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Neon Vernacular: New and Selected Poems by Komunyakaa, Yusef

by Komunyakaa, Yusef | PB | Good
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“Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, ...
Binding
Paperback
Weight
0 lbs
Product Group
Book
IsTextBook
No
ISBN
0819512117
Book Title
Neon Vernacular : New and Selected Poems
Book Series
Wesleyan Poetry Ser.
Item Length
8.5 in
Publisher
Wesleyan University Press
Publication Year
1993
Format
Trade Paperback
Language
English
Item Height
0.6 in
Author
Yusef Komunyakaa
Genre
Poetry, Social Science
Topic
General, Ethnic Studies / African American Studies
Item Width
5.5 in
Item Weight
10.4 Oz
Number of Pages
188 Pages

關於產品

Product Identifiers

Publisher
Wesleyan University Press
ISBN-10
0819512117
ISBN-13
9780819512116
eBay Product ID (ePID)
1021123

Product Key Features

Book Title
Neon Vernacular : New and Selected Poems
Author
Yusef Komunyakaa
Format
Trade Paperback
Language
English
Topic
General, Ethnic Studies / African American Studies
Publication Year
1993
Book Series
Wesleyan Poetry Ser.
Genre
Poetry, Social Science
Number of Pages
188 Pages

Dimensions

Item Length
8.5 in
Item Height
0.6 in
Item Width
5.5 in
Item Weight
10.4 Oz

Additional Product Features

Intended Audience
Trade
Reviews
This collection is comprised of poems from seven of Komunyakaa's previous collections. A master at interweaving memory and history to shape his experiences into narratives, he enriches his poems with details . . . As an African American, he defines a culture with striking imagery that is often misunderstood by mainstream readers. Highly recommended, "Quite simply, Komunyakaa is one of the most extraordinary poets writing today...He takes on the most complex moral issues, the most harrowing ugly subjects of our American life. His voice, whether it embodies the specific experiences of a black man, a soldier in Vietnam, or a child in Bogalusa, Louisiana, is universal. It shows us in ever deeper ways what it is to be human."--Toi Derricotte, Kenyon Review "Yusef Komunyakaa is a poet whose work, over ten years and many books, continues to grow in complexity and beauty, Neon Vernacular includes some of the best Vietnam testimony, in verse or prose, that I've ever read. Komunyakaa's whole oeuvre explores and re/members the double consciousness at work in the construction of African-American male identity."--Marilyn Hacker, The Nation "This collection is comprised of poems from seven of Komunyakaa's previous collections. A master at interweaving memory and history to shape his experiences into narratives, he enriches his poems with details . . . As an African American, he defines a culture with striking imagery that is often misunderstood by mainstream readers. Highly recommended"-- Library Journal "Komunyakaa's best poems are jazzy and improvisational, razor-sharp pieces that tell us more about our culture than any news broadcast"-- Bloomsbury Review, Quite simply, Komunyakaa is one of the most extraordinary poets writing today...He takes on the most complex moral issues, the most harrowing ugly subjects of our American life. His voice, whether it embodies the specific experiences of a black man, a soldier in Vietnam, or a child in Bogalusa, Louisiana, is universal. It shows us in ever deeper ways what it is to be human., "Yusef Komunyakaa is a poet whose work, over ten years and many books, continues to grow in complexity and beauty, Neon Vernacular includes some of the best Vietnam testimony, in verse or prose, that I've ever read. Komunyakaa's whole oeuvre explores and re/members the double consciousness at work in the construction of African-American male identity."-Marilyn Hacker, The Nation, "This collection is comprised of poems from seven of Komunyakaa's previous collections. A master at interweaving memory and history to shape his experiences into narratives, he enriches his poems with details . . . As an African American, he defines a culture with striking imagery that is often misunderstood by mainstream readers. Highly recommended"-Library Journal, "Quite simply, Komunyakaa is one of the most extraordinary poets writing today...He takes on the most complex moral issues, the most harrowing ugly subjects of our American life. His voice, whether it embodies the specific experiences of a black man, a soldier in Vietnam, or a child in Bogalusa, Louisiana, is universal. It shows us in ever deeper ways what it is to be human."--Toi Derricotte, Kenyon Review "Komunyakaa's best poems are jazzy and improvisational, razor-sharp pieces that tell us more about our culture than any news broadcast"-- Bloomsbury Review "This collection is comprised of poems from seven of Komunyakaa's previous collections. A master at interweaving memory and history to shape his experiences into narratives, he enriches his poems with details . . . As an African American, he defines a culture with striking imagery that is often misunderstood by mainstream readers. Highly recommended"-- Library Journal "Quite simply, Komunyakaa is one of the most extraordinary poets writing todayHe takes on the most complex moral issues, the most harrowing ugly subjects of our American life. His voice, whether it embodies the specific experiences of a black man, a soldier in Vietnam, or a child in Bogalusa, Louisiana, is universal. It shows us in ever deeper ways what it is to be human."