第 1/1 張圖片
Antoinet Schimmelpennin
Another great item from Rarewaves USA | Free delivery!
狀況：
至少還有 10 件
安心購物
物品細節
- 物品狀況
- 全新: 全新，未閱讀過和使用過的書籍，狀況完好，不存在缺頁或內頁受損。 查看所有物品狀況定義會在新視窗或分頁中開啟
- Book Title
- Gender in Chinese Music
- Publication Name
- Gender in Chinese Music
- Title
- Gender in Chinese Music
- Contributor
- Hwee-San Tan (Contributions by)
- Format
- Trade Paperback
- ISBN-10
- 1580465447
- EAN
- 9781580465441
- ISBN
- 9781580465441
- Publisher
- University of Rochester Medical Press
- Genre
- Society & Culture
- Subject
- History & Criticism, Philosophy & Social Aspects, Ethnomusicology, Gender Studies, Asia / China, Ethnic
- Release Date
- 01/07/2015
- Release Year
- 2015
- Language
- English
- Country/Region of Manufacture
- US
- Item Height
- 0.8 in
- Item Length
- 9.3 in
- Series
- Eastman/Rochester Studies Ethnomusicology Ser.
- Subject Area
- Music, History, Social Science
- Publication Year
- 2015
- Type
- Textbook
- Item Width
- 5.9 in
- Number of Pages
- 316 Pages
關於產品
Product Information
Gender in Chinese Music draws together contributions from ethnomusicologists, anthropologists, and literary scholars to explore how music is implicated in changing notions of masculinity, femininity, and genders "in between" in Chinese culture.Village ritualists, international classical pianists, pop idols, and professional mourners -- whether they perform in temples, on concert stages, or in TV shows, Chinese musicians continually express and negotiate their gendered identities. Gender in Chinese Music brings together contributions from ethnomusicologists, anthropologists, and literary scholars to explore how gender is not only manifested in the diverse musical traditions of Chinese culture but also constructed through performing and observing these traditions. Individual chapters examine unique music cultures ranging from those of courting couples in China's heartlands to ethnic minority singers in the borderlands, and from Ming-period courtesans to contemporary karaoke hostesses. The book also features interviews with musicians, music industry workers, and fans talking about gender. With its wide-ranging subject matter and interdisciplinary approach, this volume will be an important resource for researchers and students interested in how music is implicated in the changing notions of masculinity, femininity, and genders "in between." Contributors: RuardAbsaroka, Rachel Harris, Stephen Jones, Frank Kouwenhoven, Olivia Kraef, Joseph Lam, Rowan Pease, Antoinet Schimmelpenninck, Hwee-San Tan, Shzr Ee Tan, Xiao Mei, Judith Zeitlin, Tiantian Zheng. Rachel Harris is Reader in the Music of China and Central Asia at SOAS, University of London. Rowan Pease is Senior Teaching Fellow at SOAS, University of London. Shzr Ee Tan is Senior Lecturer in Music at Royal Holloway, University of London.erviews with musicians, music industry workers, and fans talking about gender. With its wide-ranging subject matter and interdisciplinary approach, this volume will be an important reerviews with musicians, music industry workers, and fans talking about gender. With its wide-ranging subject matter and interdisciplinary approach, this volume will be an important resource for researchers and students interested in how music is implicated in the changing notions of masculinity, femininity, and genders "in between." Contributors: RuardAbsaroka, Rachel Harris, Stephen Jones, Frank Kouwenhoven, Olivia Kraef, Joseph Lam, Rowan Pease, Antoinet Schimmelpenninck, Hwee-San Tan, Shzr Ee Tan, Xiao Mei, Judith Zeitlin, Tiantian Zheng. Rachel Harris is Reader in the Music of China and Central Asia at SOAS, University of London. Rowan Pease is Senior Teaching Fellow at SOAS, University of London. Shzr Ee Tan is Senior Lecturer in Music at Royal Holloway, University of London.erviews with musicians, music industry workers, and fans talking about gender. With its wide-ranging subject matter and interdisciplinary approach, this volume will be an important resource for researchers and students interested in how music is implicated in the changing notions of masculinity, femininity, and genders "in between." Contributors: RuardAbsaroka, Rachel Harris, Stephen Jones, Frank Kouwenhoven, Olivia Kraef, Joseph Lam, Rowan Pease, Antoinet Schimmelpenninck, Hwee-San Tan, Shzr Ee Tan, Xiao Mei, Judith Zeitlin, Tiantian Zheng. Rachel Harris is Reader in the Music of China and Central Asia at SOAS, University of London. Rowan Pease is Senior Teaching Fellow at SOAS, University of London. Shzr Ee Tan is Senior Lecturer in Music at Royal Holloway, University of London.
