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Women in Polish Cinema by Mazierska, Ewa; Ostrowska, Elzbieta
by Mazierska, Ewa; Ostrowska, Elzbieta | HC | Good
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物品細節
- 物品狀況
- 良好
- 賣家備註
- Binding
- Hardcover
- Weight
- 1 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9781571819475
- Subject Area
- Performing Arts, Social Science
- Publication Name
- Women in Polish Cinema
- Publisher
- Berghahn Books, Incorporated
- Item Length
- 9.2 in
- Subject
- Women's Studies, Film / History & Criticism
- Publication Year
- 2006
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.7 in
- Item Weight
- 0 Oz
- Item Width
- 6.2 in
- Number of Pages
- 256 Pages
關於產品
Product Identifiers
Publisher
Berghahn Books, Incorporated
ISBN-10
1571819479
ISBN-13
9781571819475
eBay Product ID (ePID)
50479398
Product Key Features
Number of Pages
256 Pages
Publication Name
Women in Polish Cinema
Language
English
Subject
Women's Studies, Film / History & Criticism
Publication Year
2006
Type
Textbook
Subject Area
Performing Arts, Social Science
Format
Hardcover
Dimensions
Item Height
0.7 in
Item Weight
0 Oz
Item Length
9.2 in
Item Width
6.2 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2005-057004
Dewey Edition
22
Reviews
"... an important contribution to film studies not only in Poland, but in Eastern and Central Europe in general. The authors demonstrate that women are both revered and despised in Polish culture, a phenomenon Mazierska and Ostrowska attribute to the persistence of overt patriarchy in both social relations and culture. This system of thought, they aver, has 'shaped and policed the lives of Polish women' for generations." · Historical Journal of Film, Radio and Television "...well researched and elegantly written. It should be of great interest to scholars interested in both Polish cinema criticism and feminist studies." · Slavic Review "This important book utilizes temporary feminist discourse on women's cinema with debates specific for the Polish cinematic, cultural, and socio-political context...Carefully researched and lucidly written, the book offers a new perspective on Polish cinema and will no doubt be the primary source for any scholar interested in gender issues in the Polish context." · Marek Haltof in Canadian Slavonic Papers "Combining freshness of focus with close, penetrating analysis, Women in Polish Cinema is a contribution to East European film studies at once innovative and exemplary." · Kinema, "... an important contribution to film studies not only in Poland, but in Eastern and Central Europe in general. The authors demonstrate that women are both revered and despised in Polish culture, a phenomenon Mazierska and Ostrowska attribute to the persistence of overt patriarchy in both social relations and culture. This system of thought, they aver, has 'shaped and policed the lives of Polish women' for generations." Historical Journal of Film, Radio and Television "...well researched and elegantly written. It should be of great interest to scholars interested in both Polish cinema criticism and feminist studies." Slavic Review "This important book utilizes temporary feminist discourse on women's cinema with debates specific for the Polish cinematic, cultural, and socio-political context...Carefully researched and lucidly written, the book offers a new perspective on Polish cinema and will no doubt be the primary source for any scholar interested in gender issues in the Polish context." Marek Haltof in Canadian Slavonic Papers "Combining freshness of focus with close, penetrating analysis, Women in Polish Cinema is a contribution to East European film studies at once innovative and exemplary." Kinema
Illustrated
Yes
Dewey Decimal
791.4365204209438
Table Of Content
List of Illustrations Acknowledgements Introduction Ewa Mazierska and Elzbieta Ostrowska PART I: THE POLISH MOTHER Chapter 1. The Myth of the Polish Mother Joanna Szwajcowska PART II: WOMEN ACCORDING TO MEN Chapter 2. Filmic Representations of the Myth of the Polish Mother Elzbieta Ostrowska Chapter 3. Polish 'Superwoman': a Liberation or Victimisation? Elzbieta Ostrowska Chapter 4. Caught between Activity and Passivity: Women in the Polish School Elzbieta Ostrowska Chapter 5. Agnieszka and Other Solidarity Heroines of Polish Cinema Ewa Mazierska Chapter 6. Witches, Bitches and Other Victims of the Crisis of Masculinity: Women in Polish Postcommunist Cinema Ewa Mazierska Chapter 7. Between Fear and Attraction: Images of 'Other' Women Elzbieta Ostrowska PART III: WOMEN BEHIND THE CAMERA Chapter 8. Wanda Jakubowska: the Communist Fighter Ewa Mazierska Chapter 9. Barbara Sass: the Author of Women's Films Ewa Mazierska Chapter 10. Agnieszka Holland: a Sceptic Elzbieta Ostrowska Chapter 11. Dorota Kêdzierzawska: Ambivalent Feminist Ewa Mazierska Filmography Bibliography Index
Synopsis
Polish film has long enjoyed an outstanding reputation but its best known protagonists tend to be male. This book points to the important role of women as key characters in Polish films, such as the enduring female figure in Polish culture, the "Polish Mother," female characters in socialist realistic cinema, women depicted in the films of the ......, Polish film has long enjoyed an outstanding reputation but its best known protagonists tend to be male. This book points to the important role of women as key characters in Polish films, such as the enduring female figure in Polish culture, the "Polish Mother," female characters in socialist realistic cinema, women depicted in the films of the Polish School, Solidarity heroines, and women in the films from the postcommunist period. Not less important for the success of Polish cinema are Polish women filmmakers, four of whom are presented in this volume: Wanda Jakubowska, Agnieszka Holland, Barbara Sass, and Dorota Kedzierzawska, whose work is examined., Polish film has long enjoyed an outstanding reputation but its best known protagonists tend to be male. This book points to the important role of women as key characters in Polish films, such as the enduring female figure in Polish culture, the "Polish Mother," female characters in socialist realistic cinema, women depicted in the films of the Polish School, Solidarity heroines, and women in the films from the postcommunist period. Not less important for the success of Polish cinema are Polish women filmmakers, four of whom are presented in this volume: Wanda Jakubowska, Agnieszka Holland, Barbara Sass and Dorota Kedzierzawska, whose work is examined.
LC Classification Number
PN1995.9.W6 M368 200
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