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Helen Finch Witnessing, Memory, Poetics (Hardback)
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- Book Title
- Witnessing, Memory, Poetics
- Publication Name
- Witnessing: Memory: Poetics
- Title
- Witnessing, Memory, Poetics
- Subtitle
- H. G. Adler and W. G. Sebald
- ISBN-10
- 1571135898
- EAN
- 9781571135896
- ISBN
- 9781571135896
- Publisher
- Boydell & Brewer, Incorporated
- Format
- Hardcover
- Release Year
- 2014
- Release Date
- 15/08/2014
- Language
- English
- Country/Region of Manufacture
- US
- Item Height
- 1 in
- Item Length
- 9.2 in
- Contributor
- Lynn L. Wolff (Edited by)
- Genre
- Literary Criticism
- Series
- Dialogue and Disjunction: Studies in Jewish German Literature, Culture and Thought Ser.
- Item Weight
- 22.7 Oz
- Subject Area
- Literary Criticism, History
- Subject
- European / German, Holocaust, Europe / Germany, Subjects & Themes / Historical events, Subjects & Themes / General
- Publication Year
- 2014
- Type
- Textbook
- Item Width
- 6.6 in
- Number of Pages
- 332 Pages
關於產品
Product Identifiers
Publisher
Boydell & Brewer, Incorporated
ISBN-10
1571135898
ISBN-13
9781571135896
eBay Product ID (ePID)
177962753
Product Key Features
Number of Pages
332 Pages
Language
English
Publication Name
Witnessing: Memory: Poetics
Subject
European / German, Holocaust, Europe / Germany, Subjects & Themes / Historical events, Subjects & Themes / General
Publication Year
2014
Type
Textbook
Subject Area
Literary Criticism, History
Series
Dialogue and Disjunction: Studies in Jewish German Literature, Culture and Thought Ser.
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
22.7 Oz
Item Length
9.2 in
Item Width
6.6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2014-014720
Reviews
In the most illuminating essays, the intertextual relationship that connects Adler to Sebald serves as a springboard to a more expansive, contextual discussion of universal issues of postwar German literature. . . . [A]ll the essays provide insightful analyses of the works of these two signi?cant writers. While this volume would be of particular interest to scholars of postwar literature, the essays in sections 2 and 3 are particularly appealing to those interested in broader themes such as the relationships between history and literature, the role of the artist in society, the nature of trauma narrative, and questions of authenticity. JOURNAL OF AUSTRIAN STUDIES [C]ombine[s] in-depth investigations of [the two authors'] writings with several unique approaches to understanding their relationship within the context of Holocaust and post-war German literature. Although focused on Adler and Sebald, the volume will also be of interest to those working in Holocaust testimonial, historical, and ?ctional writing, both survivor and second-generation writers, and in particular the developing ?eld of German-language Holocaust literature. HOLOCAUST STUDIES
Series Volume Number
2
Illustrated
Yes
Table Of Content
Introduction: The Adler-Sebald Intertextual Relationship as Paradigm for Intergenerational Literary TestimonyThe Connections between H. G. Adler and W. G. Sebald, from a Personal PerspectiveMemory's Witness-Witnessing MemoryWriting the Medusa: A Documentation of H. G. Adler and Theresienstadt in W. G. Sebald's LibraryPoetics of Bearing Witness: H. G. Adler and W. G. Sebald"Schmerzensspuren der Geschichte(n)": Memory and Intertextuality in H. G. Adler and W. G. Sebald"Der Autor zwischen Literatur und Politik": H. G. Adler's "Engagement" and W. G. Sebald's "Restitution"Memory, Witness, and the (Holocaust) Museum in H. G. Adler and W. G. SebaldHistory, Emotions, Literature: The Representation of Theresienstadt in H. G. Adler's Theresienstadt 1941-1945, Antlitz einer Zwangsgemeinschaft and W. G. Sebald's AusterlitzThe Kafkaesque in H. G. Adler's and W. G. Sebald's Literary HistoriographiesGenerational Conflicts, Generational Affinities: Broch, Adorno, Adler, Sebald"Der verwerfliche Literaturbetrieb unserer Epoche": H. G. Adler and the Postwar West German "Literary Field"AfterwordBibliographyNotes on the ContributorsIndex": H. G. Adler and the Postwar West German "Literary Field"AfterwordBibliographyNotes on the ContributorsIndex": H. G. Adler and the Postwar West German "Literary Field"AfterwordBibliographyNotes on the ContributorsIndex": H. G. Adler and the Postwar West German "Literary Field"AfterwordBibliographyNotes on the ContributorsIndex
