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Service Platon by Elisabeth Biondi, Sebastian Junger and Platon. Signed

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很好
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所在地:North Weymouth, Massachusetts, 美國
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eBay 物品編號:276410484585

物品細節

物品狀況
很好: ...
Era
2010s
ISBN
9783791382135
Book Title
Service : Platon
Item Length
10.8in
Publisher
Prestel Gmbh & Co KG.
Publication Year
2016
Format
Hardcover
Language
English
Item Height
1in
Author
Sebastian Junger, Platon, Elisabeth Biondi
Genre
Photography, Biography & Autobiography, History
Topic
Military / Veterans, Individual Photographers / Monographs, Subjects & Themes / Portraits & Selfies, Photoessays & Documentaries, Military
Item Width
7.8in
Item Weight
41.1 Oz
Number of Pages
208 Pages

關於產品

Product Information

In this powerful, evocative, and moving collection of images--many never-before published--Platon, one of the most acclaimed contemporary photographers, focuses on the effects of war on soldiers and their families. Having created over 25 Time magazine covers and succeeding Richard Avedon as a staff photographer for the New Yorker, Platon has become a household name. His evocative portraits of world leaders comprised a hugely successful previous book, Power. Now Platon has turned his lens to military service, embedding himself outside the battlefield in places where so much occurs that is so rarely mentioned.

Product Identifiers

Publisher
Prestel Gmbh & Co KG.
ISBN-10
3791382136
ISBN-13
9783791382135
eBay Product ID (ePID)
219217057

Product Key Features

Book Title
Service : Platon
Author
Sebastian Junger, Platon, Elisabeth Biondi
Format
Hardcover
Language
English
Topic
Military / Veterans, Individual Photographers / Monographs, Subjects & Themes / Portraits & Selfies, Photoessays & Documentaries, Military
Publication Year
2016
Genre
Photography, Biography & Autobiography, History
Number of Pages
208 Pages

Dimensions

Item Length
10.8in
Item Height
1in
Item Width
7.8in
Item Weight
41.1 Oz

Additional Product Features

Number of Volumes
1 Vol.
Lc Classification Number
Tr820.6.P536 2016
Reviews
"The book results from a project that began back in 2008, an assignment Platon took on after he was appointed as Richard Avedon's successor as staff photographer at the New Yorker . . . First, he spent time with troops while they trained in a simulated Iraqi village at the U.S. Army's National Training Center at Fort Irwin in the Mojave Desert, before they were deployed. Then he waited for them to return. When it was possible, he photographed them again -- or the loved ones who survived them." -- NPR, "Fans of Platon's work will find much to like in this new book. The reproductions emphasize the inky blacks and crisp contrasts in his black-and-white images. The lettering of the title on the book's cover looks like it was stamped into metal, reminiscent of dog tags. The pages are thick, as if the ink sits heavily on the page. The result is a book that feels both sturdy and raw, a repository for strong emotion." -- PDN: Photo District News "Platon, a master of minimalist studio portraiture, doesn't think of himself as a photojournalist. He considers a portrait session an 'event' in which subjects pose as 'a demonstration of their existence' and experience. His 'charming and seductive' nature, Biondi notes in the book's introduction, helps his subjects open up in front of the camera." -- Slate "In Service , a new photobook published by Prestel, Platon presents a collection of images which explores the wide-ranging and often surprising effects of war on soldiers, on families, and on society at large. It is a comprehensive study which moves from the surreal to the brutal to the tragic, a dizzying survey of the scale of war . . . In his work, Platon seeks connection above all things, learning peoples' stories and responding to them in such a way that affords his work its trademark intimacy. He is a humanistic photographer, and Service - with its expansive portrayal of the characters and dramas, small and large, of war - presents violent themes with great sensitivity." -- Feature Shoot "Before Service , most of Platon's photographs had been done in a studio. Outside that setting, his images became freer and more emotionally charged. Some of his most compassionate pictures were done on location. His photojournalistic images, which he took with his Leica, were most surprising to me. They were action-packed. They had an immediacy that was almost the opposite of his carefully crafted portraits. Platon's ability to be fluent in a number of photographic languages ... is one of the reasons his work from this project ... is so compelling. Perhaps the most moving pictures, like the one of Elsheba Khan cradling her son's gravestone, are those taken at Arlington cemetery." --Elisabeth Biondi, The New Yorker "Platon has built his portfolio photographing world leaders such as Vladimir Putin, Mahmoud Ahmadinejad and Aung San Suu Kyi. But leading up to Barack Obama's first election, he wanted to shift away from politics and humanize the big issues instead. In doing so, he would show the flip side to power: service. He embedded himself alongside the men and women who make extraordinary sacrifices every day to serve in the United States military. He focused on training leading up to their deployments, and he documented their returns from war." -- CNN
Copyright Date
2016
Target Audience
Trade
Lccn
2015-038259
Dewey Decimal
779/.935502
Dewey Edition
23
Illustrated
Yes

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