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Richard Misrach and Guillermo Galindo: Border Cantos Misrach, Richard
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所在地：Tennessee, 美國
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- ISBN
- 9781597112895
- Book Title
- Richard Misrach and Guillermo Galindo: Border Cantos
- Publisher
- Aperture Foundation, Incorporated
- Item Length
- 13.5 in
- Publication Year
- 2016
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Item Height
- 1.3 in
- Genre
- Photography, History
- Topic
- Individual Photographers / Monographs, North America
- Item Weight
- 86.6 Oz
- Item Width
- 10.7 in
- Number of Pages
- 274 Pages
關於產品
Product Identifiers
Publisher
Aperture Foundation, Incorporated
ISBN-10
1597112895
ISBN-13
9781597112895
eBay Product ID (ePID)
219229534
Product Key Features
Book Title
Richard Misrach and Guillermo Galindo: Border Cantos
Number of Pages
274 Pages
Language
English
Topic
Individual Photographers / Monographs, North America
Publication Year
2016
Illustrator
Yes
Genre
Photography, History
Format
Hardcover
Dimensions
Item Height
1.3 in
Item Weight
86.6 Oz
Item Length
13.5 in
Item Width
10.7 in
Additional Product Features
Intended Audience
Trade
LCCN
2015-042123
Composed by
Galindo, Guillermo
Dewey Edition
23
Reviews
A new collaborative book of photography and art, Border Cantos , by photographer Richard Misrach and experimental composer Guillermo Galindo, captures some of the ostentatious absurdity of the border wall and the calamities, cultures, and artifacts that surround it. Bilingual, multi-genre, international, and multi-media, Border Cantos (Aperture, 2016) breaks down the obvious duality of any wall--that you are either on this side, or on that side--and exposes the human and environmental consequences of decades of political recklessness. - The Nation Amid all the political talk of building a wall between the U.S. and Mexico, Richard Misrach and Guillermo Galindo offer a poignant meditation on the patchwork borderline that now exists. - American Photo , Best Photography Book of Summer 2016 The pair collaborated in a traveling exhibition as well as this catalog, in which Misrach's visual artistry renders the desolate scenes all the more stunning. - American Photo , Best Photography Book of Summer 2016
Photographed by
Misrach, Richard
Dewey Decimal
972/.100222
Epilogue by
Kun, Josh
Synopsis
This project presents a unique collaboration between photographer Richard Misrach and composer and performer Guillermo Galindo. Misrach has been photographing the 2,000-mile border between the US and Mexico since 2004, with increased focus since 2009--the latest installation in his ongoing series Desert Cantos , a multifaceted approach to the study of place and man's complex relationship to it. Misrach and Galindo have been working together to create pieces that both document and transform the artifacts of migration. Using water bottles, clothing, backpacks, Border Patrol "drag tires," spent shotgun shells, ladders and sections of the border wall itself, most of which were collected by Misrach, Galindo fashions instruments to be performed as unique sound-generating devices. He also imagines graphic musical scores, many of which also use Misrach's photographs as points of departure. A unique melding of the artist as documentarian and interpreter, the book includes several suites of photographs drawn from a number of distinct series or Cantos , some made with a large-format camera as well as an iPhone. The book contains a compilation of two dozen sculpture-instruments, graphic scores, instrument designs and links to videos of performances by Galindo. Richard Misrach (born 1949) is one of the most influential color photographers of his generation. His work is held in collections including The Museum of Modern Art, Whitney Museum of American Art, and The Metropolitan Museum of Art, all in New York, and the National Gallery of Art, Washington, DC. In 2012 Misrach collaborated with Aperture to launch a book and exhibition titled Petrochemical America , exploring the health and environmental issues surrounding the Mississippi River industrial corridor, otherwise known as "Cancer Alley." Guillermo Galindo is an experimental composer. His interpretations of concepts such as musical form, time perception, music notation, sonic archetypes and sound-generating devices span a wide spectrum of artistic works performed and shown at major festivals, concert halls and art exhibitions throughout the US, Latin America, Europe and Asia., This project presents a unique collaboration between photographer Richard Misrach and composer and performer Guillermo Galindo. Misrach has been photographing the twothousand- mile border between the U.S. and Mexico since 2004, with increased focus since 2009-the latest installation in his ongoing series Desert Cantos, a multi-faceted approach to the study of place and man's complex relationship to it. Misrach and Galindo have been working together to create pieces that both document and transform the artifacts of migration. Using water bottles, clothing, backpacks, Border Patrol "drag tires," spent shotgun shells, ladders, and sections of the border wall itself, most of which were collected by Misrach, Galindo fashions instruments to be performed as unique sound-generating devices. He also imagines graphic musical scores, many of which also use Misrach's photographs as points of departure. A unique melding of the artist as documentarian and interpreter, the book will include several suites of photographs drawn from a number of distinct series, or Cantos-some made with a large-format camera as well as an iPhone. The book will also contain a compilation of two dozen sculpture-instruments, graphic scores, instrument designs, and links to videos of performances by Galindo on the image-inspired instruments., This project presents a unique collaboration between photographer Richard Misrach and composer and performer Guillermo Galindo. Misrach has been photographing the 2,000-mile border between the US and Mexico since 2004, with increased focus since 2009--the latest installation in his ongoing series Desert Cantos, a multifaceted approach to the study of place and man's complex relationship to it. Misrach and Galindo have been working together to create pieces that both document and transform the artifacts of migration. Using water bottles, clothing, backpacks, Border Patrol drag tires, spent shotgun shells, ladders and sections of the border wall itself, most of which were collected by Misrach, Galindo fashions instruments to be performed as unique sound-generating devices. He also imagines graphic musical scores, many of which also use Misrach's photographs as points of departure. A unique melding of the artist as documentarian and interpreter, the book includes several suites of photographs drawn from a number of distinct series or Cantos, some made with a large-format camera as well as an iPhone. The book contains a compilation of two dozen sculpture-instruments, graphic scores, instrument designs and links to videos of performances by Galindo.
LC Classification Number
F787.B655 2016
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