Product Identifiers
Publisher
University of Rochester Medical Press
ISBN-10
1580465447
ISBN-13
9781580465441
eBay Product ID (ePID)
211953843
Product Key Features
Publication Name
Gender in Chinese Music
Format
Trade Paperback
Language
English
Subject
History & Criticism, Philosophy & Social Aspects, Ethnomusicology, Gender Studies, Asia / China, Ethnic
Series
Eastman/Rochester Studies Ethnomusicology Ser.
Publication Year
2015
Type
Textbook
Subject Area
Music, History, Social Science
Number of Pages
316 Pages
Dimensions
Item Length
9.3 in
Item Height
0.8 in
Item Width
5.9 in
Additional Product Features
Intended Audience
Scholarly & Professional
Series Volume Number
4
Lc Classification Number
Ml3917.C6g46 2015
Reviews
There are too many gems in this book to address here. . . . I can think of no better volume to demonstrate the astounding breadth of Chinese musical cultures than Gender in Chinese Music. The chapters are well written, informative, thought provoking, and provide an important contribution to a range of issues in Chinese society both in the musical sphere and beyond. MUSIC AND LETTERS This is a comprehensive, well-edited, and interdisciplinary selection of essays on a complex theme. . . . The book features interviews with fans and musicians, who offer their own personal and professional approaches to gender, which is especially interesting considering the differing constructions of gender within the broader artistic scene in China. . . . This book's insights and broad perspectives make it valuable to those interested in ethnomusicology, cultural studies, and Chinese studies in general. Summing up: recommended. CHOICE These meticulously-researched essays, written by leading scholars in their respective fields, provide contextualized accounts of the great variety of musical cultures, forms, and practices in China from the Ming period to the present time. Inspiring and informative, this volume will be of interest to specialist and nonspecialist readers alike. --Siu Leung Li, Associate Professor and Director of the Master of Cultural Studies Program at Lingnan University heir respective fields, provide contextualized accounts of the great variety of musical cultures, forms, and practices in China from the Ming period to the present time. Inspiring and informative, this volume will be of interest to specialist and nonspecialist readers alike. --Siu Leung Li, Associate Professor and Director of the Master of Cultural Studies Program at Lingnan University ir respective fields, provide contextualized accounts of the great variety of musical cultures, forms, and practices in China from the Ming period to the present time. Inspiring and informative, this volume will be of interest to specialist and nonspecialist readers alike. --Siu Leung Li, Associate Professor and Director of the Master of Cultural Studies Program at Lingnan University heir respective fields, provide contextualized accounts of the great variety of musical cultures, forms, and practices in China from the Ming period to the present time. Inspiring and informative, this volume will be of interest to specialist and nonspecialist