Synopsis
Since 1945, authors and scholars have intensely debated what form literary fiction about the Holocaust should take. The works of H. G. Adler (1910-1988) and W. G. Sebald (1944-2001), two modernist scholar-poets who settled in England but never met, present new ways of reconceptualizing the nature of witnessing, literary testimony, and the possibility of a "poetics" after Auschwitz. Adler, a Czech Jew who survived Theresienstadt and Auschwitz, was a prolific writer of prose and poetry, but his work remained little known until Sebald, possibly the most celebrated German writer of recent years, cited it in his 2001 work, Austerlitz. Since then, a rediscovery of Adler has been under way. This volume of essays by international experts on Adler and Sebald investigates the connections between the two writers to reveal a new hybrid paradigm of writing about the Holocaust that advances our understanding of the relationship between literature, historiography, and autobiography. In doing so, the volume also reflects on the wider literary-political implications of Holocaust representation, demonstrating the shifting norms in German-language "Holocaust literature." Contributors: Jeremy Adler, Jo Catling, Peter Filkins, Helen Finch, Frank Finlay, Kirstin Gwyer, Katrin Kohl, Michael Kr ger, Martin Modlinger, Dora Osborne, Ruth Vogel-Klein, Lynn L. Wolff. Helen Finch is Associate Professor in German at the University of Leeds. Lynn L. Wolff is assistant Professor at Michigan State University., Investigates the connections between German writers H.G. Adler and W.G. Sebald and reveals a new hybrid paradigm of writing about the Holocaust in light of the wider literary-political implications of Holocaust representation since 1945. Since 1945, authors and scholars have intensely debated what form literary fiction about the Holocaust should take. The works of H. G. Adler (1910-1988) and W. G. Sebald (1944-2001), two modernist scholar-poets who settled in England but never met, present new ways of reconceptualizing the nature of witnessing, literary testimony, and the possibility of a "poetics" after Auschwitz. Adler, a Czech Jew who survived Theresienstadt and Auschwitz, was a prolific writer of prose and poetry, but his work remained little known until Sebald, possibly the most celebrated German writer of recent years, cited it in his 2001 work, Austerlitz. Since then, a rediscovery of Adler has been under way. This volume of essays by international experts on Adler and Sebald investigates the connections between the two writers to reveal a new hybrid paradigm of writing about the Holocaust that advances our understanding of the relationship between literature, historiography, and autobiography. In doing so, the volume also reflects on the wider literary-political implications of Holocaust representation, demonstrating the shifting norms in German-language "Holocaust literature." Contributors: Jeremy Adler, Jo Catling, Peter Filkins, Helen Finch, Frank Finlay, Kirstin Gwyer, Katrin Kohl, Michael Krüger, Martin Modlinger, Dora Osborne, Ruth Vogel-Klein, Lynn L. Wolff. Helen Finch is Associate Professor in German at the University of Leeds. Lynn L. Wolff is assistant Professor at Michigan State University., Investigates the connections between German writers H.G. Adler and W.G. Sebald and reveals a new hybrid paradigm of writing about the Holocaust in light of the wider literary-political implications of Holocaust representation since 1945.
LC Classification Number
PT2601.D614Z89 2014
Copyright Date
2014
ebay_catalog_id
4
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