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The Re-enchantment of the World: Art versus Religion
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物品細節
- 物品狀況
- Release Year
- 2007
- Book Title
- The Re-enchantment of the World: Art versus Religion
- ISBN
- 9780199265961
- Subject Area
- Art, Religion, Philosophy
- Publication Name
- Re-Enchantment of the World : Art Versus Religion
- Publisher
- Oxford University Press, Incorporated
- Item Length
- 8.7 in
- Subject
- Criticism & Theory, Religious, Subjects & Themes / Religious, Philosophy
- Publication Year
- 2007
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.7 in
- Item Weight
- 14.3 Oz
- Item Width
- 5.7 in
- Number of Pages
- 210 Pages
關於產品
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199265968
ISBN-13
9780199265961
eBay Product ID (ePID)
61142234
Product Key Features
Number of Pages
210 Pages
Language
English
Publication Name
Re-Enchantment of the World : Art Versus Religion
Subject
Criticism & Theory, Religious, Subjects & Themes / Religious, Philosophy
Publication Year
2007
Type
Textbook
Subject Area
Art, Religion, Philosophy
Format
Hardcover
Dimensions
Item Height
0.7 in
Item Weight
14.3 Oz
Item Length
8.7 in
Item Width
5.7 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2007-036889
Reviews
This is a remarkable book...The book sets down a challenge to those of us involved in aesthetics and the arts-particularly to those of us who are not participants in religious ceremonies and who are not members of religious communities. It is highly readable and rewarding; and full of argument and generosity to those against whom the author takes issue. I repeat: this is a remarkable book., ...strives mightily and most impressively with the thesis that art can restore meaning to life after the 'demise' of religion...This book is chock full of edifying loops excursions.
Dewey Edition
22
Dewey Decimal
201/.67
Table Of Content
Preface and acknowledgementsI. Spheres of MeaningII. Secularization, secularism and disenchantmentIII. Seeing the sacredIV. Telling a different storyV. Singing a new songVI. Replacing sacred spaceVII. The art of festival and the dance of lifeConclusionBibliographyIndex
Synopsis
The Re-enchantment of the World is a philosophical exploration of the role of art and religion as sources of meaning in an increasingly material world dominated by science. Gordon Graham takes as his starting point Max Weber's idea that contemporary Western culture is marked by a "disenchantment of the world"--the loss of spiritual value in the wake of religion's decline and the triumph of the physical and biological sciences. Relating themes in Hegel, Nietzsche, Schleiermacher, Schopenhauer, and Gadamer to topics in contemporary philosophy of the arts, Graham explores the idea that art, now freed from its previous service to religion, has the potential to re-enchant the world. In so doing, he develops an argument that draws on the strengths of both "analytical" and "continental" traditions of philosophical reflection. The opening chapter examines ways in which human lives can be made meaningful as a background to the debates surrounding secularization and secularism. Subsequent chapters are devoted to painting, literature, music, architecture, and festival with special attention given to Surrealism, 19th-century fiction, James Joyce, the music of J. S. Bach and the operas of Wagner. Graham concludes that that only religion properly so called can "enchant the world," and that modern art's ambition to do so fails., The Re-enchantment of the World is a philosophical exploration of the role of art and religion as sources of meaning in an increasingly material world dominated by science. Gordon Graham takes as his starting point Max Weber's idea that contemporary Western culture is marked by a 'disenchantment of the world' -- the loss of spiritual value in the wake of religion's decline and the triumph of the physical and biological sciences. Relating themes in Hegel, Nietzsche, Schleiermacher, Schopenhauer, and Gadamer to topics in contemporary philosophy of the arts, Graham explores the idea that art, now freed from its previous service to religion, has the potential to re-enchant the world. In so doing, he develops an argument that draws on the strengths of both 'analytical' and 'continental' traditions of philosophical reflection. The opening chapter examines ways in which human lives can be made meaningful as a background to the debates surrounding secularization and secularism. Subsequent chapters are devoted to painting, literature, music, architecture, and festival with special attention given to Surrealism, 19th-century fiction, James Joyce, the music of J. S. Bach and the operas of Wagner. Graham concludes that that only religion properly so called can 'enchant the world', and that modern art's ambition to do so fails., This is a philosophical exploration of the role of art and religion as sources of meaning in an increasingly material world dominated by science. Relating themes in the history of European philosophy to topics in contemporary philosophy, Gordon Graham investigates the idea that art has the potential to re-enchant an irreligious world., The Re-enchantment of the World is a philosophical exploration of the role of art and religion as sources of meaning in an increasingly material world dominated by science. Gordon Graham takes as his starting point Max Weber's idea that contemporary Western culture is marked by a 'disenchantment of the world' -- the loss of spiritual value in the wake of religion's decline and the triumph of the physical and biological sciences. Relating themes in Hegel, Nietzsche, Schleiermacher, Schopenhauer, and Gadamer to topics in contemporary philosophy of the arts, Graham explores the idea that art, now freed from its previous service to religion, has the potential to re-enchant the world. In so doing, he develops an argument that draws on the strengths of both 'analytical' and 'continental' traditions of philosophical reflection.The opening chapter examines ways in which human lives can be made meaningful as a background to the debates surrounding secularization and secularism. Subsequent chapters are devoted to painting, literature, music, architecture, and festival with special attention given to Surrealism, 19th-century fiction, James Joyce, the music of J. S. Bach and the operas of Wagner. Graham concludes that that only religion properly so called can 'enchant the world', and that modern art's ambition to do so fails., iThe Re-enchantment of the World/i is a philosophical exploration of the role of art and religion as sources of meaning in an increasingly material world dominated by science. Gordon Graham takes as his starting point Max Weber's idea that contemporary Western culture is marked by a 'disenchantment of the world' -- the loss of spiritual value in the wake of religion's decline and the triumph of the physical and biological sciences. Relating themes in Hegel, Nietzsche, Schleiermacher, Schopenhauer, and Gadamer to topics in contemporary philosophy of the arts, Graham explores the idea that art, now freed from its previous service to religion, has the potential to re-enchant the world. In so doing, he develops an argument that draws on the strengths of both 'analytical' and 'continental' traditions of philosophical reflection.The opening chapter examines ways in which human lives can be made meaningful as a background to the debates surrounding secularization and secularism. Subsequent chapters are devoted to painting, literature, music, architecture, and festival with special attention given to Surrealism, 19th-century fiction, James Joyce, the music of J. S. Bach and the operas of Wagner. Graham concludes that that only religion properly so called can 'enchant the world', and that modern art's ambition to do so fails.
LC Classification Number
BL51
ebay_catalog_id
4
Copyright Date
2007
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物品所在地：
Fort Myers, Florida, 美國
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