readers alike. --Siu Leung Li, Associate Professor and Director of the Master of Cultural Studies Program at Lingnan University, There are too many gems in this book to address here. . . . I can think of no better volume to demonstrate the astounding breadth of Chinese musical cultures than Gender in Chinese Music. The chapters are well written, informative, thought provoking, and provide an important contribution to a range of issues in Chinese society both in the musical sphere and beyond. MUSIC AND LETTERS This is a comprehensive, well-edited, and interdisciplinary selection of essays on a complex theme. . . . The book features interviews with fans and musicians, who offer their own personal and professional approaches to gender, which is especially interesting considering the differing constructions of gender within the broader artistic scene in China. . . . This book's insights and broad perspectives make it valuable to those interested in ethnomusicology, cultural studies, and Chinese studies in general. Summing up: recommended. CHOICE These meticulously-researched essays, written by leading scholars in their respective fields, provide contextualized accounts of the great variety of musical cultures, forms, and practices in China from the Ming period to the present time. Inspiring and informative, this volume will be of interest to specialist and nonspecialist readers alike. --Siu Leung Li, Associate Professor and Director of the Master of Cultural Studies Program at Lingnan University heir respective fields, provide contextualized accounts of the great variety of musical cultures, forms, and practices in China from the Ming period to the present time. Inspiring and informative, this volume will be of interest to specialist and nonspecialist readers alike. --Siu Leung Li, Associate Professor and Director of the Master of Cultural Studies Program at Lingnan University heir respective fields, provide contextualized accounts of the great variety of musical cultures, forms, and practices in China from the Ming period to the present time. Inspiring and informative, this volume will be of interest to specialist and nonspecialist readers alike. --Siu Leung Li, Associate Professor and Director of the Master of Cultural Studies Program at Lingnan University heir respective fields, provide contextualized accounts of the great variety of musical cultures, forms, and practices in China from the Ming period to the present time. Inspiring and informative, this volume will be of interest to specialist and nonspecialist readers alike. --Siu Leung Li, Associate Professor and Director of the Master of Cultural Studies Program at Lingnan University, There are too many gems in this book to address here. . . . I can think of no better volume to demonstrate the astounding breadth of Chinese musical cultures than Gender in Chinese Music. The chapters are well written, informative, thought provoking, and provide an important contribution to a range of issues in Chinese society both in the musical sphere and beyond., There are too many gems in this book to address here. . . . I can think of no better volume to