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**Doobie Brothers** 2011 Audiophile Mobile Fidelity Super Audio SS mini-Lp SACD

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全新
結束時間: 2024-05-20 05:41:17
最高出價:
US $29.89
大約HK$ 233.38
運費:
US $5.65(大約 HK$ 44.12) 經濟運送方式. 查看詳情— 運送
所在地:Seattle, Washington, 美國
送達日期:
估計於 6月25日, 二6月29日, 六之間送達 運送地點 43230
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eBay 物品編號:276460552644

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Composer
None
Speed
33 RPM
Occasion
None
Case Type
Jewel Case: Standard
Color
Black
Fidelity Level
High-Fidelity
Case Condition
Mint (M)
Material
Metal
Inlay Condition
Mint (M)
Catalog Number
Mobile Fidelity Sound Lab
Edition
Plays on all CD players, Super Audio SACD, Originally released in 1974, 2011 Audiophile Sealed mini-Lp CD, Limited Edition, Remastered
Type
Album
Producer
None
Language
English
Era
1970s
Instrument
Rhythm Guitar, Lead Guitar, Acoustic Guitar, Bass Guitar, Drums, Percussion
Style
1970s
Conductor
None
Features
Digipak, SACD, Sealed, Audiophile Master Recording, mini-Lp CD, Limited Edition Number
Country/Region of Manufacture
United States
Performer Orchestra
None
Number of Audio Channels
Stereo
UPC
0821797206068
Artist
Doobie Brothers, The Doobie Brothers
Format
Super Audio CD (SACD)
Release Year
2012
Record Label
Mobile Fidelity, MOFI
Release Title
What Were Once Vices Are NOW Habits
Genre
Rock

關於產品

Product Identifiers

Record Label
Mobile Fidelity, MOFI
UPC
0821797206068
eBay Product ID (ePID)
12046058756

Product Key Features

Release Year
2012
Format
Super Audio CD (SACD)
Genre
Rock
Artist
Doobie Brothers, The Doobie Brothers
Release Title
What Were Once Vices Are NOW Habits

Dimensions

Item Height
0.27in
Item Weight
0.17lb.
Item Length
5.59in
Item Width
5.31in

Additional Product Features

Number of Tracks
12
Tracks
1.1 'Song to See You Through' (Johnston) - 4:06 1.2 'Spirit' (Johnston, Simpson) - 3:15 1.3 'Pursuit on 53rd St.' (Johnston) - 2:33 1.4 'Black Water' (Simmons) - 4:17 1.5 'Eyes of Silver' (Johnston) - 2:57 1.6 'Road Angel' (Hartman, Hossack, Johnston, Porter) - 4:49 1.7 'You Just Can't Stop It' (Simmons) - 3:28 1.8 'Tell Me What You Want (And I'll Give You What You Need)' (Simmons) - 3:53 1.9 'Down in the Track' (Johnston) - 4:15 1.10 'Another Park, Another Sunday' (Johnston) - 4:27 1.11 'Daughters of the Sea' (Simmons) - 4:29 1.12 'Flying Cloud' (Porter) - 2:00
Number of Discs
1
Notes
New Numbered Edition Mini-LP-Style Packaging. Doobie Brothers' Most Diverse Record Includes #1 Smash 'Black Water'. What could The Doobie Brothers possibly do to follow-up the excellent The Captain and Me? Plenty. They started by inviting the Memphis Horns to inject more soul into their trademark, Southern-styled boogie rock. Next, they secured the services of Steely Dan virtuoso Jeff 'Skunk' Baxter to supply guitar and pedal-steel parts. And for extra spice, the band recruitedArlo Guthrie to play autoharp. The results? What Were Once Vices Are Now Habits, the group's most diverse album to date. It's just one reason Mobile Fidelity is proud to include the 1974 effort in it's phenomenal Doobie Brothers catalog restoration series. Of course, no record is worth it's salt without sharp songwriting. Fret not. What Were Once Vices Are Now Habits overflows with one memorable tune after another. It's a true collective effort, with the material reflecting the musical strengths of each of the members. Picking up where the disbanded Creedence Clearwater Revival had left off, Tom Johnston contributes the rousing 'Pursuit on 53rd Street' and 'Down in the Track. ' Patrick Simmons' 'Black Water' advances swamp rock, and gave the band it's first Number One hit. The Doobies also mine the country-rock vein like nobody's business. 'Tell Me What You Want (And I'll Give You What You Need)' and 'Another Park, Another Sunday' cross roots rhythms with edgy melodies. And the instrumental 'Flying Cloud,' contributed by bassist Tiran Porter, finds the Doobies further expanding their sonic palette while remaining faithful to their loose, good-time themes. By every stretch, What Were Once Vices Are Now Habits defies easy categorization yet soars on amiable vibes designed to satisfy the listener. Having reached #4 on the Billboard Album charts, it's safe to say the public was indeed impressed. Our engineers had the same goals in mind when mastering this 70s rock classic from the original master tapes. And so The Doobie Brothers' dual-drum approach now resonates with a punchiness it never previously possessed. Johnson's high-pitched vocals no longer hit an artificial ceiling or lurk behind a veiled curtain. The Memphis Horns' brassy accents carry, and the all-important midrange sounds immediate, transparent, and dynamic.

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Brand new item arrived in perfect condition. Very well packed - thank you so much!
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