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Shooting Movies Without Shooting Yourself in the Foot Becoming a Cinematographe
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“Good with no writing or highlighting. EX-Library Please see pictures for accurate description”
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所在地：Morristown, Tennessee, 美國
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物品細節
- 物品狀況
- 良好
- 賣家備註
- “Good with no writing or highlighting. EX-Library Please see pictures for accurate description”
- Country/Region of Manufacture
- United States
- Series
- NA
- Educational Level
- Adult & Further Education, High School
- Features
- Ex-Library
- Level
- Beginner, Intermediate
- ISBN
- 9780240814933
- Subject Area
- Photography, Performing Arts
- Publication Name
- Shooting Movies Without Shooting Yourself in the Foot : Becoming a Cinematographer
- Item Length
- 9.3 in
- Publisher
- Routledge
- Subject
- Film / General, Techniques / Cinematography & Videography
- Publication Year
- 2011
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.7 in
- Item Width
- 7.6 in
- Item Weight
- 26.5 Oz
- Number of Pages
- 368 Pages
關於產品
Product Information
Shooting Movies is the book for all those film enthusiasts who can't get on a professional set or can't undertake studies at an expensive film school. The book approaches the subject of cinematography from a "hands-on, in the trenches" viewpoint, as though the reader were an apprentice on the set. It's a book about learning to shoot a film without making an idiot of yourself and wasting lots of time and money. It's a book about how to take artistic inspiration and make it a reality. A breezy writing style mixed with practical, interactive exercises geared for both film and video give filmmakers the experience they need to take their work to the next level. Beginning with fundamental techniques and concepts of cinematography, the author shares his many years of experience with the reader, imparting invaluable advice and guidance on how to avoid common pitfalls, and more importantly, learn from mistakes.
Product Identifiers
Publisher
Routledge
ISBN-10
0240814932
ISBN-13
9780240814933
eBay Product ID (ePID)
109116468
Product Key Features
Publication Name
Shooting Movies Without Shooting Yourself in the Foot : Becoming a Cinematographer
Format
Trade Paperback
Language
English
Subject
Film / General, Techniques / Cinematography & Videography
Publication Year
2011
Type
Textbook
Subject Area
Photography, Performing Arts
Number of Pages
368 Pages
Dimensions
Item Length
9.3 in
Item Height
0.7 in
Item Width
7.6 in
Item Weight
26.5 Oz
Additional Product Features
LCCN
2011-027158
Lc Classification Number
Tr851
Reviews
"I think this is wonderful book for all of us" jack of all trades" filmmakers out there..In hindsight I am sure my foot wishes I had read this book before I shoot my first feature." -Dusan Sekulovic, Director "[It] tells the about the reality of filmmaking from a Cinematographer's perspective.his/her thoughts and the thoughts of those on the set, the challenges, and the intellect necessary for learning from mistakes and solving problems." -Michael A Hofstein, Director of Photography "Finally-An Actual, Working Hollywood Director of Photography Shares his 'Inner-Door' Secrets of the Craft. This is a hard-hitting, no-holds-barred, fantastic 'Shooter's Guide' from a top professional in the Business. Call it-'The 'Hollywood Rules' for Up & Coming Directors-of-Photography'!!" -Dave A. Anselmi: Director, Producer, and Instructor, PracticalMysticProductions.com "Anderson is able to take some very complex concepts and meld them into a easily digestible dose of information that even a reader with little or no knowledge about the topic can easily understand and learn from." -Joey Goodsell, University of Southern Mississippi, "I think this is wonderful book for all of us" jack of all trades" filmmakers out there..In hindsight I am sure my foot wishes I had read this book before I shoot my first feature." -Dusan Sekulovic, Director "[It] tells the about the reality of filmmaking from a Cinematographer's perspective.his/her thoughts and the thoughts of those on the set, the challenges, and the