demonstrate the astounding breadth of Chinese musical cultures than Gender in Chinese Music. The chapters are well written, informative, thought provoking, and provide an important contribution to a range of issues in Chinese society both in the musical sphere and beyond. MUSIC AND LETTERS This is a comprehensive, well-edited, and interdisciplinary selection of essays on a complex theme. . . . The book features interviews with fans and musicians, who offer their own personal and professional approaches to gender, which is especially interesting considering the differing constructions of gender within the broader artistic scene in China. . . . This book's insights and broad perspectives make it valuable to those interested in ethnomusicology, cultural studies, and Chinese studies in general. Summing up: recommended. CHOICE These meticulously-researched essays, written by leading scholars in their respective fields, provide contextualized accounts of the great variety of musical cultures, forms, and practices in China from the Ming period to the present time. Inspiring and informative, this volume will be of interest to specialist and nonspecialist readers alike. --Siu Leung Li, Associate Professor and Director of the Master of Cultural Studies Program at Lingnan University
Copyright Date
2015
Dewey Decimal
780.81
Dewey Edition
23
Illustrated
Yes
賣家提供的物品說明
運費與處理費
物品無法運送到美國
物品所在地：
60502, 美國
運送地點
中國, 中國台灣, 中國澳門, 中國香港, 中非共和國, 丹麥, 乍德, 亞塞拜疆共和國, 亞美尼亞, 伊拉克, 伯利茲, 佛得角群島, 保加利亞, 克羅地亞共和國, 全球, 冰島, 列支敦士登, 利比利亞, 剛果共和國, 剛果民主共和國, 加納, 加蓬共和國, 匈牙利, 南非, 南韓, 博茨瓦納, 卡塔爾, 印尼, 印度, 危地馬拉, 厄瓜多爾, 厄立特里亞, 吉布提, 吉爾吉斯, 哈薩克, 哥倫比亞, 哥斯達黎加, 喀麥隆, 圖瓦盧, 土庫斯安德凱科斯群島, 土庫曼, 土耳其, 圭亞那, 坦桑尼亞, 埃及, 埃塞俄比亞, 基里巴斯, 塔吉克, 塞內加爾, 塞拉利昂, 塞浦路斯, 塞爾維亞, 塞舌爾, 多哥, 多明尼加, 多明尼加共和國, 孟加拉, 安哥拉, 安圭拉島, 安提瓜和巴布達, 安道爾, 尼加拉瓜, 尼日利亞, 尼日爾, 尼泊爾, 巴哈馬, 巴基斯坦, 巴布亞新畿內亞, 巴拉圭, 巴拿馬, 巴林, 布基納法索, 布隆迪, 希臘, 帛琉, 幾內亞, 幾內亞比索, 庫克群島, 愛沙尼亞, 所羅門群島, 拉脫維亞, 挪威, 捷克共和國, 摩洛哥, 摩爾多瓦, 摩納哥, 斐濟, 斯威士蘭, 斯洛伐克, 斯洛文尼亞, 斯瓦爾巴群島和揚馬延島, 斯里蘭卡, 新加坡, 日本, 智利, 柬埔寨, 格恩西島, 格陵蘭, 格雷納達, 格魯吉亞, 梵蒂岡, 比利時, 毛里求斯, 沙特阿拉伯, 波多黎各, 波斯尼亞和黑塞哥維那, 波蘭, 泰國, 津巴布韋, 洪都拉斯, 海地, 湯加, 澤西島, 烏干達, 烏拉圭, 烏茲別克, 牙買加, 特里尼達和多巴哥, 玻利維亞, 瑙魯, 瑞典, 瓦利斯和富圖納群島, 瓦努阿圖, 甘比亞, 百慕達群島, 盧旺達, 盧森堡, 直布羅陀, 福克蘭群島（馬爾維納斯）, 科威特, 科特迪瓦（象牙海岸）, 秘魯, 突尼斯, 立陶宛, 米克羅尼西亞, 約旦, 納米比亞, 紐埃, 紐西蘭, 索馬里, 羅馬尼亞, 美屬薩摩亞, 美屬處女島, 聖基茨-尼維斯, 聖文森和格瑞那丁, 聖皮耶與密克隆群島, 聖盧西亞, 聖赫倫那島, 聖馬力諾, 肯亞, 芬蘭, 英屬維爾京群島, 茅利塔尼亞, 荷屬安地列斯群島, 莫桑比克, 菲律賓, 萊索托, 葛摩, 葡萄牙, 蒙古, 蒙特色拉特島, 薩爾瓦多, 蘇里南, 西撒哈拉, 西薩摩亞, 貝寧, 贊比亞, 赤道幾內亞, 越南, 開曼群島, 關島, 阿拉伯聯合酋長國, 阿曼, 阿根廷, 阿爾及利亞, 阿爾巴尼亞, 阿魯巴, 馬來西亞, 馬其頓, 馬拉維, 馬爾代夫, 馬約特島, 馬紹爾群島, 馬耳他, 馬達加斯加, 馬里, 黎巴嫩, 黑山
排除：
不丹, 也門, 以色列, 俄羅斯聯邦, 利比亞, 墨西哥, 奧地利, 委內瑞拉, 寮國, 巴西, 巴貝多, 德國, 意大利, 愛爾蘭, 新喀里多尼亞, 汶萊, 法國, 法屬圭亞那, 法屬玻里尼西亞, 澳洲, 烏克蘭, 瑞士, 瓜德羅普島, 留尼汪島, 白俄羅斯, 美國, 英國, 荷蘭, 西班牙, 阿富汗, 馬提尼克島
| 處理時間 |
|---|
| 通常會在收到所有款項後的 7 個工作日內發貨。 |
| 稅項 |
|---|
| 結賬時相關稅項可能適用。 進一步了解進一步了解為 eBay 購物繳稅。 |
物品編號 235130254741 的銷售稅
物品編號 235130254741 的銷售稅
賣家會對寄往以下各州的物品收取銷售稅：
| 州／省 | 銷售稅稅率 |
|---|
退貨政策
| 收到物品後聯絡賣家的期限： |
|---|
| 30 日 |
買家負責支付退貨運費。
賣家信用評價 （63,221）
h***1 (209)- 買家留下的信用評價。
過去 1 個月
購買已獲認證
Excellent, thanks. Rarewaves is always reliable and an excellent seller
n***n (14)- 買家留下的信用評價。
過去 1 個月
購買已獲認證
good
i***o (428)- 買家留下的信用評價。
過去 1 個月
購買已獲認證
Super excellent work