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Cynthia Mills Beyond Grief (Paperback)
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- Book Title
- Beyond Grief : Sculpture and Wonder in the Gilded Age Cemetery
- Publication Name
- Beyond Grief
- Title
- Beyond Grief
- Subtitle
- Sculpture and Wonder in the Gilded Age Cemetery
- Format
- Trade Paperback
- ISBN-10
- 1935623796
- EAN
- 9781935623793
- ISBN
- 9781935623793
- Publisher
- Smithsonian Institution Scholarly Press
- Genre
- Art, History, Social Science
- Topic
- Sculpture & Installation, Archaeology, Modern / 20th Century, History / Modern (Late 19th Century to 1945)
- Release Date
- 05/05/2015
- Release Year
- 2015
- Language
- English
- Country/Region of Manufacture
- US
- Item Height
- 0.6in
- Item Length
- 9.9in
- Item Width
- 7in
- Item Weight
- 19.2 Oz
- Publication Year
- 2015
- Number of Pages
- 242 Pages
關於產品
Product Information
Beyond Grief explores high-style funerary sculptures and their functions during the turn of the twentieth century. Many scholars have overlooked these monuments, viewing them as mere oddities, a part of an individual artist's oeuvre, a detail of a patron's biography, or local civic cemetery history. This volume considers them in terms of their wider context and shifting use as objects of consolation, power, and multisensory mystery and wonder. Art historian Cynthia Mills traces the stories of four families who memorialized their losses through sculpture. Henry Brooks Adams commissioned perhaps the most famous American cemetery monument of all, the Adams Memorial in Washington, D.C. The bronze figure was designed by Augustus Saint-Gaudens, who became the nation's foremost sculptor. Another innovative bronze monument featured the Milmore brothers, who had worked together as sculptors in the Boston area. Artist Frank Duveneck composed a recumbent portrait of his wife following her early death in Paris; in Rome, the aging William Wetmore Story made an angel of grief his last work as a symbol of his sheer desolation after his wife's death. Through these incredible monuments Mills explores questions like: Why did new forms--many of them now produced in bronze rather than stone and placed in architectural settings--arise just at this time, and how did they mesh or clash with the sensibilities of their era? Why was there a gap between the intention of these elite patrons and artists, whose lives were often intertwined in a closed circle, and the way some public audiences received them through the filter of the mass media? Beyond Grief traces the monuments' creation, influence, and reception in the hope that they will help us to understand the larger story: how survivors used cemetery memorials as a vehicle to mourn and remember, and how their meaning changed over time.
Product Identifiers
Publisher
Smithsonian Institution Scholarly Press
ISBN-10
1935623796
ISBN-13
9781935623793
eBay Product ID (ePID)
219280742
Product Key Features
Book Title
Beyond Grief : Sculpture and Wonder in the Gilded Age Cemetery
Format
Trade Paperback
Language
English
Topic
Sculpture & Installation, Archaeology, Modern / 20th Century, History / Modern (Late 19th Century to 1945)
Publication Year
2015
Genre
Art, History, Social Science
Number of Pages
242 Pages
Dimensions
Item Length
9.9in
Item Height
0.6in
Item Width
7in
Item Weight
19.2 Oz
Additional Product Features
Lc Classification Number
Nb1803
Reviews
CHOICE In this posthumously published work, Mills brings together a variety of threads to examine the nature of mourning and monumentality in the US from the 1880s to WW I. She focuses on several elite Eastern families, such as Henry and Clover Adams and William and Emelyn Story and their social networks in the US and abroad, to provide a context for the dissemination of "high-style" art in cemetery memorials during the period. The family tragedies of the deaths of spouses are background for the discussion of memorial art. Focusing on the work of such sculptors as Augustus Saint-Gaudens, Daniel Chester French, and Frank Duveneck, the author delves into their relationships to these families, their reception in both memorial art and high art, and subsequent influence and imitation. Mills is especially good at drawing out the perceived tensions between everyday memorialization and the work of these artists in the social environment of the period, as well as the contrasts between the intentions of the families and public reception of the memorials. Excellent photographs and a beautiful layout aid in the presentation. For collections in art history and history. --J. C. Wanser, Hiram College Summing Up: Recommended. Lower-division undergraduates through researchers/faculty; general readers.
Copyright Date
2015
Target Audience
Trade
Dewey Decimal
731/.76
Dewey Edition
23
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