第 1/1 張圖片
第 1/1 張圖片
Bach Perspectives, Volume 6 : J. S. Bach's Concerted Ensemble Music, the...
by | HC | VeryGood
ThriftBooks
- （3695236）
US $11.80
大約HK$ 91.95
狀況：
“A copy that has been read, but remains in excellent condition. Pages are intact and are not marred ”... 閱讀更多內容關於物品狀況
很好
曾被閱讀過的書籍，但狀況良好。封面不存在明顯損壞，精裝本書籍含書皮。不存在缺頁或內頁受損，無褶皺或破損，同時也沒有對文字標注/標記，或在留白處書寫內容。內封面上標記可能極少。書籍的磨損和破損程度也很低。
運費：
免費 Economy Shipping.
所在地：ThriftBooks Warehouse, 美國
送達日期：
估計於 9月24日, 二至 9月27日, 五之間送達 運送地點 43230
退貨：
30 日退貨. 由賣家支付退貨運費.
保障：
請參閱物品說明或聯絡賣家以取得詳細資料。閱覽全部詳情查看保障詳情
（不符合「eBay 買家保障方案」資格）
安心購物
物品細節
- 物品狀況
- 很好
- 賣家備註
- Binding
- Hardcover
- Weight
- 1.26 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780252030420
- Subject Area
- Music
- Publication Name
- Bach Perspectives, Volume 6 : J. S. Bach's Concerted Ensemble Music, the Ouverture
- Publisher
- University of Illinois Press
- Item Length
- 10.3 in
- Subject
- Genres & Styles / Classical
- Publication Year
- 2007
- Series
- Bach Perspectives Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.9 in
- Item Weight
- 19.8 Oz
- Item Width
- 7.4 in
- Number of Pages
- 176 Pages
關於產品
Product Identifiers
Publisher
University of Illinois Press
ISBN-10
0252030427
ISBN-13
9780252030420
eBay Product ID (ePID)
46749869
Product Key Features
Number of Pages
176 Pages
Publication Name
Bach Perspectives, Volume 6 : J. S. Bach's Concerted Ensemble Music, the Ouverture
Language
English
Subject
Genres & Styles / Classical
Publication Year
2007
Type
Textbook
Subject Area
Music
Series
Bach Perspectives Ser.
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
19.8 Oz
Item Length
10.3 in
Item Width
7.4 in
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
22
Reviews
''Anyone concerned with Bach or Telemann scholarship, or even merely with German late-Baroque music, will profit from this book.''--''Music and Letters '', "Anyone concerned with Bach or Telemann scholarship, or even merely with German late-Baroque music, will profit from this book."-- Music and Letters
Volume Number
Vol. 6
Illustrated
Yes
Dewey Decimal
780.92
Synopsis
As the official publication of the American Bach Society, Bach Perspectives has pioneered new areas of research in the life, times, and music of Bach since its first appearance in 1995. In a series long known for its major essays by leading Bach scholars and performers, Bach Perspectives, Volume 6 is no exception. This volume opens with Joshua Rifkin's seminal study of the early source history of the B-minor orchestral suite. It not only elaborates on Rifkin's discovery that the work in its present form for solo flute goes back to an earlier version in A minor, ostensibly for solo violin, but also takes this discovery as the point of departure for a wide-ranging discussion of the origins and extent of Bach's output in the area of concerted ensemble music. Jeanne Swack presents an enlightening comparison of Georg Phillip Telemann's and Bach's approach to the French overture as concerted movements in their church cantatas, and Steven Zohn views the B-minor orchestral suite from the standpoint of the ''concert en ouverture,'' responding to Rifkin by suggesting that the early version of the B-minor orchestral suite may also have been scored for flute.''Joshua Rifkin, whose essay on Bach's Ouverture, BWV 1067 forms the major part of this volume, is one of the most virtuosic scholars in the positivist musicology.''--Early Music History ''Anyone concerned with Bach or Telemann scholarship, or even merely with German late-Baroque music, will profit from this book.''--Music and Letters, As the official publication of the American Bach Society, Bach Perspectives has pioneered new areas of research in the life, times, and music of Bach since its first appearance in 1995. In a series long known for its major essays by leading Bach scholars and performers, Bach Perspectives, Volume 6 is no exception. This volume opens with Joshua Rifkin' s seminal study of the early source history of the B-minor orchestral suite. It not only elaborates on Rifkin' s discovery that the work in its present form for solo flute goes back to an earlier version in A minor, ostensibly for solo violin, but also takes this discovery as the point of departure for a wide-ranging discussion of the origins and extent of Bach's output in the area of concerted ensemble music. Jeanne Swack presents an enlightening comparison of Georg Phillip Telemann' s and Bach's approach to the French overture as concerted movements in their church cantatas, and Steven Zohn views the B-minor orchestral suite from the standpoint of the " concert en ouverture, " responding to Rifkin by suggesting that the early version of the B-minor orchestral suite may also have been scored for flute., The sixth volume in the Bach Perspectives series opens with Joshua Rifkin's seminal study of the early source history of the B-minor orchestral suite. Rifkin elaborates on his discovery that the work in its present form for solo flute goes back to an earlier version in A minor, ostensibly for solo violin. He also takes the discovery as the point of departure for a wide-ranging discussion of the origins and extent of Bach's output in the area of concerted ensemble music. In other essays, Jeanne Swack presents an enlightening comparison of Georg Phillip Telemann's and Bach's approach to the French overture as concerted movements in their church cantatas. Steven Zohn views the B-minor orchestral suite from the standpoint of the "concert en ouverture." In addition, Zohn responds to Rifkin by suggesting Bach may have scored the early version of the B-minor orchestral suite for flute., As the official publication of the American Bach Society, Bach Perspectives has pioneered new areas of research in the life, times, and music of Bach since its first appearance in 1995. In a series long known for its major essays by leading Bach scholars and performers, Bach Perspectives, Volume 6 is no exception. This volume opens with Joshua Rifkin's seminal study of the early source history of the B-minor orchestral suite. It not only elaborates on Rifkin's discovery that the work in its present form for solo flute goes back to an earlier version in A minor, ostensibly for solo violin, but also takes this discovery as the point of departure for a wide-ranging discussion of the origins and extent of Bach's output in the area of concerted ensemble music. Jeanne Swack presents an enlightening comparison of Georg Phillip Telemann's and Bach's approach to the French overture as concerted movements in their church cantatas, and Steven Zohn views the B-minor orchestral suite from the standpoint of the "concert en ouverture," responding to Rifkin by suggesting that the early version of the B-minor orchestral suite may also have been scored for flute.
LC Classification Number
ML410.B1B224 2006
賣家提供的物品說明
賣家信用評價 （5,347,350）
- n***p (555)- 買家留下的信用評價。過去 1 個月購買已獲認證A+++++
- e***s (412)- 買家留下的信用評價。過去 1 個月購買已獲認證Fast shipping! Great book!