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SARATHY KORWAR - DAY TO DAY
AU $30.49
大約HK$ 163.01
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AU $36.75（大約 HK$ 196.48） Australia Post International Express.
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估計於 10月3日, 四至 10月16日, 三之間送達 運送地點 43230
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- Movie/TV Title
- Day To Day
- Brand
- Ninja Tune
- UPC
- Does not apply
- Artist
- Sarathy Korwar
- Format
- CD
- Release Year
- 2016
- Record Label
- Ninja Tune (USA)
- Release Title
- Day to Day [Slipcase]
- Genre
- Electronic
- Run Time
- 42 Mins 16 Seconds
關於產品
Product Identifiers
Record Label
Ninja Tune (USA)
UPC
5054429004939
eBay Product ID (ePID)
8050173791
Product Key Features
Format
CD
Release Year
2016
Genre
Electronic
Run Time
42 Mins 16 Seconds
Artist
Sarathy Korwar
Release Title
Day to Day [Slipcase]
Additional Product Features
Distribution
Redeye Music Distribution
Number of Discs
1
Country/Region of Manufacture
USA
Additional information
Personnel: Sarathy Korwar (drums, tabla, electronics); Giuliano Modarelli (guitar); Shabaka Hutchings (bass clarinet, tenor saxophone); Al MacSween (piano, keyboards). Audio Mixer: Nick Woodmansey. Recording information: Dawn Studios, Pune, India. Photographer: Nikhil Roshan. If Day to Day, Sarathy Korwar's dazzling debut album for Ninja Tune, proves anything, it's that sacred Indian folk music, astral-gazing electronica, and 21st century modal jazz were made for one another. Korwar is a composer, percussionist, and producer. He was born in the U.S., raised in India, and is now based in London. This recording is the result of a Steve Reid Foundation grant. Korwar traveled to Southern India, where he field recorded the chants and rhythms of the the Sidi Troupe of Ratanpur in rural Gujarat. The Sidis descend from the African Bantu. They began arriving in India during the seventh century as sailors, merchants, and slaves. Their music comes directly from oral tradition; they often sing in Swahili, a tongue they do not understand. Faith bridges articulation and conviction. Korwar captured the sounds of Sidi singers, percussionists, and Mlunga bow to use as Day to Day's bedrock, then entered a studio in Pune for five days with saxophonist Shabaka Hutchings, keyboardist Al MacSween, Italian guitarist Giuliano Modarelli, and bassist Dominico Angarano. Korwar plays drums, tablas, and electronics. On "Bismillah," ambient electronics, hand drums, a mournful tenor, and sparkling Rhodes wind around a prayerful chant before bubbling Afro-Indian basslines, percussion layers, and trance-like guitars groove. The electric piano becomes more insistent before Hutchings solos to burn it all in. "Dreaming" commences as nocturnal Indian blues with desert guitar and sarod drones atop a lone tabla and effects. The percussion gets multi-tracked, and snippets of chants, prayers, conversation, and a Mlunga bow all establish a center before it fades to ether. "Indefinite Leave to Remain" uses a series of interlocking minimalist counterpoint piano vamps as "melody." A trancelike quality is established when a trap kit, funky jazz bass, and slightly dissonant guitar surround sampled vocal fragments with an increasing dynamic and tempo. The classical Indian improvisational interplay between acoustic guitar and upright bass on "Karam" might have been an end in itself, but the tune spirals to include glistening modal piano, Mlunga, tabla, and cymbals behind a Sidi wail of prayer. The set closes with "Mawra (Transcendence)." Rumbling tom-toms and reverb and bleating voices come from underneath like an improvisation. Hutchings' horn creates a pulsing rhythm in dialogue with Korwar's clattering sticks on the drum kit frame. His tenor horn wails with a vocal quality above both, then fades before re-emerging with a thudding bassline as a companion. The track becomes a passionate, spacy, nearly martial post-Coltrane jam, but never relinquishes the circular rhythm at its center. Day to D
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增值稅識別編號：
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賣家信用評價 （8,471）
- m***e (295)- 買家留下的信用評價。過去 1 個月購買已獲認證All went well, very happy.
- c***e (583)- 買家留下的信用評價。過去 1 個月購買已獲認證Great Seller, Item as Described, Fast Postage, Thankyou!
- g***n (28)- 買家留下的信用評價。過去 1 個月購買已獲認證Delivered quite quickly and was everything described in the description. I don’t have a CD player so I can’t say what the quality is like but hopefully it sounds good! The cover is also thermal reactive too which I thought was really cool! I didn’t know the CD’s had it as well, I thought only the vinyls had the thermal reactive covers.