (ePID)
9038806140
Product Key Features
Number of Pages
160 Pages
Language
English
Publication Name
Wallace Stevens and the Critical Schools
Subject
Poetry
Publication Year
1988
Type
Textbook
Subject Area
Literary Criticism
Format
Hardcover
Dimensions
Item Weight
0 Oz
Item Length
8.5 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
87-010789
Dewey Edition
19
Illustrated
Yes
Dewey Decimal
811/.52
Synopsis
An overview of seventy years of Stevens criticism reveals a field marked by conflict and contradiction, both within and among critical works in their attempts to explicate and appropriate this major American poet. Stevens' changing reception among the critical schools reveals much about the shifting nature of American literature and criticism in this century and illuminates the often polemical process of literary canon formation. Each chapter of this book examines a particular aspect of the 20th-century critical involvement with Wallace Stevens' poetry, introduced by a discussion of the poet's work as an arena for the convergence of modern critical tendencies and concerns. First, the author examines the avant-garde milieu of early 20th-century modernism, which implicated Stevens in its melee of affiliations and enmities and which influenced critics' ambivalent responses to his early work. She traces the critical controversies of the poet's emergence before and during the 1920s, specifically the clash between New Humanism and aestheticism, and demonstrates how the quality of irony in Stevens' work became a part of the critics' general repertoire in their assessment of this poet. The 1930s, 1940s, and 1950s were decades during which Stevens criticism became dominated by the New Critical ideology. The turn toward deconstruction in Stevens criticism stands in part as a response to the New Critical dilemma, seen in the manner in which such critics as J. Hillis Miller and Joseph Riddel appropriated the concept of "decreation" to explain the sense of rupture in Stevens' late poetry yet brought that concept to its logical end in a deconstructive paradigm. Finally, Schaum identifies four major theoretical approaches to Stevens in the past two decades that continue to inform and direct the field of critical dissent and exploration in the 1980s. Such theories as Bloomian misprision, versions of hermeneutic criticism, redefinitions of the deconstructive enterprise, and the contemporary call for a new historicism continue the battle to appropriate Stevens as the "hard prize" of critical aims and investigations., An overview of seventy years of Stevens criticism Wallace Stevens and the Critical Schools reveals a field marked by conflict and contradiction, both within and among critical works in their attempts to explicate and appropriate this major American poet. Stevens' changing reception among the critical schools reveals much about the shifting nature of American literature and criticism in this century and illuminates the often polemical process of literary canon formation. Each chapter of this book examines a particular aspect of the 20th-century critical involvement with Wallace Stevens' poetry, introduced by a discussion of the poet's work as an arena for the convergence of modern critical tendencies and concerns. First, the author examines the avant-garde milieu of early 20th-century modernism, which implicated Stevens in its melee of affiliations and enmities and which influenced critics' ambivalent responses to his early work. She traces the critical controversies of the poet's emergence before and during the 1920s, specifically the clash between New Humanism and aestheticism, and demonstrates how the quality of irony in Stevens' work became a part of the critics' general repertoire in their assessment of this poet. The 1930s, 1940s, and 1950s were decades during which Stevens criticism became dominated by the New Critical ideology. The turn toward deconstruction in Stevens criticism stands in part as a response to the New Critical dilemma, seen in the manner in which such critics as J. Hillis Miller and Joseph Riddel appropriated the concept of "decreation" to explain the sense of rupture in Stevens' late poetry yet brought that concept to its logical end in a deconstructive paradigm. Finally, Schaum identifies four major theoretical approaches to Stevens in the past two decades that continue to inform and direct the field of critical dissent and exploration in the 1980s. Such theories as Bloomian misprision, versions of hermeneutic criticism, redefinitions of the deconstructive enterprise, and the contemporary call for a new historicism continue the battle to appropriate Stevens as the "hard prize" of critical aims and investigations., An overview of seventy years of Stevens criticism reveals a field marked by conflict and contradiction, both within and among critical works in their attempts to explicate and appropriate this major American poet. Stevens' changing reception among the critical schools reveals much about the shifting nature of American literature and criticism in this century and illuminates the often polemical process of literary canon formation. Each chapter of this book examines a particular aspect of the 20th-century critical involvement with Wallace Stevens' poetry, introduced by a discussion of the poet's work as an arena for the convergence of modern critical tendencies and concerns.First, the author examines the avant-garde milieu of early 20th-century modernism, which implicated Stevens in its melee of affiliations and enmities and which influenced critics' ambivalent responses to his early work. She traces the critical controversies of the poet's emergence before and during the 1920s, specifically the clash between New Humanism and aestheticism, and demonstrates how the quality of irony in Stevens' work became a part of the critics' general repertoire in their assessment of this poet.The 1930s, 1940s, and 1950s were decades during which Stevens criticism became dominated by the New Critical ideology. The turn toward deconstruction in Stevens criticism stands in part as a response to the New Critical dilemma, seen in the manner in which such critics as J. Hillis Miller and Joseph Riddel appropriated the concept of "decreation" to explain the sense of rupture in Stevens' late poetry yet brought that concept to its logical end in a deconstructive paradigm.Finally, Schaum identifies four major theoretical approaches to Stevens in the past two decades that continue to inform and direct the field of critical dissent and exploration in the 1980s. Such theories as Bloomian misprision, versions of hermeneutic criticism, redefinitions of the deconstructive enterprise, and the contemporary call for a new historicism continue the battle to appropriate Stevens as the "hard prize" of critical aims and investigations.
