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第 1/1 張圖片
V/A Kearney Barton: Architect Of The Northwest Sound 2x LP NEW COLORED VINYL Li
US $49.99
大約HK$ 389.12
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US $7.25（大約 HK$ 56.43） USPS Media MailTM.
所在地：Missoula, Montana, 美國
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估計於 10月1日, 二至 10月5日, 六之間送達 運送地點 43230
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eBay 物品編號：196062193423
物品細節
- 物品狀況
- 全新: 全新，未使用過，未打開，未受損物品。請檢視賣家物品刊登，了解完整資料。 查看所有物品狀況定義會在新視窗或分頁中開啟
- UPC
- 0826853116817
- Artist
- Various
- Format
- Record
- Release Year
- 2020
- Record Label
- Liaa, Light in T.H.E. Attic
- Release Title
- Kearney Barton: Architect of the Northwest Sound
- Genre
- Rock
關於產品
Product Identifiers
Record Label
Liaa, Light in T.H.E. Attic
UPC
0826853116817
eBay Product ID (ePID)
16046049233
Product Key Features
Format
Record
Release Year
2020
Genre
Rock
Artist
Various
Release Title
Kearney Barton: Architect of the Northwest Sound
Dimensions
Item Height
0.38 in
Item Weight
1.13 lb
Item Length
12.30 in
Item Width
12.25 in
Additional Product Features
Number of Tracks
29
Country/Region of Manufacture
United States
Tracks
Introduction - Kearney Barton, Hey Little One - Woody Carr ; the Entertainers, Through Eyes and Glass - Ann Wilson ; the Daybreaks, Bold Soul Sister Bold Soul Brother - Black on White Affair, Occupation Soul - Occupation Soul, Sticky - James Henry ; the Olympics, Dig That Crazy Jam Session - Valamont, Two Guitars - Serge Lusgins ; His Russian Balalaika Orchestra, Ooze - Valamont, Flying Bird - Tropical Rainstorm, Spanish Harlem - Prabha Devi, Happy - Secret Dynamics, Introducing a New Concept - Kearney Barton, Hold to God's Unchanging Hand - Beacon Hill First Baptist Choir, Everybody Knows - Sweet Rolle, Wrong Age - Muf, With Five Types of Music - Kearney Barton, Qui El Petit - Wilkins, Gold + Mellow - Fox-Brownsmith, Sunshine Morning - Keith Kessler, Bossa Nada - Chuck Mahaffay ; the Individuals, For All We Know - Patty Waters, MMM MMM MMM - Dave Lewis, Don't Ask Me - Tiki ; the Fabulons, He's Waitin' - the Sonics, High Flyer - Magic Fern, Blind Love - the Cuidads, All My Nights All My Days - the Wailers, Mr. Blue - Fury Four
Number of Discs
2
Notes
When Seattle-based recording engineer Kearney Barton died in 2012, the 80 year-old studio veteran had spent the past 50 years recording the cream of the Seattle music scene through the decades. The Fleetwoods, Quincy Jones, The Ventures, The Wailers, The Sonics, Ann Wilson (Heart), The Frantics, The Kingsmen, and Dave Lewis to name a few. Barton also captured Seattle?s vibrant 1960s-70s R&B and soul scene, including Black On White Affair and Soul Swingers, among others, as documented in Light in the Attic?s Wheedle?s Groove series. In his later years Barton?s old school reputation drew in contemporary bands like Young Fresh Fellows, The Smugglers, The Minus 5, and The A-Bones into his studio. Essentially, when a local unknown band wanted to make a demo tape, or record their debut album, or perhaps someone just wanted to capture their uncle playing banjo or their kid sister?s first songs, they?d go to Barton?s studio. There were 7,000 reel-to-reel tapes piled up in Barton?s house at the time of his passing. The University of Washington carefully cataloged these tapes, and former Sub Pop employee Dan Trager (who had learned the art of recording from Kearney years earlier as a student) began listening and taking notes. With input from a team drawn from the university and Light in the Attic, Dan compiled a shortlist of essential tracks that would form the basis of this compilation. Kearney Barton: Architect of the Northwest Sound is a comprehensive document of Seattle in the 1960s, 70s, and 80s. It is also a testament to Barton?s life-long dedication to the art of recording. It includes long out of print recordings originally released by local labels such as Jerden, Topaz, Piccadilly, and Etiquette Records. It covers a wide range of genres: sitar and balalaika players, gospel church choirs, unknown garage bands, steel drums, obscure soul artists and teenage a cappella singers. There?s also some familiar names here: Sonics, Wailers, a young pre-Heart Ann Wilson, Larry Coryell making his first ever studio recordings with Chuck Mahaffay, the Hudson Brothers long before they were on TV. ?However diverse, there is a commonality that stands out among his recordings: hardcore analog fidelity,? says University of Washington archivist John Vallier. ?It sounds like you are in the room with the drums, bass, guitar, and vocals. The mix is minimum. It?s a raw, sonic reality, even if the band is poppy and jangly. It?s an honest sound that doesn?t sugarcoat what?s being performed. That?s Kearney, too.?
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