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第 1/10 張圖片
Unruly Women of Paris The Material Foundations by Gay L Gullickson
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物品細節
- 物品狀況
- 很好
- 賣家備註
- “see photos for details”
- Pages
- 304
- Country/Region of Manufacture
- United States
- Intended Audience
- Adults
- ISBN
- 9780801483189
- Book Title
- Unruly Women of Paris : Images of the Commune
- Publisher
- Cornell University Press
- Item Length
- 9 in
- Publication Year
- 1996
- Format
- Trade Paperback
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.8 in
- Genre
- Political Science, Social Science, History
- Topic
- Women, Media Studies, Europe / France, Civil Rights, Revolutionary, Women's Studies
- Item Weight
- 16 Oz
- Item Width
- 6 in
- Number of Pages
- 304 Pages
關於產品
Product Identifiers
Publisher
Cornell University Press
ISBN-10
0801483182
ISBN-13
9780801483189
eBay Product ID (ePID)
492043
Product Key Features
Book Title
Unruly Women of Paris : Images of the Commune
Number of Pages
304 Pages
Language
English
Topic
Women, Media Studies, Europe / France, Civil Rights, Revolutionary, Women's Studies
Publication Year
1996
Illustrator
Yes
Genre
Political Science, Social Science, History
Format
Trade Paperback
Dimensions
Item Height
0.8 in
Item Weight
16 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
96-019780
Dewey Edition
20
Reviews
"Gullickson offers a persuasive account based on an almost exhaustive marshaling of the relevant evidence. . . . a contribution to our fuller understanding of the Commune and its role in reinforcing gender stereotypes."-James A. Leith, Queen's University, Canada, American Historical Review, October 1997, "Gullickson does what few have attempted before: to trace the ways images of women first took shape in contemporary writings and cartoons, including those by women themselves, and then made their way over the years into the writings of politicians and historians. A definitive and fascinating interdisciplinary study of the highest quality."-Lynn Hunt, University of Pennsylvania, "Gullickson does what few have attempted before: to trace the ways images of women first took shape in contemporary writings and cartoons, including those by women themselves, and then made their way over the years into the writings of politicians and historians. A definitive and fascinating interdisciplinary study of the highest quality."--Lynn Hunt, University of Pennsylvania, Gullickson does what few have attempted before: to trace the ways images of women first took shape in contemporary writings and cartoons, including those by women themselves, and then made their way over the years into the writings of politicians and historians. A definitive and fascinating interdisciplinary study of the highest quality., "Gullickson offers a persuasive account based on an almost exhaustive marshaling of the relevant evidence. . . . a contribution to our fuller understanding of the Commune and its role in reinforcing gender stereotypes."--James A. Leith, Queen's University, Canada, American Historical Review, October 1997, Gullickson offers a persuasive account based on an almost exhaustive marshaling of the relevant evidence.... a contribution to our fuller understanding of the Commune and its role in reinforcing gender stereotypes.
Grade From
College Graduate Student
Dewey Decimal
944.081/2
Synopsis
In this vividly written and amply illustrated book, Gay L. Gullickson analyzes the representations of women who were part of the insurrection known as the Paris Commune. The uprising and its bloody suppression by the French army is still one of the..., In this vividly written and amply illustrated book, Gay L. Gullickson analyzes the representations of women who were part of the insurrection known as the Paris Commune. The uprising and its bloody suppression by the French army is still one of the most hotly debated episodes in modern history. Especially controversial was the role played by women, whose prominent place among the Communards shocked many commentators and spawned the legend of the p troleuses, women who were accused of burning the city during the battle that ended the Commune. In the midst of the turmoil that shook Paris, the media distinguished women for their cruelty and rage. The Paris-Journal , for example, raved: "Madness seems to possess them; one sees them, their hair down like furies, throwing boiling oil, furniture, paving stones, on the soldiers." Gullickson explores the significance of the images created by journalists, memoirists, and political commentators, and elaborated by latter-day historians and political thinkers. The p troleuse is the most notorious figure to emerge from the Commune, but the literature depicts the Communardes in other guises, too: the innocent victim, the scandalous orator, the Amazon warrior, and the ministering angel, among others. Gullickson argues that these caricatures played an important role in conveying and evoking moral condemnation of the Commune. More important, they reveal the gender conceptualizations that structured, limited, and assigned meaning to women as political actors for the balance of the nineteenth and well into the twentieth century., In this vividly written and amply illustrated book, Gay L. Gullickson analyzes the representations of women who were part of the insurrection known as the Paris Commune. The uprising and its bloody suppression by the French army is still one of the most hotly debated episodes in modern history. Especially controversial was the role played by women, whose prominent place among the Communards shocked many commentators and spawned the legend of the pétroleuses, women who were accused of burning the city during the battle that ended the Commune. In the midst of the turmoil that shook Paris, the media distinguished women for their cruelty and rage. The Paris-Journal , for example, raved: "Madness seems to possess them; one sees them, their hair down like furies, throwing boiling oil, furniture, paving stones, on the soldiers." Gullickson explores the significance of the images created by journalists, memoirists, and political commentators, and elaborated by latter-day historians and political thinkers. The pétroleuse is the most notorious figure to emerge from the Commune, but the literature depicts the Communardes in other guises, too: the innocent victim, the scandalous orator, the Amazon warrior, and the ministering angel, among others. Gullickson argues that these caricatures played an important role in conveying and evoking moral condemnation of the Commune. More important, they reveal the gender conceptualizations that structured, limited, and assigned meaning to women as political actors for the balance of the nineteenth and well into the twentieth century.
LC Classification Number
DC317.G85 1996
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