intellect necessary for learning from mistakes and solving problems." -Michael A Hofstein, Director of Photography "Finally-An Actual, Working Hollywood Director of Photography Shares his 'Inner-Door' Secrets of the Craft. This is a hard-hitting, no-holds-barred, fantastic 'Shooter's Guide' from a top professional in the Business. Call it-'The 'Hollywood Rules' for Up & Coming Directors-of-Photography'!!" -Dave A. Anselmi: Director, Producer, and Instructor, PracticalMysticProductions.com "Anderson is able to take some very complex concepts and meld them into a easily digestible dose of information that even a reader with little or no knowledge about the topic can easily understand and learn from." -Joey Goodsell, University of Southern Mississippi, "I think this is wonderful book for all of us” jack of all trades” filmmakers out there..In hindsight I am sure my foot wishes I had read this book before I shoot my first feature.” -Dusan Sekulovic, Director "[It] tells the about the reality of filmmaking from a Cinematographer's perspective.his/her thoughts and the thoughts of those on the set, the challenges, and the intellect necessary for learning from mistakes and solving problems.” -Michael A Hofstein, Director of Photography "Finally-An Actual, Working Hollywood Director of Photography Shares his 'Inner-Door' Secrets of the Craft. This is a hard-hitting, no-holds-barred, fantastic 'Shooter's Guide' from a top professional in the Business. Call it-'The 'Hollywood Rules' for Up & Coming Directors-of-Photography'!!” -Dave A. Anselmi: Director, Producer, and Instructor, PracticalMysticProductions.com "Anderson is able to take some very complex concepts and meld them into a easily digestible dose of information that even a reader with little or no knowledge about the topic can easily understand and learn from." -Joey Goodsell, University of Southern Mississippi
Table of Content
CHAPTER 1: INTRODUCTION Part 1: REALITIES OF PRE-PRODUCTION CHAPTER 2 WHAT'S FIRST? 2a FIRST EXERCISE: SHOOTING STILLS? 2b WHAT YOU SHOULD LEARN FROM THE STILL PHOTOGRAPH EXERCISE CHAPTER 3 WE'RE STILL READING THE SCRIPT CHAPTER 4 A FEW MORE THINGS TO THINK OF CHAPTER 5 SHOT LIST CHAPTER 6 CREW CHAPTER 7 LOCATIONS CHAPTER 8 SELECTING A CAMERA CHAPTER 9 SELECTING THE LENS CHAPTER 10 SELECTING FILM STOCK CHAPTER 11 SELECTING A TRIPOD AND HEAD CHAPTER 12 WHAT EVERYONE ELSE IS DOING TO PREP CHAPTER 13 THE NIGHT BEFORE Part 2: PRODUCTION CHAPTER 14 ON TIME AND READY TO SHOOT CHAPTER 15 FIRST DAY/ FIRST SHOT CHAPTER 16 SHOOTING MASTERS CHAPTER 17 CLOSE-UPS AND COVERAGE 17a SECOND EXERCISE: THE STANDARD SHOTS 17b WHAT YOU SHOULD HAVE LEARNED FROM THE STANDARD SHOTS EXERCISE CHAPTER 18 OPERATING THE CAMERA 18a THIRD EXERCISE: OPERATING SKILLS 18b WHAT YOU SHOULD HAVE LEARNED FROM THE OPERATING EXERCISES CHAPTER 19 STILL MORE COMPOSITION or FOLLOW THE MONEY 19a FIRST MOVIE EXERCISE: VISUAL STORYTELLING EDITED IN THE CAMERA19b WHAT YOU SHOULD HAVE LEARNED FROM THE EDITED-IN-THE-CAMERA EXERCISE CHAPTER 20 THE HORROR OF THE 180º LINE CHAPTER 21 THE GOOD, THE BAD, AND THE UGLY (Not necessarily in that order) CHAPTER 22 LEARNING THE HARDWARE CHAPTER 23 WHY WE LIGHT CHAPTER 24 EXPOSURE 24a LIGHTING EXERCISE # 1 EMULSION TEST 24b LIGHTING EXERCISE # 2 DIRECTION OF LIGHT 24c LIGHTING EXERCISE # 3 QUALITY OF LIGHT HOW DOES LIGHT VARY IN QUALITY? 24d LIGHTING EXERCISE # 4 LIGHTING THE FACE, THE GREAT LANDSCAPE CHAPTER 25 EXERCISE: SHOOTING YOUR PROJECT ON FILM 25a WHAT YOU SHOULD HAVE LEARNED FROM THE SHOOTING ON FILM EXERCISE Part 3: POST-PRODUCTION CHAPTER 26 POST-PRODUCTION: TIMING AND TRANSFERRING CHAPTER 27 POST-PRODUCTION: PUTTING TOGETHER A REEL Part 4: TECHNICALITIES CHAPTER 28 CAMERAS: BLACK BOXES CHAPTER 29 LENSES Chapter 29a THE ZEN OF FOCUSING Chapter 29b THE MAGIC OF FILTERS CHAPTER 30 FILM CHAPTER 31 COLOR TEMPERATURE CHAPTER 32 USING AND HANDLING FILM CAMERAS AND LENSES CHAPTER 33 USING A TRIPOD AND HEAD CHAPTER 34 THE DOLLY GRIP CHAPTER 35 LABORATORY
Copyright Date
2012
Target Audience
College Audience
Dewey Decimal
777
Dewey Edition
23
Illustrated
Yes
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物品所在地：
Morristown, Tennessee, 美國
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