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Mimi's Trapeze by Rosser, J. Allyn
by Rosser, J. Allyn | PB | LikeNew
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所在地:Aurora, Illinois, 美國
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物品細節
- 物品狀況
- 很新
- 賣家備註
- Binding
- Paperback
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780822963158
- Book Title
- Mimi's Trapeze
- Book Series
- Pitt Poetry Ser.
- Item Length
- 9 in
- Publisher
- University of Pittsburgh Press
- Publication Year
- 2014
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.4 in
- Genre
- Poetry
- Topic
- General, American / General
- Item Width
- 6 in
- Number of Pages
- 112 Pages
關於產品
Product Information
Rosser's poems explore some of the darker corners of the human panorama--failure, loss, disillusionment--but always brightening them with humor and her playful attention to the compensatory alchemy of language, which can transform the sometimes base metals of our lives to noble ones.
Product Identifiers
Publisher
University of Pittsburgh Press
ISBN-10
0822963159
ISBN-13
9780822963158
eBay Product ID (ePID)
201614524
Product Key Features
Book Title
Mimi's Trapeze
Format
Trade Paperback
Language
English
Topic
General, American / General
Publication Year
2014
Book Series
Pitt Poetry Ser.
Genre
Poetry
Number of Pages
112 Pages
Dimensions
Item Length
9 in
Item Height
0.4 in
Item Width
6 in
Additional Product Features
Reviews
"J. Allyn Rosser's poems are adept at using a probing wit to subvert conventions, the conventions of thought that keep us from exploring complex truth. In the evocative title poem, we can see this process worked out in an extended dramatic monologue of a woman attempting to get to the bottom of her conflicted relation to family history. Rather than narrowing to a point, the poems open out as they proceed, and as a result these lively celebrations of the ordinary crazy heart are full of discoveries." --Carl Dennis , It's a rare pleasure to follow the quick and pointed intelligence that animates Rosser's poems. Some are sonnets, some are long and lean, but all have clear, idiosyncratic voices. They come bearing philosophy, nostalgia, rabies, chicken soup and the head of Holofernes. They're funny, tart, perceptive—good company. And more than one goes armed with a blackjack ending." —Sarah Lindsay, "If John Updike was the Fred Astaire of poetry-nimble, dexterous, witty, graceful--J. Allyn Rosser is the Ginger Rogers-witty, nimble, graceful, seemingly doing it 'with the greatest of ease,' as though soaring on a flying trapeze. There's an element of Erma Bombeck's sardonic humor in Rosser's poems, but add to that the graceful, seamless use of rhyme, meter, poetic form, and she has you waltzing from page to page." --The Potomac, "If John Updike was the Fred Astaire of poetry--nimble, dexterous, witty, graceful--J. Allyn Rosser is the Ginger Rogers--witty, nimble, graceful, seemingly doing it 'with the greatest of ease,' as though soaring on a flying trapeze. As they said of Ginger, she could do everything Astaire did, and on high heels and backwards. There's an element of Erma Bombeck's sardonic humor in Rosser's poems, but add to that the graceful, seamless use of rhyme, meter, poetic form, and she has you waltzing from page to page, speaking Tagalog in Manila or 'wiseguy' in New York, pirouetting through museums, cemeteries, malls, with odes to loss, failure, futility and break-up that evince just enough metaphysical speculation to make John Donne and Andrew Marvell drool; odes to a comforting, comfortable old shirt, pelicans and Canadian geese, seemingly almost any old things that captures her attention. . . . Rosser is entertaining as hell." --Chamber Four, In Rosser's poems, wit dances with grimness, and sorrow steps out stylishly dressed to kill. But their flash doesn't obscure the darkling power of these poems; this is a gallant, inventive, large-hearted book." —Rosanna Warren, "In Rosser's poems, wit dances with grimness, and sorrow steps out stylishly dressed to kill. But their flash doesn't obscure the darkling power of these poems; this is a gallant, inventive, large-hearted book." --Rosanna Warren, "If John Updike was the Fred Astaire of poetry--nimble, dexterous, witty, graceful--J. Allyn Rosser is the Ginger Rogers--witty, nimble, graceful, seemingly doing it 'with the greatest of ease,' as though soaring on a flying trapeze. As they said of Ginger, she could do everything Astaire did, and on high heels and backwards. There's an element of Erma Bombeck's sardonic humor in Rosser's poems, but add to that the graceful, seamless use of rhyme, meter, poetic form, and she has you waltzing from page to page, speaking Tagalog in Manila or 'wiseguy' in New York, pirouetting through museums, cemeteries, malls, with odes to loss, failure, futility and break-up that evince just enough metaphysical speculation to make John Donne and Andrew Marvell drool; odes to a comforting, comfortable old shirt, pelicans and Canadian geese, seemingly almost any old things that captures her attention. . . . Rosser is entertaining as hell." --Chamber Four , "J. Allyn Rosser's poems are adept at using a probing wit to subvert conventions, the conventions of thought that keep us from exploring complex truth. In the evocative title poem, we can see this process worked out in an extended dramatic monologue of a woman attempting to get to the bottom of her conflicted relation to family history. Rather than narrowing to a point, the poems open out as they proceed, and as a result these lively celebrations of the ordinary crazy heart are full of discoveries." --Carl Dennis, J. Allyn Rosser's poems are adept at using a probing wit to subvert conventions, the conventions of thought that keep us from exploring complex truth. In the evocative title poem, we can see this process worked out in an extended dramatic monologue of a woman attempting to get to the bottom of her conflicted relation to family history. Rather than narrowing to a point, the poems open out as they proceed, and as a result these lively celebrations of the ordinary crazy heart are full of discoveries." —Carl Dennis, "It's a rare pleasure to follow the quick and pointed intelligence that animates Rosser's poems. Some are sonnets, some are long and lean, but all have clear, idiosyncratic voices. They come bearing philosophy, nostalgia, rabies, chicken soup, and the head of Holofernes. They're funny, tart, perceptive--good company. And more than one goes armed with a blackjack ending." --Sarah Lindsay, " Mimi's Trapeze leaps from one stunning poem to the next. Writing with all the wit, polemical acumen, metaphorical daring, and formal skill of an eighteenth-century master, Rosser's sensibility is a most welcome response to the patriarchal arguments of the past." --Harvard Review Online, It's a rare pleasure to follow the quick and pointed intelligence that animates Rosser's poems. Some are sonnets, some are long and lean, but all have clear, idiosyncratic voices. They come bearing philosophy, nostalgia, rabies, chicken soup, and the head of Holofernes. They're funny, tart, perceptive—good company. And more than one goes armed with a blackjack ending." —Sarah Lindsay, "I've been an admirer of J. Allyn Rosser's poetry for years, and her fourth book adds to my enthusiasm. From the start her work has had more spark, more edge to it than one usually finds in formal verse-not that she's always 'formal' in the rhyme-and-meter sense. She's deliberate but light on her feet, as it were. . . . Rosser's sometimes pained or painful comedies are profoundly humane and, in the very best sense, artful." --The Hudson Review, "It's a rare pleasure to follow the quick and pointed intelligence that animates Rosser's poems. Some are sonnets, some are long and lean, but all have clear, idiosyncratic voices. They come bearing philosophy, nostalgia, rabies, chicken soup, and the head of Holofernes. They're funny, tart, perceptive--good company. And more than one goes armed with a blackjack ending." --Sarah Lindsay
Copyright Date
2014
Target Audience
Trade
Dewey Decimal
813.6
Dewey Edition
23
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物品所在地:
Aurora, Illinois, 美國
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