--Toi Derricotte, Kenyon Review "Yusef Komunyakaa is a poet whose work, over ten years and many books, continues to grow in complexity and beauty, Neon Vernacular includes some of the best Vietnam testimony, in verse or prose, that I've ever read. Komunyakaa's whole oeuvre explores and re/members the double consciousness at work in the construction of African-American male identity."--Marilyn Hacker, The Nation, "Komunyakaa's best poems are jazzy and improvisational, razor-sharp pieces that tell us more about our culture than any news broadcast"-Bloomsbury Review, "This collection is comprised of poems from seven of Komunyakaa's previous collections. A master at interweaving memory and history to shape his experiences into narratives, he enriches his poems with details . . . As an African American, he defines a culture with striking imagery that is often misunderstood by mainstream readers. Highly recommended"- Library Journal, "Quite simply, Komunyakaa is one of the most extraordinary poets writing todayÉHe takes on the most complex moral issues, the most harrowing ugly subjects of our American life. His voice, whether it embodies the specific experiences of a black man, a soldier in Vietnam, or a child in Bogalusa, Louisiana, is universal. It shows us in ever deeper ways what it is to be human."ÑToi Derricotte, Kenyon Review, "Quite simply, Komunyakaa is one of the most extraordinary poets writing today…He takes on the most complex moral issues, the most harrowing ugly subjects of our American life. His voice, whether it embodies the specific experiences of a black man, a soldier in Vietnam, or a child in Bogalusa, Louisiana, is universal. It shows us in ever deeper ways what it is to be human."-Toi Derricotte, Kenyon Review, "Quite simply, Komunyakaa is one of the most extraordinary poets writing today...He takes on the most complex moral issues, the most harrowing ugly subjects of our American life. His voice, whether it embodies the specific experiences of a black man, a soldier in Vietnam, or a child in Bogalusa, Louisiana, is universal. It shows us in ever deeper ways what it is to be human."-Toi Derricotte, Kenyon Review, "Quite simply, Komunyakaa is one of the most extraordinary poets writing today...He takes on the most complex moral issues, the most harrowing ugly subjects of our American life. His voice, whether it embodies the specific experiences of a black man, a soldier in Vietnam, or a child in Bogalusa, Louisiana, is universal. It shows us in ever deeper ways what it is to be human." -- Toi Derricotte, Kenyon Review, Komunyakaa's best poems are jazzy and improvisational, razor-sharp pieces that tell us more about our culture than any news broadcast, Yusef Komunyakaa is a poet whose work, over ten years and many books, continues to grow in complexity and beauty, Neon Vernacular includes some of the best Vietnam testimony, in verse or prose, that I've ever read. Komunyakaa's whole oeuvre explores and re/members the double consciousness at work in the construction of African-American male identity., "Komunyakaa's best poems are jazzy and improvisational, razor-sharp pieces that tell us more about our culture than any news broadcast"ÑBloomsbury Review, "Yusef Komunyakaa is a poet whose work, over ten years and many books, continues to grow in complexity and beauty, Neon Vernacular includes some of the best Vietnam testimony, in verse or prose, that I've ever read. Komunyakaa's whole oeuvre explores and re/members the double consciousness at work in the construction of African-American male identity."ÑMarilyn Hacker, The Nation, "This collection is comprised of poems from seven of Komunyakaa's previous collections. A master at interweaving memory and history to shape his experiences into narratives, he enriches his poems with details . . . As an African American, he defines a culture with striking imagery that is often misunderstood by mainstream readers. Highly recommended"ÑLibrary Journal, "Quite simply, Komunyakaa is one of the most extraordinary poets writing today...He takes on the most complex moral issues, the most harrowing ugly subjects of our American life. His voice, whether it embodies the specific experiences of a black man, a soldier in Vietnam, or a child in Bogalusa, Louisiana, is universal. It shows us in ever deeper ways what it is to be human."--Toi Derricotte, Kenyon Review, "Komunyakaa's best poems are jazzy and improvisational, razor-sharp pieces that tell us more about our culture than any news broadcast"- Bloomsbury Review, "Quite simply, Komunyakaa is one of the most extraordinary poets writing today He takes on the most complex moral issues, the most harrowing ugly subjects of our American life. His voice, whether it embodies the specific experiences of a black man, a soldier in Vietnam, or a child in Bogalusa, Louisiana, is universal. It shows us in ever deeper ways what it is to be human."-Toi Derricotte, Kenyon Review
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