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第 1/1 張圖片
Maurice Blanchot and the Literature of Transgression Gregg, John
US $33.99
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狀況：
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良好
曾被閱讀過的書籍，但狀況良好。封面有諸如磨痕等在內的極少損壞，但沒有穿孔或破損。精裝本書籍可能沒有書皮。封皮稍有磨損。絕大多數書頁未受損，存在極少的褶皺和破損。使用鉛筆標注文字處極少，未對文字標記，無留白處書寫文字。沒有缺頁。
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所在地：Boalsburg, Pennsylvania, 美國
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eBay 物品編號：196412029594
物品細節
- 物品狀況
- 良好
- 賣家備註
- ISBN
- 9780691033297
- Subject Area
- Literary Criticism
- Publication Name
- Maurice Blanchot and the Literature of Transgression
- Publisher
- Princeton University Press
- Item Length
- 9 in
- Subject
- European / French
- Publication Year
- 1994
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.9 in
- Item Weight
- 20 Oz
- Item Width
- 6 in
- Number of Pages
- 256 Pages
關於產品
Product Identifiers
Publisher
Princeton University Press
ISBN-10
0691033293
ISBN-13
9780691033297
eBay Product ID (ePID)
191737
Product Key Features
Number of Pages
256 Pages
Publication Name
Maurice Blanchot and the Literature of Transgression
Language
English
Publication Year
1994
Subject
European / French
Type
Textbook
Subject Area
Literary Criticism
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
20 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
College Audience
LCCN
93-030911
Reviews
"The first book in english devoted entirely to Blanchot, [it] is both a challenging work for scholars familiar with Blanchot, and a lucid introduction to both the critical and narrative texts." -- French Review, The first book in english devoted entirely to Blanchot, [it] is both a challenging work for scholars familiar with Blanchot, and a lucid introduction to both the critical and narrative texts.
Dewey Edition
20
Dewey Decimal
843/.912
Synopsis
In this book, the first in English devoted exclusively to Maurice Blanchot, John Gregg examines the problematic interaction between the two forms of discourse, critical and fictional, that comprise this writer's hybrid oeuvre. The result is a lucid introduction to the thought of one of the most important figures on the French intellectual scene of the past half-century. Gregg organizes his discussion around the notion of transgression, which Blanchot himself took over from Georges Bataille--most palpably in his interpretation of the myth of Orpheus--as a paradigm capable of accounting for the relationships that exist in the textual economies formed by author, work, and reader. Chapters on the critical work address such issues as Blanchot's ambivalent attitude toward the speculative dialectic of Hegelianism, his thematization of literature's involvement with death, and the mythical and Biblical figures he uses to portray the acts of reading and writing. Gregg also performs extended close readings of two representative works of fiction, Le Tr s-Haut and L'Attente l'oubli, in an effort to trace Blanchot's evolution as a creator of narratives and to ascertain how his fiction can be seen as constituting a mise en oeuvre of the concerns he treats in his criticism. The book concludes with an assessment of Blanchot's place in the recent history of French critical theory., In this book, the first in English devoted exclusively to Maurice Blanchot, John Gregg examines the problematic interaction between the two forms of discourse, critical and fictional, that comprise this writer's hybrid oeuvre. The result is a lucid introduction to the thought of one of the most important figures on the French intellectual scene of the past half-century. Gregg organizes his discussion around the notion of transgression, which Blanchot himself took over from Georges Bataille--most palpably in his interpretation of the myth of Orpheus--as a paradigm capable of accounting for the relationships that exist in the textual economies formed by author, work, and reader. Chapters on the critical work address such issues as Blanchot's ambivalent attitude toward the speculative dialectic of Hegelianism, his thematization of literature's involvement with death, and the mythical and Biblical figures he uses to portray the acts of reading and writing. Gregg also performs extended close readings of two representative works of fiction, Le Très-Haut and L'Attente l'oubli, in an effort to trace Blanchot's evolution as a creator of narratives and to ascertain how his fiction can be seen as constituting a mise en oeuvre of the concerns he treats in his criticism. The book concludes with an assessment of Blanchot's place in the recent history of French critical theory.
LC Classification Number
PQ2603.L3343Z67 1994
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