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Technique And Meeting In The Paintings Of Paul Gauguin Cambridge Hardcover Book

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Subject
Painting
ISBN
9780521642903
Publication Year
2000
Type
Textbook
Format
Hardcover
Language
English
Publication Name
Technique and Meaning in the Paintings of Paul Gauguin
Item Height
0.9in
Author
Vojtech Jirat-Wasiutynski, H. Travers Newton Jr.
Item Length
8.3in
Publisher
Cambridge University Press
Item Width
10.4in
Item Weight
41.2 Oz
Number of Pages
312 Pages

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Product Information

Technique and Meaning in the Paintings of Paul Gauguin provides a new interpretation of Gauguin's art. Reconstructing the artist's changing painting techniques, the authors demonstrate that Gauguin's technical choices were meaningful, and that his experimentation with the look of oil painting was deliberate and signaled a rejection of modern Western culture and society.

Product Identifiers

Publisher
Cambridge University Press
ISBN-10
0521642906
ISBN-13
9780521642903
eBay Product ID (ePID)
1653353

Product Key Features

Author
Vojtech Jirat-Wasiutynski, H. Travers Newton Jr.
Publication Name
Technique and Meaning in the Paintings of Paul Gauguin
Format
Hardcover
Language
English
Publication Year
2000
Type
Textbook
Number of Pages
312 Pages

Dimensions

Item Length
8.3in
Item Height
0.9in
Item Width
10.4in
Item Weight
41.2 Oz

Additional Product Features

Lc Classification Number
Nd553.G27j58 2000
Reviews
"This very scholarly and well-researched book traces Gauguin's development as an artist...Reproductions are detailed and beautiful." Choice, "[The authors] draw on the results of scientific study of Gauguin's canvases to show how the use of unorthodox techniques and materials can be linked with the 1primitivism' of earlier European and non-European arts, particularly with the bold painting of early Renaissance frescoes....Rich in ideas and methods that that should reinvigorate the study of late-nineteenth century art..." New York Review of Books
Table of Content
1. Gauguin's paintings and the history of technique; 2. Amateur 1873-78; 3. Among the Impressionists 1879-85; 4. After Impressionism 1886-88; 5. With Bernard in Pont-Aven, August-October 1888; 6. With Van Gogh in Arles, October-December 1888; 7. Symbolic nudes and portraits from 1889; 8. Murals and monumental canvases at Le Pouldu, 1889; 9. Decoration and the cultural meaning of Gauguin's primitivizing technique.
Copyright Date
2000
Target Audience
Scholarly & Professional
Topic
Criticism & Theory, General, European
Lccn
99-014193
Dewey Decimal
759.4
Dewey Edition
21
Illustrated
Yes
Genre
Art

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