LC Classification Number
PS3537.T4753Z7645
ebay_catalog_id
4
Copyright Date
1988
賣家提供的物品說明
賣家必須承擔此刊登物品的所有責任。
eBay 物品編號：186391849149
運費與處理費
物品所在地：
US, 美國
運送地點
不丹, 中國, 中國台灣, 中國澳門, 中國香港, 中非共和國, 丹麥, 乍德, 也門, 亞塞拜疆共和國, 亞美尼亞, 以色列, 伯利茲, 佛得角群島, 保加利亞, 克羅地亞共和國, 冰島, 列支敦士登, 利比利亞, 剛果共和國, 剛果民主共和國, 加拿大, 加納, 加蓬共和國, 匈牙利, 南非, 南韓, 博茨瓦納, 卡塔爾, 印尼, 印度, 危地馬拉, 厄瓜多爾, 厄立特里亞, 吉布提, 吉爾吉斯, 哈薩克, 哥倫比亞, 哥斯達黎加, 喀麥隆, 土庫斯安德凱科斯群島, 土庫曼, 土耳其, 圭亞那, 坦桑尼亞, 埃及, 埃塞俄比亞, 基里巴斯, 塔吉克, 塞內加爾, 塞拉利昂, 塞浦路斯, 塞爾維亞, 塞舌爾, 墨西哥, 多哥, 多明尼加共和國, 奧地利, 孟加拉, 安哥拉, 安圭拉島, 安提瓜和巴布達, 安道爾, 寮國, 尼加拉瓜, 尼日利亞, 尼日爾, 尼泊爾, 巴哈馬, 巴基斯坦, 巴布亞新畿內亞, 巴拉圭, 巴拿馬, 巴林, 巴西, 布基納法索, 布隆迪, 希臘, 幾內亞, 幾內亞比索, 德國, 意大利, 愛沙尼亞, 愛爾蘭, 所羅門群島, 拉脫維亞, 挪威, 捷克共和國, 摩洛哥, 摩爾多瓦, 摩納哥, 斐濟, 斯威士蘭, 斯洛伐克, 斯洛文尼亞, 斯里蘭卡, 新加坡, 日本, 智利, 柬埔寨, 格陵蘭, 格雷納達, 格魯吉亞, 梵蒂岡, 比利時, 毛里求斯, 汶萊, 沙特阿拉伯, 法國, 波斯尼亞和黑塞哥維那, 波蘭, 泰國, 津巴布韋, 洪都拉斯, 海地, 湯加, 澳洲, 烏干達, 烏拉圭, 烏茲別克, 牙買加, 特里尼達和多巴哥, 玻利維亞, 瑙魯, 瑞典, 瑞士, 瓦利斯和富圖納群島, 瓦努阿圖, 甘比亞, 百慕達群島, 盧旺達, 盧森堡, 直布羅陀, 科威特, 科特迪瓦（象牙海岸）, 秘魯, 突尼斯, 立陶宛, 約旦, 納米比亞, 紐西蘭, 羅馬尼亞, 美國, 聖基茨-尼維斯, 聖文森和格瑞那丁, 聖盧西亞, 聖馬力諾, 肯亞, 芬蘭, 英國, 茅利塔尼亞, 荷蘭, 莫桑比克, 菲律賓, 萊索托, 葡萄牙, 蒙古, 蒙特色拉特島, 薩爾瓦多, 蘇里南, 西班牙, 西薩摩亞, 貝寧, 贊比亞, 赤道幾內亞, 越南, 開曼群島, 阿富汗, 阿拉伯聯合酋長國, 阿曼, 阿根廷, 阿爾及利亞, 阿爾巴尼亞, 阿魯巴, 馬來西亞, 馬其頓, 馬拉維, 馬爾代夫, 馬耳他, 馬達加斯加, 馬里, 黎巴嫩, 黑山
排除：
APO/FPO, 俄羅斯聯邦, 利比亞, 委內瑞拉, 巴貝多, 新喀里多尼亞, 法屬圭亞那, 法屬玻里尼西亞, 烏克蘭, 瓜德羅普島, 留尼汪島, 美國領地, 馬提尼克島
| 運費與處理費 | 運送地點 | 運送方式 | 運送*查看送達備註 |
|---|---|---|---|
| 免運費 | 美國 | Economy Shipping | 估計於 6月24日, 一至 6月28日, 五之間送達 運送地點 43230 |
| 處理時間 |
|---|
| 通常會在收到所有款項後的 3 個工作日內發貨。 |
| 稅項 |
|---|
| 賣家將對以下州別的買家收取銷售稅： |
物品編號 186391849149 的銷售稅
物品編號 186391849149 的銷售稅
賣家會對寄往以下各州的物品收取銷售稅：
| 州／省 | 銷售稅稅率 |
|---|
退貨政策
| 收到物品後聯絡賣家的期限： | 退款方式 |
|---|---|
| 30 日 | 退款 |
賣家負責支付退貨運費。
賣家信用評價 （265,201）
0***a (5)- 買家留下的信用評價。
過去 1 個月
購買已獲認證
Do NOT buy from this seller!! The seller engaged in FALSE ADVERTISING. I paid for a MINT condition book & received a dirty book with a Thriftbooks sticker, extremely damaged front and back covers, torn pages, & binding that does not close properly. Before opening the package I received a message telling me the seller rated me well & to contact them first with any issues. The seller offered a meager discount on an expensive MINT condition book price. Feels to me like Bait & Switch!
o***u (409)- 買家留下的信用評價。
過去 1 個月
購買已獲認證
Exactly as described with quick delivery
2***2 (253)- 買家留下的信用評價。
過去 1 個月
購買已獲認證
The CD arived as described.