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Staging art and Chineseness: The politics of trans/nationalism and global exposi

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ISBN
9781526139788
Subject Area
Art
Publication Name
Staging Art and Chineseness : the Politics of Trans/Nationalism and Global Expositions
Publisher
Manchester University Press
Item Length
9.2 in
Subject
Asian / Chinese, Performance
Publication Year
2019
Series
Rethinking Art's Histories Ser.
Type
Textbook
Format
Hardcover
Language
English
Item Height
0.8 in
Author
Jane Chin Davidson
Item Weight
22.6 Oz
Item Width
6.1 in
Number of Pages
224 Pages

關於產品

Product Identifiers

Publisher
Manchester University Press
ISBN-10
1526139782
ISBN-13
9781526139788
eBay Product ID (ePID)
5038419201

Product Key Features

Number of Pages
224 Pages
Language
English
Publication Name
Staging Art and Chineseness : the Politics of Trans/Nationalism and Global Expositions
Publication Year
2019
Subject
Asian / Chinese, Performance
Type
Textbook
Author
Jane Chin Davidson
Subject Area
Art
Series
Rethinking Art's Histories Ser.
Format
Hardcover

Dimensions

Item Height
0.8 in
Item Weight
22.6 Oz
Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

Intended Audience
College Audience
Reviews
Chin Davidson's Staging Art and Chineseness offers an opportunity to challenge the universalizingclaims of Western theories and to queer popular scholarly stereotypes about 'Chineseness' as a theoretical problem and the fetishization of contemporary China as an 'empire'.JOURNAL OF VISUAL CULTURE, Chin Davidson's Staging Art and Chineseness offers an opportunity to challenge the universalizing claims of Western theories and to queer popular scholarly stereotypes about 'Chineseness' as a theoretical problem and the fetishization of contemporary China as an 'empire'. JOURNAL OF VISUAL CULTURE
Dewey Edition
23
CLASSIFICATION_METADATA
{"IsNonfiction":["No"],"IsOther":["No"],"IsAdult":["No"],"MuzeFormatDesc":["Hardcover"],"IsChildren":["No"],"Genre":["ART"],"Topic":["Performance","Asian / Chinese"],"IsTextBook":["Yes"],"IsFiction":["No"]}
Illustrated
Yes
Dewey Decimal
707.4
Table Of Content
Introduction: staging art and Chineseness 1 Chineseness as a theoretical, historical and political problem in global art and exhibition 2 Patty Chang and the transnational cinematic subject of Chineseness 3 Environment, labor, and video: (eco) feminist interpellations of Chineseness in the work of Yuk King Tan, Cao Fei, Wu Mali 4 The dialectical image of empire 5 The archive of Chineseness: the global exposition and the museum Index
Synopsis
This book addresses the politics of borders in the era of global art by exploring the identification of Chinese artists by location and exhibition. Focusing on performative, body-oriented video works by the post-1989 generation, it tests the premise of genealogical inscription and the ways in which cultural objects are attributed to the artist's residency, homeland or citizenship rather than cultural tradition, style or practice. Acknowledging historical definitions of Chineseness, including the orientalist assumptions of the past and the cultural-mixing of the present, the book's case studies address the paradoxes and contradictions of representation. An analysis of the historical matrix of global expositions reveals the structural connections among art, culture, capital and nation., Questioning what the term 'Chinese art' means in the era of global art, this book situates Chinese contemporary art in the matrix of global expositions and political transnationalisms. Its case studies explore the changing political concept of Chineseness by examining performative, body-oriented video and eco-feminist works. -- ., Questioning what the term 'Chinese art' means in the era of global art, this book situates Chinese contemporary art in the matrix of global expositions and political transnationalisms. Its case studies explore the changing political concept of Chineseness by examining performative, body-oriented video and eco-feminist works., This book addresses the politics of borders in the era of global art by exploring the identification of Chinese artists by location and exhibition. Focusing on performative, body-oriented video works by the post-1989 generation, it tests the premise of genealogical inscription and the ways in which cultural objects are attributed to the artist's residency, homeland or citizenship rather than cultural tradition, style or practice. Acknowledging historical definitions of Chineseness, including the orientalist assumptions of the past and the cultural-mixing of the present, the book's case studies address the paradoxes and contradictions of representation. An analysis of the historical matrix of global expositions reveals the structural connections among art, culture, capital and nation. -- .
Copyright Date
2020
ebay_catalog_id
4

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